The Art Institute of Chicago presents Sex, an exhibition with new works by Anne Imhof (b. 1978, Giessen) that opens to the public on May 30, and will include three days of live performances through June 1. Imhof has emerged as one of the most provocative and pioneering voices of her generation. Her work establishes a new paradigm for exhibitions and gives form to a sense of alienation and detachment that increasingly shapes our society. Sex shows the wide range of attitudes present in Imhof's practice, as the exhibition moves from a choreographed performance during its first days, to an installation including sculpture, painting and sound in the weeks that follow.
The central sculptural element in Sex is a large wooden pier. Often used as a structure to gaze at the horizon, Imhof proposes the pier as an architecture that divides the gallery into oppositional zones: above and beneath, top and bottom, light and shade, inside and outside, visible and invisible. In the performance that launches the installation, these binaries expand into male and female, hope and desperation, pain and pleasure, and ultimately, life and death. Sex deals with the fluidity between these seemingly irreconcilable forces, as Imhof and her collaborators continuously shift between them and merge what appears to be incompatible. Hendrik Folkerts, Dittmer Curator of Contemporary Art at the Art Institute of Chicago and curator of the exhibition, emphasizes this aspect of the work: "The lyrics of one of the songs in Sex quotes writer and playwright Bertolt Brecht: "In the dark times. Will there also be singing? Yes, there will also be singing. About the dark times." Our time is filled with contradictions, some generative, others violent and destructive. In this exhibition, Imhof captures our dark times yet also offers us moments of intimacy, beauty and hope. The Art Institute is honored to co-commission and present such a timely and ambitious work by Anne Imhof."Videos