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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,548,022 | $1,548,022 | $136 $297 |
11,392 | 11,392 | 8 | 100.00% |
|
ALADDIN (NEW AMSTERDAM) |
$1,524,123 | $1,524,123 | $111 $213 |
13,688 | 13,816 | 8 | 99.10% |
|
ALL MY SONS (AMERICAN AIRLINES) |
$518,086 | $518,086 | $94 $350 |
5,484 | 5,920 | 8 | 92.60% |
|
BE MORE CHILL (LYCEUM) |
$389,761 | $389,761 | $81 $248 |
4,824 | 7,128 | 8 | 67.70% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$573,745 | $573,745 | $88 $247 |
6,493 | 8,208 | 8 | 79.10% |
|
BEETLEJUICE (WINTER GARDEN) |
$821,713 | $821,713 | $84 $223 |
9,764 | 11,944 | 8 | 81.70% |
|
BURN THIS (HUDSON) |
$682,820 | $682,820 | $109 $325 |
6,293 | 7,680 | 8 | 81.90% |
|
CHICAGO (AMBASSADOR) |
$571,763 | $571,763 | $84 $187 |
6,823 | 8,640 | 8 | 79.00% |
|
COME FROM AWAY (SCHOENFELD) |
$939,459 | $939,459 | $111 $297 |
8,500 | 8,368 | 8 | 101.60% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,294,952 | $1,294,952 | $162 $348 |
7,994 | 7,872 | 8 | 101.50% |
|
FRANKIE AND JOHNNY IN THE CLAIR DE LUNE (BROADHURST) |
$297,162 | $297,162 | $80 $247 |
3,724 | 9,304 | 8 | 40.00% |
|
FROZEN (ST. JAMES) |
$1,167,219 | $1,167,219 | $95 $228 |
12,297 | 13,472 | 8 | 91.30% |
|
GARY: A SEQUEL TO TITUS ANDRONICUS (BOOTH) |
$211,093 | $211,093 | $42 $273 |
5,070 | 6,160 | 8 | 82.30% |
|
HADESTOWN (WALTER KERR) |
$1,225,286 | $1,225,286 | $165 $499 |
7,448 | 7,344 | 8 | 101.40% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAMILTON (RICHARD RODGERS) |
$2,873,104 | $2,873,104 | $268 $849 |
10,733 | 10,568 | 8 | 101.60% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,654,176 | $1,654,176 | $127 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
HILLARY AND CLINTON (GOLDEN) |
$291,098 | $291,098 | $56 $297 |
5,228 | 6,296 | 8 | 83.00% |
|
INK (FRIEDMAN) |
$410,114 | $410,114 | $100 $299 |
4,101 | 5,096 | 8 | 80.50% |
|
KING KONG (BROADWAY) |
$688,827 | $688,827 | $67 $297 |
10,243 | 13,904 | 8 | 73.70% |
|
KING LEAR (CORT) |
$395,762 | $395,762 | $66 $273 |
5,993 | 8,392 | 8 | 71.40% |
|
KISS ME, KATE (STUDIO 54) |
$666,743 | $666,743 | $90 $350 |
7,446 | 7,984 | 8 | 93.30% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,011,905 | $1,011,905 | $109 $250 |
9,315 | 9,800 | 8 | 95.10% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$694,850 | $694,850 | $97 $323 |
7,190 | 8,552 | 8 | 84.10% |
|
NETWORK (BELASCO) |
$1,136,630 | $1,136,630 | $156 $497 |
7,267 | 7,105 | 7 | 102.30% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$583,922 | $583,922 | $113 $250 |
5,173 | 5,208 | 8 | 99.30% |
|
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$712,223 | $712,223 | $99 $275 |
7,226 | 9,344 | 8 | 77.30% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,020,010 | $1,020,010 | $118 $478 |
8,627 | 8,376 | 8 | 103.00% |
|
THE CHER SHOW (NEIL SIMON) |
$865,474 | $865,474 | $106 $247 |
8,188 | 11,040 | 8 | 74.20% |
|
THE FERRYMAN (JACOBS) |
$618,056 | $618,056 | $100 $223 |
6,176 | 8,152 | 8 | 75.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,315,941 | $2,315,941 | $171 $225 |
13,562 | 13,568 | 8 | 100.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,134,274 | $1,134,274 | $90 $213 |
12,558 | 12,840 | 8 | 97.80% |
|
THE PROM (LONGACRE) |
$683,432 | $683,432 | $91 $247 |
7,543 | 8,360 | 8 | 90.20% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,870,949 | $1,870,949 | $161 $497 |
11,648 | 11,480 | 8 | 101.50% |
|
TOOTSIE (MARQUIS) |
$1,099,790 | $1,099,790 | $102 $247 |
10,758 | 12,816 | 8 | 83.90% |
|
WAITRESS (BROOKS ATKINSON) |
$455,702 | $455,702 | $86 $270 |
5,290 | 8,360 | 8 | 63.30% |
|
WHAT THE CONSTITUTION MEANS TO ME (HAYES) |
$530,574 | $530,574 | $116 $197 |
4,589 | 4,664 | 8 | 98.40% |
|
WICKED (GERSHWIN) |
$1,960,837 | $1,960,837 | $129 $240 |
15,237 | 15,408 | 8 | 98.90% |
| TOTAL | $35,439,599 | $957,827 | $115.49 $305.95 |
306,861 | 347,537 | 295 | 88.30% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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