National Theatre Conservatory to Next Present CHARLEY'S AUNT and FAHRENHEIT 451
The National Theatre Conservatory presents two fully-produced plays where eight upcoming graduates will take the stage as part of the annual NTC Rep. FAHRENHEIT 451 will run in repertory at The Conservatory Theatre April 4 – April 21 and CHARLEY'S AUNT will run April 5 – April 21. NTC Rep is the last step before students receive their Masters of Fine Arts in Acting from The National Theatre Conservatory. Tickets may be purchased now, by calling 303.893.4100 or visiting www.denvercenter.org.
In Ray Bradbury's classic, FAHRENHEIT 451 illustrates a frightening vision of the future, firemen don't put out fires – they start them in order to burn books because reading is illegal. In a society where thinking is banned one fireman must choose between suppression and desire, to defend or destroy the world he knows. FAHRENHEIT 451 is directed by Sabin Epstein.
CHARLEY'S AUNT by BranDon Thomas and directed by Larry Hecht is the story of a simple lunch between friends that turns into an afternoon of high speed hilarity. Add a man in a dress, an aunt from Brazil, one randy uncle and a dash of love on the run and you have the perfect recipe for comedy.
Starring in FAHRENHEIT 451 and CHARLEY'S AUNT are students Biko Eisen-Martin, Courtney Esser, Maurice Jones, Amy Kersten, ZZ Moor, Chiara Motley, Andrew Schwartz and Matt Zambrano. These students were seen this season in the Denver Center Theatre Company's main stage productions of The Liar, To Kill a Mockingbird, The Adventures of Tom Sawyer, A Christmas Carol and The Taming of the Shrew.
Single tickets for FAHRENHEIT 451 and CHARLEY'S AUNT are $18 and are on sale now. To purchase, call Denver Center Ticket Services at 303.893.4100. For groups of 10 or more, please call 303.446.4851. TTY (for Deaf and hard-of-hearing patrons):303.893.9582. Tickets also may be purchased at the Denver Center Ticket Office, located in the Helen Bonfils Theatre Complex lobby. Buy and print online at www.denvercenter.org.
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