Human Race and Wright State Theatres Unite to Open Next Season
By: Gabrielle Sierra
The Human Race, Dayton's own professional theatre company, and the Theatre Department of Wright State University will both open their 2010-2011 seasons with one of the most acclaimed dramatic works of the young millennium - and, in a first for the region, they'll be doing it together.
Tracy Letts' August: Osage County, won the 2008 Pulitzer Prize for Drama, along with the Best Play Tony and about every other possible award since Chicago's Steppenwolf Theatre first produced it three years ago, and Time called it the best drama of the decade. The Human Race/Wright State collaboration, to be presented at WSU September 23 - October 10, will be one of the first regional presentations of the dramatic comedy about three generations of a dysfunctional Oklahoma family brought together by the disappearance of the family patriarch.The idea of producing August began simultaneously on both sides of the collaboration. "Scott (Stoney) and I saw it in its final New York preview, right before the Broadway strike, and we knew it was a rare, top-quality script," says Human Race Artistic Director Marsha Hanna, who will be directing the co-production. "I also knew that it would be difficult for us to produce, in part because of cast size, but mostly because the size of the set is far too big for The Loft." Wright State's 349-seat theatre fills the show's needs well.WSU's Center for Excellence in Collaborative Education, Leadership and Innovation in the Arts, which fosters synergistic projects in the greater Dayton region, is a sponsor.The collaboration provides both entities an excellent opportunity to expand their audiences, to reach people who may not have seen their work before. Subscribers to both will have first choice of seats, with an opportunity to include August: Osage County in their season selections.The regional premiere of August: Osage County will not only be a landmark collaborative production for The Human Race and Wright State Theatres, it will give regional audiences an opportunity to see an exciting new production of what The New York Times called "flat out, no asterisks and without qualifications, the most exciting new American play Broadway has seen in years."

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