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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A DELICATE BALANCE (GOLDEN) |
$706,174 | $706,174 | $138 $323 |
5,109 | 6,416 | 8 | 79.60% |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$841,587 | $841,587 | $119 $250 |
7,046 | 7,304 | 8 | 96.50% |
|
ALADDIN (NEW AMSTERDAM) |
$1,607,102 | $1,607,102 | $117 $253 |
13,732 | 13,784 | 8 | 99.60% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,235,710 | $1,235,710 | $161 $299 |
7,675 | 8,208 | 8 | 93.50% |
|
CABARET (STUDIO 54) |
$935,919 | $935,919 | $131 $350 |
7,160 | 7,144 | 8 | 100.20% |
|
CHICAGO (AMBASSADOR) |
$479,248 | $479,248 | $81 $186 |
5,946 | 8,640 | 8 | 68.80% |
|
CINDERELLA (BROADWAY) |
$990,052 | $990,052 | $80 $297 |
12,307 | 14,008 | 8 | 87.90% |
|
CONSTELLATIONS (FRIEDMAN) |
$325,875 | $325,875 | $82 $0 |
3,953 | 4,550 | 7 | 86.90% |
|
DISGRACED (LYCEUM) |
$332,589 | $332,589 | $86 $198 |
3,873 | 7,344 | 8 | 52.70% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$592,551 | $592,551 | $99 $248 |
6,013 | 7,049 | 7 | 85.30% |
|
HONEYMOON IN VEGAS (NEDERLANDER) |
$321,524 | $321,524 | $51 $223 |
6,343 | 9,256 | 8 | 68.50% |
|
IF/THEN (RICHARD RODGERS) |
$525,214 | $525,214 | $81 $223 |
6,477 | 10,488 | 8 | 61.80% |
|
IT'S ONLY A PLAY (SCHOENFELD) |
$1,408,914 | $1,408,914 | $169 $347 |
8,345 | 8,552 | 8 | 97.60% |
|
JERSEY BOYS (AUGUST WILSON) |
$837,362 | $837,362 | $115 $197 |
7,255 | 9,824 | 8 | 73.80% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,126,354 | $1,126,354 | $118 $298 |
9,512 | 11,392 | 8 | 83.50% |
|
LES MISÉRABLES (IMPERIAL) |
$858,645 | $858,645 | $95 $273 |
9,027 | 11,272 | 8 | 80.10% |
|
MAMMA MIA! (BROADHURST) |
$527,353 | $527,353 | $86 $225 |
6,155 | 9,328 | 8 | 66.00% |
|
MATILDA (SHUBERT) |
$1,078,021 | $1,078,021 | $105 $250 |
10,313 | 11,456 | 8 | 90.00% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$889,590 | $889,590 | $106 $250 |
8,366 | 12,056 | 8 | 69.40% |
|
ON THE TOWN (LYRIC) |
$713,291 | $713,291 | $83 $247 |
8,581 | 14,992 | 8 | 57.20% |
|
ONCE (JACOBS) |
$666,416 | $666,416 | $93 $198 |
7,186 | 8,472 | 8 | 84.80% |
|
PIPPIN (MUSIC BOX) |
$512,514 | $512,514 | $81 $225 |
6,327 | 7,920 | 8 | 79.90% |
|
ROCK OF AGES (HELEN HAYES) |
$400,950 | $400,950 | $92 $197 |
4,358 | 4,664 | 8 | 93.40% |
|
SIDE SHOW (ST. JAMES) |
$513,912 | $513,912 | $68 $197 |
7,512 | 10,424 | 8 | 72.10% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,862,009 | $1,862,009 | $213 $475 |
8,744 | 8,528 | 8 | 102.50% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$867,003 | $867,003 | $119 $195 |
7,281 | 8,144 | 8 | 89.40% |
|
THE ELEPHANT MAN (BOOTH) |
$973,202 | $973,202 | $159 $298 |
6,128 | 6,192 | 8 | 99.00% |
|
THE ILLUSIONISTS - WITNESS THE IMPOSSIBLE (MARQUIS) |
$1,213,927 | $1,213,927 | $99 $175 |
12,221 | 14,373 | 9 | 85.00% |
|
THE LAST SHIP (NEIL SIMON) |
$779,799 | $779,799 | $96 $225 |
8,152 | 10,792 | 8 | 75.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,200,409 | $2,200,409 | $170 $198 |
12,908 | 13,600 | 8 | 94.90% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$928,596 | $928,596 | $91 $200 |
10,200 | 12,840 | 8 | 79.40% |
|
THE REAL THING (AMERICAN AIRLINES) |
$445,978 | $445,978 | $83 $0 |
5,395 | 5,920 | 8 | 91.10% |
|
THE RIVER (CIRCLE IN THE SQUARE) |
$785,131 | $785,131 | $142 $275 |
5,536 | 5,568 | 8 | 99.40% |
|
THIS IS OUR YOUTH (CORT) |
$322,733 | $322,733 | $53 $223 |
6,123 | 8,488 | 8 | 72.10% |
|
WICKED (GERSHWIN) |
$1,986,719 | $1,986,719 | $139 $300 |
14,284 | 14,472 | 8 | 98.70% |
|
YOU CAN'T TAKE IT WITH YOU (LONGACRE) |
$486,341 | $486,341 | $90 $250 |
5,386 | 8,584 | 8 | 62.70% |
| TOTAL | $31,278,714 | $868,853 | $111.34 $237.94 |
280,929 | 342,044 | 287 | 82.13% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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