BWW Reviews: Court Stages a Regal SECRET GARDEN Revival
The Court Theatre ends its 60th with the extraordinary revival of THE SECRET GARDEN...
BWW Reviews: JERSEY BOYS Stuck in One Season
'Jersey Boys,' the hit musical chronicling the story of the Four Seasons, which previously had an extremely successful sit-down production in Chicago, has rolled back into town as a stop on its national tour. All remains intact: The 'Joysy' speak, the high croon of Frankie Valli (played in this prod...
Theater at the Center's BIG FISH: an Engagingly Theatrical Multi-Course Meal
As yet another sign of the Chicago area's dominance in the world of the American musical theater, I need only point to the fact that it is undoubtedly the only market that has hosted three different productions of the Andrew Lippa musical "Big Fish," at three different tiers of the industry and thre...
BWW Reviews: SOUL BROTHER, WHERE ART THOU? at The Second City e.t.c.
Perfectly executed evening of laughs, tears, and outcry makes SOUL BROTHER Second City e.t.c.'s best work in years....
BWW Reviews: Bailiwick's MURDER BALLAD is a Rocking Affair
BroadwayWorld.com Chicago reviews Bailiwick Theater Chicago's 'Murder Ballad.'...
BWW REVIEWS: Lyric Opera of Chicago's CAROUSEL Is Huge, Audaciously Daring, and Bracingly Human
When one of the world's major opera houses announced its plans to present the best-known works of Broadway's Rodgers and Hammerstein over a five-season span, no one had reason to believe that the Lyric Opera of Chicago would present a 'Carousel' starring a slew of Broadway, television, opera and bal...
BWW Reviews: Paramount's LES MISERABLES Dazzles, But Only Scratches the Surface
Broadwayworld.com reviews Paramount Theatre's 'Les Miserables'...
BWW Reviews: Theo Ubique's JESUS CHRIST SUPERSTAR
Theo Ubique offers up an intimate re-telling of the Webber/Rice rock opera JESUS CHRIST SUPERSTAR that offers up new insights, but you just might find yourself questioning some of the production choices....
BWW Chicago Reviews: THE FIRST WIVES CLUB
Sisterhood is a powerful and powerfully funny thing in the Pre-Broadway tryout of THE FIRST WIVES CLUB....
BWW Reviews: Steppenwolf's MARIE ANTOINETTE Glitters, But is Not Gold
Upon walking into Steppenwolf's Upstairs Theatre where David Adjmi's modern-day inspired 'Marie Antoinette' is currently running, the audience is immediately thrust into the world of the play before any actors even step onto the stage. Thanks to a gorgeous and perfectly executed set design by Clint ...
BWW Reviews: Two Snaps for Mercury's THE ADDAMS FAMILY
Mercury Theater hits it out of the park with the kooky, funny and touching 'The Addams Family -The Musical'...
BWW Reviews: Paramount Theatre's THE WHO'S TOMMY Struggles to Find Its Voice
Broadwayworld.com reviews Paramount Theatre's production of 'The Who's Tommy.'...
BWW Reviews: Theater Wit's MR. BURNS Conjures Up a Futuristic Folktale
Broadwayworld reviews Theater's Wit's production of 'Mr. Burns, a Post-Electric Play.'...
BWW Reviews: CINDERELLA's New Glass Slippers Are a Perfect Fit
BroadwayWorld.com reviews the National Tour of 'Cinderella' in its Chicago stop....
BWW Chicago Reviews: NEWSIES Tour a hit!
The nations touring production of Disney's NEWSIES is a crowd-pleasing hit...
BWW Reviews: Jump Down the Rabbit Hole With LOOKINGGLASS ALICE
BroadwayWorld reviews Lookingglass Theatre's 'Lookingglass Alice.'...
BWW Reviews: DR. SEUSS' HOW THE GRINCH STOLE CHRISTMAS: THE MUSICAL
While being short on appeal for adults, 'HOW THE GRINCH STOLE CHRISTMAS: THE MUSICAL' is a decidedly kid-friendly holiday show is the perfect vehicle to introduce children to the wondrous magic of live musical theater....
BWW Reviews: Drury Lane's CAMELOT Fizzles in a Passionless Production
BroadwayWorld.com Chicago reviews Drury Lane's current production of 'Camelot.'...
BWW Reviews: Griffin Theatre's TITANIC
Griffin Theatre's glorious production of the revised Tony award-winning musical 'Titanic' is a must-see for musical theater fans....
BWW REVIEWS: AMAZING GRACE's World Premiere in Chicago: Sweet Sounds, Heavy Themes Close to Completion
Can a new musical be 'pre-Broadway' without having a New York theater booked, or without even announcing a timetable for said booking? How about a musical largely penned by a previously unknown writer, one who worked as a Pennsylvania policeman, and never formally studied music composition? Well, AM...
BWW Reviews: SMOKEFALL at Goodman Theatre
SMOKEFALL, currently occupying the Goodman's Albert stage following last year's successful run, is absolutely stunning....
BWW REVIEWS: World Regional Premiere of WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN Is Expertly Done, Coolly Received
David Yazbek has shown himself to be a Broadway composer-lyricist to be reckoned with, after a splashy debut with 2000's "The Full Monty," and a meaningful follow-up with 2005's "Dirty Rotten Scoundrels." Both film adaptations, they won Drama Desk Awards for him, as well as Tony nominations. 2010's ...
BWW Reviews: DEATH TAX at Lookingglass Theater
The early Greek theaters were temples. The purpose of theater was to give people a place in which to worship their gods. It was believed that by going to the theater, one could have direct communication with the gods. Well, almost; it was believed that spiritual information came down from the gods t...
BWW Reviews: Paramount's CATS Offers High-Quality Entertainment
BroadwayWorld reviews Paramount Theatre's 'Cats.'
The felines prowling the stage at Aurora's Paramount Theatre have truly been given the five-star treatment. On a perfectly polished (and monstrous) set by Kevin Depinet (along with projections by Michael Stanfill), they are given plenty of room to j...
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