Skip to main content Skip to footer site map

Review: THE SANTALAND DIARIES at Goodman Theatre

Review: THE SANTALAND DIARIES at Goodman Theatre

The ceaselessly cynical Crumpet the Elf has returned to Goodman Theatre for the second year in a row. This year Steven Strafford takes the lead in David Sedaris's THE SANTALAND DIARIES under the direction of Steve Scott. While Strafford's take on David/Crumpet remains as foul-mouthed and blunt as ever, the actor's take on the role has some real vulnerability. Strafford gives us the sense that Crumpet wears his cynicism like armor, using it as a defense mechanism to combat his loneliness and discontentment with his current career status (Crumpet's declaration that being an elf seems like a "terrifying" job opportunity rings especially true here). Although Strafford's Crumpet has a deft emotional center, he still never compromises on the humor-but his delivery is smartly such that audiences may land on different moments as the funniest in Sedaris's text (adapted by Joe Mantello for the stage).

Crumpet once again occupies Kevin Depinet's technicolor set this season with clean lines, bright colors, and a cheeky vibe that seems far more pleasant than the Macy's Santaland the character describes. Strafford dons Rachel Lambert's elf costume with aplomb, making a particularly amusing show of the first time he reveals the absurd outfit.

Strafford makes the elf wryly observational, delivering his many thoughts on the visitors and fellow elves at Santaland with a straightforwardness that does not skirt around the frankness of his comments. He swears like a sailor, but this year's version of the script does make a shift to the most outdated and offensive piece of language in the script. Though THE SANTALAND DIARIES is still very much a show "for mature elves only," that tweak makes it more palatable for 2019 audiences. Crumpet's crassness and unabashed willingness to share precisely what's on his mind are qualities Strafford embodies on the whole, but that change makes that all the more welcome in this year's edition.

For audiences looking for some off-kilter and funny holiday fare, Strafford's portrayal of Crumpet certainly hits the spot.

THE SANTALAND DIARIES runs through December 29 in Goodman Theatre's Owen Theatre, 170 North Dearborn. Tickets are $25-$67. Visit GoodmanTheatre.org.

Photo Credit: Cody Nieset

Review by Rachel Weinberg



About Face Theatre Presents World Premiere of GENDER PLAY Photo
About Face Theatre concludes its 28th season with the world premiere of Gender Play, or what you Will by Will Wilhelm and Erin Murray, performing May 4 through June 3, 2023, at The Den Theatre.

Tickets on Sale for Porchlights ICONS GALA Honoring Ben Vereen and Paul Lisnek Photo
Award-winning Porchlight Music Theatre announced last night at Chicago Sings Broadway Pop that the 2023 ICONS Gala, Porchlight’s signature fundraising event, will be held Friday, Sept. 8 at 5:30 p.m. at The Ritz-Carlton Chicago at Water Tower Place, 160 E. Pearson St.

Third Eye Announces Tenth And Final Season With Gian Carlo Menottis THE CONSUL Photo
Celebrating their 10th and final season, Third Eye Theatre Ensemble harkens back to their roots with a stirring and timely performance of Gian Carlo Menotti's The Consul. 

Mandala Arts Presents PASSAGES OF DANCE & MUSIC: ASIAN CHOREOGRAPHERS SHOWCASE, May&nb Photo
​​​​​​​Mandala South Asian Performing Arts, which connects audiences and students with the vibrancy, flavors, and colors of the performing arts traditions of South Asia, presents “Passages of Dance & Music: Asian Choreographers Showcase,” Sunday, May 7 at 3 p.m. at the Visceral Dance Center, 3121 N. Rockwell, Chicago.


From This Author - Rachel Weinberg

Chicago native Rachel Weinberg has been one of the most frequent contributing editors and critics for BroadwayWorld Chicago since joining the team in 2014. She is a marketing professional specializ... (read more about this author)


Review: THE COMEDY OF ERRORS at Chicago Shakespeare TheaterReview: THE COMEDY OF ERRORS at Chicago Shakespeare Theater
March 17, 2023

Chicago Shakespeare Theater Artistic Director Barbara Gaines cleverly marries play and production concept in THE COMEDY OF ERRORS for her final production.

Review: LAYALINA at Goodman TheatreReview: LAYALINA at Goodman Theatre
March 15, 2023

Martin Yousif Zebari’s LAYALINA is a heartwarming multigenerational family play that spans from Baghdad to Skokie. While Zebari doesn’t shy away from portraying the family’s trauma and the challenges of their immigrant experiences, LAYALINA is the opposite of many other family plays. It’s about how the central family tries to reconnect and find commonalities, despite their generational and cultural differences.

Review: DESCRIBE THE NIGHT at Steppenwolf Theatre CompanyReview: DESCRIBE THE NIGHT at Steppenwolf Theatre Company
March 13, 2023

Rajiv Joseph’s DESCRIBE THE NIGHT, now in its Chicago premiere at Steppenwolf Theatre Company, is a sprawling exploration of the blurring of fiction and fact, censorship, and the quest to preserve truth.

Review: TONI STONE at Goodman TheatreReview: TONI STONE at Goodman Theatre
February 8, 2023

What did our critic think of TONI STONE at Goodman Theatre? TONI STONE is a memory play-in more ways than one. Lydia R. Diamond's play is indeed structured in non-linear (and yet, still mostly chronological order) as the titular Toni Stone recounts her memories as the first woman to regularly play professional baseball. It's also a memory play in the sense that it captures a moment in history that many audiences may not know before they see the work. In real life, Toni Stone played for the Indianapolis Clowns, a Negro League team, in 1953. The play itself never references that year-or any dates in Toni's timeline-outright (the program merely lists the setting as '1920's-1940's USA.') Instead, Toni weaves between different moments in her life, diving in and out of them-much like she might dive to catch a ball in the outfield (although she played second base).

Review: LADY DAY AT EMERSON'S BAR AND GRILL at Mercury Theater ChicagoReview: LADY DAY AT EMERSON'S BAR AND GRILL at Mercury Theater Chicago
February 5, 2023

What did our critic think of LADY DAY AT EMERSON’S BAR AND GRILL at Mercury Theater Chicago? To say Alexis J. Roston's performance as Billie Holiday in LADY DAY AT EMERSON'S BAR AND GRILL is a masterclass in acting and singing is no exaggeration. Roston gives the kind of lived-in, seamless performance that only comes from knowing the material intimately well, and indeed, it's a role she's played many times before.