Tailors chooses to set the Shakespearean tragedy to this day, in laborious Northeast. Cassio is a recommended and political upstart, Iago is the treacherous man we know, while Othello is a migrant who managed to conquer an important position and especially the beautiful Desdemona, the daughter of a Russian oligarch. All this arouses the anger of Venice dedicated to spritz (hence the ironic title of the work). The murder of Moro, insane jealousy, resembles the many crimes ' passionate ' consumed within the home that fill the Chronicles of our newspapers.
Taylors explains: "Otello is the prototype of the great leader capable of unforgettable enterprises on the battlefield and simultaneously to irreparable harm in private life".
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Infinite Bodies
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Dance Department of La Biennale di Venezia
La Biennale di Venezia (1/1 - 12/31) | ||
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