BWW Review: Remounting of BYHALIA, MISSISSIPPI at Steppenwolf's 1700 Theatre Fuels the Mind and the Heart
Evan Linder's new play BYHALIA, MISSISSIPPI begins with a scene familiar to those in the audience: a mother and her adult daughter squabbling.
The latest reviews and critic recommendations from Chicago.
Evan Linder's new play BYHALIA, MISSISSIPPI begins with a scene familiar to those in the audience: a mother and her adult daughter squabbling.
Parts of the plot of Between Riverside and Crazy reflect events and situations very similar to those happening in society today.
A daring company takes it easy this summer, which may just be OK.
From the haunting opening notes to the robust finale, there's not a wrong note in Marriott Theatre's latest musical, MAN OF LA MANCHA.
Piecing together a new mythology is an audacious undertaking, and yet it is an act that is at the very heart of theatre-making: the building of a new world, with its own origins and order, that only becomes fully realised when an audience believes in it.
Both Melissa James Gibson's play THIS and Windy City Playhouse's production exist on a precipice.
To be or not to be … married.
Ethan Slater offers a star-making turn as everyone's favorite Sponge.
Lifeline gives new musical life to Austen obscurity.
Lookingglass Theatre always brings thought-provoking, visually entertaining work to its stage, and its latest production fits that bill, for the most part.
Chicago's camp theater troupe Hell in a Handbag scores with the premiere of Charles Busch's send up of nun films, THE DIVINE SISTER.
Broadway In Chicago's engagement of THE SOUND OF MUSIC national tour makes for a pleasant and tuneful evening at this Rodgers and Hammerstein classic.
In the opening moments of Nick Payne's new play CONSTELLATIONS-now in its Chicago premiere in the Upstairs Theatre at Steppenwolf-the playwright presents audiences with an archetypal 'Boy Meets Girl' story.
There's a moment during the ritzy, jazzy smash hit, Chicago, when charming lawyer Billy Flynn compares a murder trial to a dazzling, show-stopping circus: 'Give'em a show that's so splendiferous,' he says.
For Strawdog Theatre Company's final production in its Broadway home, the company fittingly presents George S.
CHESS, Porchlight Musical Theatre's final staged reading in the third season of its 'lost' musicals-as- staged-concert series manages to present the show's glorious, pop opera score in all its glory and nearly succeeds in covering up the fault lines that run through the book.
Under the direction of Lee Blakeley at Lyric Opera (who originally staged this production for Paris's Theatre du Chatelet in 2014), Rodgers and Hammerstein's classic musical THE KING AND I is heightened to the lavish and beautiful spectacle it deserves.
THE HOUSE OF BLUE LEAVES is a mixed bag of tone and theme.
Woody Allen's film is promising source material for a musical.
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Fleetwood Max Raue Center For The Arts (10/03-10/03) |
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Love Story: A Tribute to Taylor Swift Raue Center For The Arts (11/07-11/07) |
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Mean Girls Paramount Theatre (8/26-10/11) |
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Rotary Rocks The Raue: James Garner's Tribute to Johnny Cash Raue Center For The Arts (10/24-10/24) |
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The Dave Matthews Tribute Band Raue Center For The Arts (9/25-9/25) |
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Blond Ambition: A Tribute to Madonna Raue Center For The Arts (11/07-11/07) |
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Memphis The Musical Studebaker Theater at the Fine Arts Building (10/24-10/25) |
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The Beautiful Game In Concert Athenaeum Center for Thought and Culture (8/31-8/31) |
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Come From Away Marriott Theatre (8/26-10/18) |
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Rocky Horror Picture Show Original Cast Spooktacular Tour with Barry Bostwick, Nell Campbell, and Patricia Quinn Chicago Theatre (10/31-10/31) |