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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ALADDIN (NEW AMSTERDAM) |
$1,506,481 | $1,506,481 | $110 $228 |
13,641 | 13,816 | 8 | 98.70% |
|
AMERICAN PSYCHO (SCHOENFELD) |
$620,083 | $620,083 | $83 $248 |
7,453 | 8,248 | 8 | 90.40% |
|
AN ACT OF GOD (BOOTH) |
$293,212 | $293,212 | $64 $247 |
4,599 | 6,024 | 8 | 76.30% |
|
AN AMERICAN IN PARIS (PALACE) |
$681,148 | $681,148 | $85 $223 |
8,032 | 13,432 | 8 | 59.80% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$847,560 | $847,560 | $116 $299 |
7,338 | 8,208 | 8 | 89.40% |
|
BLACKBIRD (BELASCO) |
$413,284 | $413,284 | $73 $248 |
5,680 | 8,112 | 8 | 70.00% |
|
BRIGHT STAR (CORT) |
$437,980 | $437,980 | $74 $248 |
5,948 | 8,352 | 8 | 71.20% |
|
CHICAGO (AMBASSADOR) |
$505,919 | $505,919 | $81 $186 |
6,223 | 8,640 | 8 | 72.00% |
|
ECLIPSED (GOLDEN) |
$303,940 | $303,940 | $72 $198 |
4,233 | 6,416 | 8 | 66.00% |
|
FIDDLER ON THE ROOF (BROADWAY) |
$672,540 | $672,540 | $78 $225 |
8,673 | 13,656 | 8 | 63.50% |
|
FINDING NEVERLAND (LUNT-FONTANNE) |
$592,637 | $592,637 | $73 $225 |
8,158 | 12,032 | 8 | 67.80% |
|
FULLY COMMITTED (LYCEUM) |
$343,091 | $343,091 | $75 $250 |
4,545 | 7,312 | 8 | 62.20% |
|
FUN HOME (CIRCLE IN THE SQUARE) |
$342,143 | $342,143 | $77 $220 |
4,431 | 5,920 | 8 | 74.80% |
|
HAMILTON (RICHARD RODGERS) |
$1,854,989 | $1,854,989 | $172 $475 |
10,756 | 10,568 | 8 | 101.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
JERSEY BOYS (AUGUST WILSON) |
$505,461 | $505,461 | $87 $199 |
5,823 | 9,824 | 8 | 59.30% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$606,568 | $606,568 | $90 $299 |
6,771 | 11,392 | 8 | 59.40% |
|
LES MISÉRABLES (IMPERIAL) |
$685,321 | $685,321 | $83 $225 |
8,241 | 11,272 | 8 | 73.10% |
|
LONG DAY'S JOURNEY INTO NIGHT (AMERICAN AIRLINES) |
$433,191 | $433,191 | $87 $252 |
4,975 | 5,145 | 7 | 96.70% |
|
MATILDA (SHUBERT) |
$815,427 | $815,427 | $78 $250 |
10,465 | 11,456 | 8 | 91.30% |
|
ON YOUR FEET! (MARQUIS) |
$787,779 | $787,779 | $101 $199 |
7,809 | 13,008 | 8 | 60.00% |
|
PARAMOUR (LYRIC) |
$1,024,450 | $1,024,450 | $85 $199 |
12,000 | 15,168 | 8 | 79.10% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$1,024,700 | $1,024,700 | $95 $248 |
10,800 | 11,960 | 8 | 90.30% |
|
SHE LOVES ME (STUDIO 54) |
$644,551 | $644,551 | $84 $252 |
7,679 | 8,000 | 8 | 96.00% |
|
SHUFFLE ALONG, OR, THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT (MUSIC BOX) |
$960,427 | $960,427 | $124 $373 |
7,766 | 7,704 | 8 | 100.80% |
|
SOMETHING ROTTEN! (ST. JAMES) |
$628,040 | $628,040 | $81 $277 |
7,764 | 11,704 | 8 | 66.30% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,305,975 | $1,305,975 | $150 $477 |
8,726 | 8,528 | 8 | 102.30% |
|
THE COLOR PURPLE (JACOBS) |
$578,875 | $578,875 | $85 $193 |
6,837 | 8,408 | 8 | 81.30% |
|
THE CRUCIBLE (WALTER KERR) |
$482,516 | $482,516 | $80 $327 |
6,027 | 7,600 | 8 | 79.30% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$344,839 | $344,839 | $74 $233 |
4,634 | 8,144 | 8 | 56.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE FATHER (FRIEDMAN) |
$251,465 | $251,465 | $72 $150 |
3,470 | 5,200 | 8 | 66.70% |
|
THE HUMANS (HELEN HAYES) |
$457,093 | $457,093 | $104 $273 |
4,407 | 4,608 | 8 | 95.60% |
|
THE KING AND I (VIVIAN BEAUMONT) |
$483,314 | $483,314 | $82 $297 |
5,888 | 8,376 | 8 | 70.30% |
|
THE LION KING (MINSKOFF) |
$2,059,644 | $2,059,644 | $152 $225 |
13,544 | 13,568 | 8 | 99.80% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$857,783 | $857,783 | $87 $200 |
9,881 | 12,840 | 8 | 77.00% |
|
WAITRESS (BROOKS ATKINSON) |
$981,923 | $981,923 | $120 $270 |
8,212 | 8,360 | 8 | 98.20% |
|
WICKED (GERSHWIN) |
$1,684,817 | $1,684,817 | $127 $240 |
13,270 | 14,456 | 8 | 91.80% |
| TOTAL | $27,019,166 | $750,532 | $98.36 $254.93 |
274,699 | 347,457 | 287 | 79.06% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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