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LOS ANGELES THEATER REVIEWS

The latest reviews and critic recommendations from Los Angeles
BWW Review: FIGHTING SHADOWS - An L.A. Story of Love and Redemption

BWW Review: FIGHTING SHADOWS - An L.A. Story of Love and Redemption

by Ellen Dostal — April 20, 2016
We tell a lot of stories in the theatre. Here in Los Angeles, however, we don't often tell stories that are authentically home-grown. FIGHTING SHADOWS is that rare exception, a deeply personal story of a Mexican-American boy who grew up in east L.A., survived abuse, gangs, prison, and drugs, ultimat...
BWW Review: IT'S JUST SEX! Tries to Figure It Out

BWW Review: IT'S JUST SEX! Tries to Figure It Out

by Stacy Davies — April 18, 2016
The battle of the sexes. The battle of sex. Maybe, even, the battle for sex. However it's termed, men and women have scrambled to make sense of their insidious attraction versus spectacular confusion with each other since the Big Bang (ahem)....
BWW Review: THE END TIMES - Not the Best of Times

BWW Review: THE END TIMES - Not the Best of Times

by Gil Kaan — April 18, 2016
For those adverse to sitting through cult orientation lectures, the world premiere of playwright Jesse Mu-En Shao's THE END TIMES might be ninety minutes to avoid. Shao vividly recreates the militaristic recitation of a cult's teachings which all members continuously repeat, either to re-enforce the...
BWW Review: MY MAñANA COMES - Intricate Details Upstage Everyday Kitchen Tales

BWW Review: MY MAñANA COMES - Intricate Details Upstage Everyday Kitchen Tales

by Gil Kaan — April 18, 2016
The Los Angeles premiere of playwright Elizabeth Irwin's MY MAñANA COMES receives a very detailed mounting at the Fountain Theatre. Armando Molina quite ably directs his very talented cast at a quick clip with Irwin's very words-heavy dialogue flowing non-stop from the quartet. Ingenious scene chan...
BWW Review: 2Cents's Acting Out INK FEST Celebrates Art and the Female Playwright

BWW Review: 2Cents's Acting Out INK FEST Celebrates Art and the Female Playwright

by Shari Barrett — April 17, 2016
2Cents's Acting Out INK Fest is back for its 3rd exciting year, organized by its Founding President and Artistic Director Kristin Boule. The Fest is being held for 3 days this weekend at the Hudson Theatres in Hollywood, right in the heart of Theatre Row and the LA 99-seat community. INK FEST 2016...
BWW Review: ANYTHING SERIOUS: Seriously Good Entertainment

BWW Review: ANYTHING SERIOUS: Seriously Good Entertainment

by Gil Kaan — April 16, 2016
Above the Curve Theatre successfully mounts Francisco Castro's ANYTHING SERIOUS. Its two perfectly cast leads, and the five strong players supporting them, winningly perform Castro's smart, witty script. Joe Lorenzo sure-handedly directs his talented troupe at a fast clip, making sure all receive th...
BWW Review: Those Fetching KINKY BOOTS Return to the Pantages for Two Weeks

BWW Review: Those Fetching KINKY BOOTS Return to the Pantages for Two Weeks

by Don Grigware — April 14, 2016
Following in the footsteps of La Cage Aux Folles, Billy Elliott and Priscilla Queen of the Desert, all foreign films turned into Broadway musicals, Kinky Boots, the 2013 Tony Award-winning Best Musical, brings its spirited message of 'Just Be Who You Wanna Be' in a return to the Pantages for two...
BWW Review: AN EVENING OF CLASSIC BROADWAY Returns Triumphantly to Rockwell

BWW Review: AN EVENING OF CLASSIC BROADWAY Returns Triumphantly to Rockwell

by Don Grigware — April 14, 2016
On Tuesday April 12 I eagerly returned to Rockwell Table and Stage for the third time to see An Evening of Classic Broadway. The show comes to Rockwell for one evening every couple of months. Why do I keep coming back? Produced by Dianne Fraser and musically directed by extraordinarily talented Br...
BWW Review: New ComicCon-set Play FUTURE THINKING Blasts Off at South Coast Rep

BWW Review: New ComicCon-set Play FUTURE THINKING Blasts Off at South Coast Rep

by Michael L. Quintos — April 12, 2016
ComicCon, the media-saturated annual juggernaut of promotion and sci-fi excess that puts celebrities and their costumed super-fans together in the same breathing space is the setting for playwright Eliza Clark's engaging new play FUTURE THINKING, now having its world premiere performances at Orange ...
BWW Review: DRY LAND Features a Pair of Fine Actresses Up a Creek

BWW Review: DRY LAND Features a Pair of Fine Actresses Up a Creek

by Gil Kaan — April 11, 2016
The Echo Theatre Company's west coast premiere of playwright Ruby Rae Spiegel's DRY LAND needs to come with an advisory warning. Those partial to the sight of profuse bleeding, as in an induced abortion, might think twice about seeing DRY LAND. This particular scene contains graphic bleeding and con...
BWW Review: ALL IS FAIR (OR OBLIVION WROUGHT)- A Promising Work-in-Progress Features

BWW Review: ALL IS FAIR (OR OBLIVION WROUGHT)- A Promising Work-in-Progress Features a Stand-Out Performance

by Gil Kaan — April 10, 2016
Idly Bent's world premiere of playwright Reed Arnold's ALL IS FAIR (OR OBLIVION WROUGHT) presents an intriguing perspective of a love triangle wrong on so many levels. With some judicious editing and a stronger directorial hand, this two-and-a-half-hour two-act would make a sleek, entertaining 90-mi...
BWW Review: WILHOITE'S LIVING ROOM

BWW Review: WILHOITE'S LIVING ROOM

by Don Grigware — April 6, 2016
About eight months ago, actress/singer Kathleen Wilhoite began performing the first Monday of every month at the E-Spot Lounge, formerly Upstairs at Vitello's, with a show entitled Wilhoite's Living Room. It is described as an evening of music, poetry reading, guest stars and comedy. I was curi...
BWW Review: Here Come THE Desperate REAL HOUSEWIVES OF TOLUCA LAKE

BWW Review: Here Come THE Desperate REAL HOUSEWIVES OF TOLUCA LAKE

by Ellen Dostal — April 5, 2016
With a title like THE REAL HOUSEWIVES OF TOLUCA LAKE: THE MUSICAL you wouldn't expect to see high art, but I at least thought this new musical would kill it in the comedy department. Instead, it trades on desperate humor, trite songs, stereotypical characters, and a storyline you've seen before. Wh...
BWW Review: DINNER AT HOME BETWEEN DEATHS - Not the Most Delicious Meal

BWW Review: DINNER AT HOME BETWEEN DEATHS - Not the Most Delicious Meal

by Gil Kaan — April 4, 2016
Indie Chi Productions presents the world premiere of playwright Andrea Lepcio's DINNER AT HOME BETWEEN DEATHS a bit undercooked; with lighting cues missed, the stumbling over lines, and an integral plot incident causing unintentional laughter. Stuart Ross does smartly direct his committed, obliging ...
BWW Review: ISC Presents a Smart, Strong OTHELLO in the Studio

BWW Review: ISC Presents a Smart, Strong OTHELLO in the Studio

by Ellen Dostal — April 4, 2016
Something interesting happens when you remove race as the primary motivator in Shakespeare's OTHELLO. The play's message about the progression of evil becomes even more universal. What was a story about a man destroying another man because of the color of his skin is now part of a larger more enigma...
BWW Review: A Deluge of RAIN Pours Into the Old Globe

BWW Review: A Deluge of RAIN Pours Into the Old Globe

by Don Grigware — April 4, 2016
You cannot beat the Old Globe Theatre for its audacity in mounting the challenging musical Rain, based on a short story by W. Somerset Maugham. Rain was made into three separate films, a silent in 1928 starring Gloria Swanson, and then in 1932 starring Joan Crawford as Miss Sadie Thompson, and fi...
BWW Review: Such a Pleasure Being Lost in VARLA JEAN MERMAN'S BIG BLACK HOLE

BWW Review: Such a Pleasure Being Lost in VARLA JEAN MERMAN'S BIG BLACK HOLE

by Gil Kaan — April 2, 2016
?VARLA JEAN MERMAN'S BIG BLACK HOLE triumphantly returns to The Los Angeles LGBT Center's Renberg Theatre with her sci-fi homage to Star Wars as only Varla Jean can do. Varla Jean emits an almost continuous stream of consciousness of observations (some double-entendre, most risque) on some current c...
BWW Review: The Actors' Gang Masterfully Transforms ORWELL'S 1984 into a Frighteningl

BWW Review: The Actors' Gang Masterfully Transforms ORWELL'S 1984 into a Frighteningly Realistic Robbins' 2016

by Gil Kaan — April 1, 2016
The Actors' Gang's Artistic Director Tim Robbins deftly directs his extremely talented cast as they fluidly impart the Orwellian tale of total Big Brother domination in ORWELL'S 1984. Originally viewed as sci-fi when written back in 1949, ORWELL'S 1984 complements as a fitting addition to The Actors...
BWW Review: These New DREAMGIRLS in La Mirada Will Make You Happy

BWW Review: These New DREAMGIRLS in La Mirada Will Make You Happy

by Michael L. Quintos — April 1, 2016
Now playing at the La Mirada Theatre for the Performing Arts, the new McCoy/Rigby Entertainment production of the Tony Award-winning 1981 Broadway musical DREAMGIRLS is pretty much a faithful carbon-copy of the recent 2009 national touring production---which happens to also be directed and choreogra...
BWW Review: TICK, TICK... BOOM! - Simply a Mind-Blowing WOW!!!

BWW Review: TICK, TICK... BOOM! - Simply a Mind-Blowing WOW!!!

by Gil Kaan — March 28, 2016
After Hours Theatre has produced a kick-ass production of Jonathan Larson's TICK, TICK... BOOM!. Rebecca Kenigsberg astutely directs her ultra-talented cast of three at a quick, proficient pace wringing out all possible laughs and pathos out of Larson's autobiographical piece. Any theatre lover wit...
BWW Review: BABY OH BABY Premieres at the Whitefire

BWW Review: BABY OH BABY Premieres at the Whitefire

by Don Grigware — March 28, 2016
Playwrights Phil Scarpaci and T.L. Shannon are from opposite sides of the pond. Scarpaci is American and Shannon, British. When they wrote Baby Oh Baby, they decided to leave the setting England, as the British are expert farceurs and know a thing or two about delivering comedy. Surprisingly, the p...
BWW Review: Brilliant GENTLEMAN'S GUIDE TO LOVE AND MURDER Rocks Ahmanson

BWW Review: Brilliant GENTLEMAN'S GUIDE TO LOVE AND MURDER Rocks Ahmanson

by Don Grigware — March 28, 2016
Winner of 4 Tony Awards in 2014, A Gentleman's Guide to Love and Murder is a devilishly clever musical sendup of the British aristocracy circa 1909. Production-wise it's a class act all the way, and for its adult audiences, it's a delicious odyssey of. nonstop laughter. Now at the Ahmanson through...
BWW Review: A SINGULAR THEY Brilliantly Commands Your Riveted Uneasiness

BWW Review: A SINGULAR THEY Brilliantly Commands Your Riveted Uneasiness

by Gil Kaan — March 26, 2016
The Blank Theatre's world premiere of Aliza Goldstein's A SINGULAR THEY successfully pulls off a mesmerizing mash-up of uncomfortable situations teenagers have to deal with. Christopher J. Raymond smoothly directs this engrossing seventy-five minute one-act eliciting fully-formed performances from h...
BWW Review: Alexis Gershwin Keeps Gershwin Music Alive in GERSHWIN SINGS GERSHWIN

BWW Review: Alexis Gershwin Keeps Gershwin Music Alive in GERSHWIN SINGS GERSHWIN

by Don Grigware — March 24, 2016
On Tuesday, March 22 Alexis Gershwin brought her cabaret show to the Catalina Jazz Club for one night only to a sold out audience. The show entitled Gershwin Sings Gershwin was a delightful evening of many of the priceless standards that made George and Ira Gershwin two of the best composers of al...
BWW Review: Touching New Play GOING TO A PLACE WHERE YOU ALREADY ARE Premieres at Sou

BWW Review: Touching New Play GOING TO A PLACE WHERE YOU ALREADY ARE Premieres at South Coast Rep

by Michael L. Quintos — March 22, 2016
What happens to us when we die? Do we all make it to 'heaven,' regardless of our faith? This question is thrust front-and-center in playwright Bekah Brunstetter's pleasing world premiere play GOING TO A PLACE WHERE YOU ALREADY ARE, which continues performances at Costa Mesa's Tony Award-winning Sout...
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