BWW Review: MY MAñANA COMES - Intricate Details Upstage Everyday Kitchen Tales
The Los Angeles premiere of playwright Elizabeth Irwin's MY MAñANA COMES receives a very detailed mounting at the Fountain Theatre. Armando Molina quite ably directs his very talented cast at a quick clip with Irwin's very words-heavy dialogue flowing non-stop from the quartet. Ingenious scene chan...
BWW Review: 2Cents's Acting Out INK FEST Celebrates Art and the Female Playwright
2Cents's Acting Out INK Fest is back for its 3rd exciting year, organized by its Founding President and Artistic Director Kristin Boule. The Fest is being held for 3 days this weekend at the Hudson Theatres in Hollywood, right in the heart of Theatre Row and the LA 99-seat community. INK FEST 2016...
BWW Review: ANYTHING SERIOUS: Seriously Good Entertainment
Above the Curve Theatre successfully mounts Francisco Castro's ANYTHING SERIOUS. Its two perfectly cast leads, and the five strong players supporting them, winningly perform Castro's smart, witty script. Joe Lorenzo sure-handedly directs his talented troupe at a fast clip, making sure all receive th...
BWW Review: THE REVISIONIST Misses the Mark Due to Disjointed Script
While the writing is a bit disjointed and the story much too difficult to follow due to many comments spoken only in Polish by Ilia Volok as Zemon, a Polish taxi driver who provides various services to Maria, the acting by the two leads Seamus Mulcahy and Deanna Dunagan is superb. But while their ch...
BWW Review: Laughs Abound in Sarah Ruhl's Frothy Backstage Farce STAGE KISS at the Geffen Playhouse
I have long been a fan of plays that present an insider's look at what goes on behind-the-scenes at a theatrical production. A fine example of such a backstage farce is Sarah Ruhl's STAGE KISS, skillfully directed by Bart DeLorenzo who knows exactly how to make the most outrageous stage antics and ...
BWW Review: Those Fetching KINKY BOOTS Return to the Pantages for Two Weeks
Following in the footsteps of La Cage Aux Folles, Billy Elliott and Priscilla Queen of the Desert, all foreign films turned into Broadway musicals, Kinky Boots, the 2013 Tony Award-winning Best Musical, brings its spirited message of 'Just Be Who You Wanna Be' in a return to the Pantages for two...
BWW Review: AN EVENING OF CLASSIC BROADWAY Returns Triumphantly to Rockwell
On Tuesday April 12 I eagerly returned to Rockwell Table and Stage for the third time to see An Evening of Classic Broadway. The show comes to Rockwell for one evening every couple of months. Why do I keep coming back? Produced by Dianne Fraser and musically directed by extraordinarily talented Br...
BWW Review: New ComicCon-set Play FUTURE THINKING Blasts Off at South Coast Rep
ComicCon, the media-saturated annual juggernaut of promotion and sci-fi excess that puts celebrities and their costumed super-fans together in the same breathing space is the setting for playwright Eliza Clark's engaging new play FUTURE THINKING, now having its world premiere performances at Orange ...
BWW Review: DRY LAND Features a Pair of Fine Actresses Up a Creek
The Echo Theatre Company's west coast premiere of playwright Ruby Rae Spiegel's DRY LAND needs to come with an advisory warning. Those partial to the sight of profuse bleeding, as in an induced abortion, might think twice about seeing DRY LAND. This particular scene contains graphic bleeding and con...
BWW Review: Jubilant SISTER ACT Will Raise You Up at MTW
Sister Act the Musical started out in 2006 at the Pasadena Playhouse, premiered in London's West End in 2009 and then underwent serious revisions before coming to Broadway in 2011. I remember liking the first mounting in 2006 with many reservations. Since I loved the 1992 film so much, I didn't fe...
BWW Review: ALL IS FAIR (OR OBLIVION WROUGHT)- A Promising Work-in-Progress Features a Stand-Out Performance
Idly Bent's world premiere of playwright Reed Arnold's ALL IS FAIR (OR OBLIVION WROUGHT) presents an intriguing perspective of a love triangle wrong on so many levels. With some judicious editing and a stronger directorial hand, this two-and-a-half-hour two-act would make a sleek, entertaining 90-mi...
BWW Review: WILHOITE'S LIVING ROOM
About eight months ago, actress/singer Kathleen Wilhoite began performing the first Monday of every month at the E-Spot Lounge, formerly Upstairs at Vitello's, with a show entitled Wilhoite's Living Room. It is described as an evening of music, poetry reading, guest stars and comedy. I was curi...
BWW Review: RAIN Brings the Music and Magic of The Beatles LIVE to the Pantages!
RAIN performs the full range of The Beatles' discography live onstage, a total of 36 songs on the night I attended. It's quite a treat going from The Beatles appearance on the Ed Sullivan Show through 'Let it Be' and 'Hey Jude,' two of the last songs the group recorded together, with each album time...
BWW Review: Here Come THE Desperate REAL HOUSEWIVES OF TOLUCA LAKE
With a title like THE REAL HOUSEWIVES OF TOLUCA LAKE: THE MUSICAL you wouldn't expect to see high art, but I at least thought this new musical would kill it in the comedy department. Instead, it trades on desperate humor, trite songs, stereotypical characters, and a storyline you've seen before. Wh...
BWW Review: DINNER AT HOME BETWEEN DEATHS - Not the Most Delicious Meal
Indie Chi Productions presents the world premiere of playwright Andrea Lepcio's DINNER AT HOME BETWEEN DEATHS a bit undercooked; with lighting cues missed, the stumbling over lines, and an integral plot incident causing unintentional laughter. Stuart Ross does smartly direct his committed, obliging ...
BWW Review: ISC Presents a Smart, Strong OTHELLO in the Studio
Something interesting happens when you remove race as the primary motivator in Shakespeare's OTHELLO. The play's message about the progression of evil becomes even more universal. What was a story about a man destroying another man because of the color of his skin is now part of a larger more enigma...
BWW Review: A Deluge of RAIN Pours Into the Old Globe
You cannot beat the Old Globe Theatre for its audacity in mounting the challenging musical Rain, based on a short story by W. Somerset Maugham. Rain was made into three separate films, a silent in 1928 starring Gloria Swanson, and then in 1932 starring Joan Crawford as Miss Sadie Thompson, and fi...
BWW Review: Such a Pleasure Being Lost in VARLA JEAN MERMAN'S BIG BLACK HOLE
?VARLA JEAN MERMAN'S BIG BLACK HOLE triumphantly returns to The Los Angeles LGBT Center's Renberg Theatre with her sci-fi homage to Star Wars as only Varla Jean can do. Varla Jean emits an almost continuous stream of consciousness of observations (some double-entendre, most risque) on some current c...
BWW Review: The Actors' Gang Masterfully Transforms ORWELL'S 1984 into a Frighteningly Realistic Robbins' 2016
The Actors' Gang's Artistic Director Tim Robbins deftly directs his extremely talented cast as they fluidly impart the Orwellian tale of total Big Brother domination in ORWELL'S 1984. Originally viewed as sci-fi when written back in 1949, ORWELL'S 1984 complements as a fitting addition to The Actors...
BWW Review: These New DREAMGIRLS in La Mirada Will Make You Happy
Now playing at the La Mirada Theatre for the Performing Arts, the new McCoy/Rigby Entertainment production of the Tony Award-winning 1981 Broadway musical DREAMGIRLS is pretty much a faithful carbon-copy of the recent 2009 national touring production---which happens to also be directed and choreogra...
BWW Review: TICK, TICK... BOOM! - Simply a Mind-Blowing WOW!!!
After Hours Theatre has produced a kick-ass production of Jonathan Larson's TICK, TICK... BOOM!. Rebecca Kenigsberg astutely directs her ultra-talented cast of three at a quick, proficient pace wringing out all possible laughs and pathos out of Larson's autobiographical piece. Any theatre lover wit...
BWW Review: BABY OH BABY Premieres at the Whitefire
Playwrights Phil Scarpaci and T.L. Shannon are from opposite sides of the pond. Scarpaci is American and Shannon, British. When they wrote Baby Oh Baby, they decided to leave the setting England, as the British are expert farceurs and know a thing or two about delivering comedy. Surprisingly, the p...
BWW Review: Brilliant GENTLEMAN'S GUIDE TO LOVE AND MURDER Rocks Ahmanson
Winner of 4 Tony Awards in 2014, A Gentleman's Guide to Love and Murder is a devilishly clever musical sendup of the British aristocracy circa 1909. Production-wise it's a class act all the way, and for its adult audiences, it's a delicious odyssey of. nonstop laughter. Now at the Ahmanson through...
BWW Review: Can A SHRED OF EVIDENCE Really Ruin Your Idyllic Life?
Tense mysteries where not much happens in the way of real action on the stage can be problematic if the storyline proves to be too easy to figure out. Thankfully A SHRED OF EEVIDENCE by R.C. Sherriff directed by Jules Aaron at Theatre 40 is so well written and directed that you will be kept on the ...
BWW Review: A SINGULAR THEY Brilliantly Commands Your Riveted Uneasiness
The Blank Theatre's world premiere of Aliza Goldstein's A SINGULAR THEY successfully pulls off a mesmerizing mash-up of uncomfortable situations teenagers have to deal with. Christopher J. Raymond smoothly directs this engrossing seventy-five minute one-act eliciting fully-formed performances from h...
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