BWW Review: ST. NICHOLAS at Goodman Theatre
Acclaimed actor Brendan Coyle takes the Goodman stage in Conor McPherson's thoroughly bizarre monologue play ST.
Chicago Theater Reviews
The latest reviews and critic recommendations from Chicago.
Review: THE LIGHTNING THIEF Electrifies
Review: THE LIGHTNING THIEF Electrifies
BWW Review: FIDDLER ON THE ROOF at Cadillac Palace Theatre
In his Tony-nominated revival of FIDDLER ON THE ROOF, now playing on tour at Broadway in Chicago's Cadillac Palace Theatre, director Bartlett Sher delivers a fresh and strikingly relevant vision of this 1960s classic.
BWW Review: Jamie Allan's iMAGICIAN: MAGIC BEYOND BELIEF
Despite the incorporation of modern technology, Allan's iMAGICIAN is purely old-school, family-friendly magic.
BWW Review: LA RUTA at Steppenwolf Theatre Company
I left the world premiere of Isaac Gomez's LA RUTA at Steppenwolf Theatre Company with a heavy heart, yet one that was also full as I admired the immense work of the all-female Latinx ensemble.
BWW Review: A Less Than Full THE FULL MONTY at Theo Ubique
Theo Ubique's debut in its new Evanston performance space disappoints.
BWW Review: THE SANTALAND DIARIES at Goodman Theatre
To sum up the Goodman Theatre's pairing of holiday productions this season: it was the best of humanity; it was the worst of humanity.
BWW Review: THE PLAY THAT GOES WRONG at Oriental Theatre
If there's one thing the world needs more of right now it's laughter.
BWW Review: A CHRISTMAS CAROL at Goodman Theatre
The Goodman Theatre's annual production of A CHRISTMAS CAROL, now in its 41st year, embraces Charles Dickens' world with all of its Victorian charm.
Review: HIAH's Holiday Romp SNOWGIRLS: THE MUSICAL
HIAH puts a holiday twist on the camp classic 'Showgirls' with SNOWGIRLS: THE MUSICAL
BWW Review: FAMILIAR at Steppenwolf Theatre Company
Danai Gurira's FAMILIAR, now in its Chicago premiere at Steppenwolf, offers up a lighthearted and laugh-out-loud funny family comedy, even as the play probes questions of identity and assimilation into American culture.
BWW Review: THE WOMAN IN BLACK at Royal George Theatre
THE WOMAN IN BLACK is a prime example of the power of live theater: relying on evocative language, simple yet effective sound and lighting design, and skilled acting, this two-man gothic thriller easily surpasses any high-budget horror film in its ability to create a communal sense of fear among an
BWW Review: Irving Berlin's HOLIDAY INN at Marriott Theatre
With its abundance of classic tunes and tightly choreographed ensemble numbers, Irving Berlin's HOLIDAY INN is the perfect fit for the Marriott Theatre, a company that excels with dance-heavy shows in its intimate, in-the-round space.
Review: An Epic and Sweeping MISS SAIGON
The current National Tour of MISS SAIGON feature refreshed staging and a heartfelt, emotional and star-making performance by Emily Bautista.
BWW Review: RIGHTLYND at Victory Gardens Theater
Ike Holter's RIGHTLYND sets into motion the central theme of the tension between political idealism and the realities that come with power in a complicated, often staid political machine.
BWW Review: BEAUTY AND THE BEAST at Drury Lane Theatre
In an era when stage adaptations of animated films are seemingly a dime a dozen, BEAUTY AND THE BEAST has stood the test of time, and for good reason.
BWW Review: 110 IN THE SHADE at BoHo Theatre
BoHo Theatre's production of Harvey Schmidt and Tom Jones's 110 IN THE SHADE makes the central, fierce, independent female character of Lizzie Curry take center stage.
BWW Review: LADY IN DENMARK at Goodman Theatre
Though often described as a 'universal language,' music, perhaps more than any other art form, is intricately linked to the memories and emotions of the individual.
BWW Review: Sympathy for the Devil in Steppenwolf's DOWNSTATE
Based on his prior works, Playwright Bruce Norris seemingly relishes nothing more than to push the buttons of the liberal, cultural elite (aka most theatergoers).
BWW Review: MASTER CLASS at Timeline Theatre Company
In Timeline Theatre Company's MASTER CLASS, Chicago favorite Janet Ulrich Brooks schools the audience with her commanding performance as famous opera singer Maria Callas.
BWW Review: HELLO, DOLLY! at Broadway In Chicago
The touring production of the 2017 Tony Award-winning revival HELLO, DOLLY! has arrived in Chicago with a jubilant, tuneful, and visually pleasing staging.
BWW Review: PRIVATE PEACEFUL at Greenhouse Theater, starring Shane O'Regan, offers a profound meditation on war through the eyes of youth
Author Michael Morpurgo (of WAR HORSE fame) once interviewed three World War One veterans from rural England and later wrote, 'There was no poetry in their stories, only horror and regret and great sadness for the loss of good friends.
BWW Review: GYPSY at Porchlight Music Theatre
Here she is, boys.
BWW Review: PIPPIN at Mercury Theater's Venus Cabaret
Cue the jazz hands--Stephen Schwartz and Roger O.
BWW Review: CURIOUS INCIDENT at Steppenwolf Theatre Company
Under Jonathan Berry's direction, Simon Stephens's THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME has found its emotional center at Steppenwolf.
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Fleetwood Max Raue Center For The Arts (10/03-10/03) |
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Love Story: A Tribute to Taylor Swift Raue Center For The Arts (11/07-11/07) |
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Mean Girls Paramount Theatre (8/26-10/11) |
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Rotary Rocks The Raue: James Garner's Tribute to Johnny Cash Raue Center For The Arts (10/24-10/24) |
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The Dave Matthews Tribute Band Raue Center For The Arts (9/25-9/25) |
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Blond Ambition: A Tribute to Madonna Raue Center For The Arts (11/07-11/07) |
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Memphis The Musical Studebaker Theater at the Fine Arts Building (10/24-10/25) |
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The Beautiful Game In Concert Athenaeum Center for Thought and Culture (8/31-8/31) |
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BritBeat--The Immersive Beatles Experience ECC Arts Center (9/26-9/26) |
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Paula Poundstone Raue Center For The Arts (9/12-9/12) VIDEOS |