BWW Review: ADAM GWON Touches the Heart at 54 Below
Adam Gwon has very devoted fans. His songs have been recorded by Audra Macdonald and Liz Callaway, among others, and are frequently heard performed in cabaret shows by hundreds of artists. But for all of the acclaim Gwon has received over the past decade or so, he has yet to write the show that will...
BWW Review: The Out Of Towners Are Outta Sight When Meghan Kirk and Carolyn German Play DON'T TELL MAMA In The Same Day
By accident, a St. Louis Woman and a Nashville Nightengale play the same New York City nightclub within hours of each other, and prove that Manhattan has no copyright on cabaret talent....
BWW Review: With MUSIC OF MY LIFE At The Green Room 42 Richard H. Blake Returns To The Stage, Where He Belongs
Richard H. Blake was scheduled to play his club act at The Green Room 42 before the pandemic. Finally, he fans, friends, and family got to see his dream realized... and it's really good....
BWW Review: MICHAEL FEINSTEIN: SUMMERTIME SWING! Is a Lesson in Showmanship at Feinstein's 54 Below
I’m happy to report that SUMMERTIME SWING! is perfectly on-brand. Mr. Feinstein delivers some finely crafted gems from the Great American Songbook with his trademark energy and showmanship. I have seen Feinstein mostly in larger venues, and so the surprising element in this show was to see how...
BWW Review: Ellen Marlow Stuns in SILVER LININGS at The Green Room 42
In a dark, mauve-curtained room, on the fourth floor of a hotel, around 7:15 p.m. on August 26th, the lights began to dim, and a scattered audience of socially distanced cabaret goers erupted into cheers and applause as Ellen Marlow bounded onto the stage. Marlow was at The Green Room 42 performing ...
BWW Review: Amy Beth Williams Transcends Her Own Simplicity To Deliver A BEAUTIFUL MYSTERY At Don't Tell Mama
The beauty of the ABW experience. So simple and so nuanced was each tale she told, weaving them into a larger story portrait song after song of a brave woman who had been there and back again standing on stage telling us things we ought to know in order to get by....
BWW Review: ELIZABETH WARD LAND: STILL WITHIN THE SOUND OF MY VOICE Tells the Story of Two Artists at The Green Room 42
In 2020, Elizabeth Ward Land (Amazing Grace, Scandalous, The Scarlet Pimpernel, Memphis, City of Angels) won the Bistro Award for Outstanding Tribute Show for her work on STILL WITHIN THE SOUND OF MY VOICE: THE SONGS OF LINDA RONSTADT. Tonight she gave a repeat performance of that award-winning show...
BWW Review: THE BOY BAND PROJECT Makes A Dazzling Debut At Feinstein's/54 Below
The Boy Band Project made their 54 Below debut Sunday night, and it's about time....
BWW Review: SALON Throws a Sweet Sixteen Party at Don't Tell Mama
Tonight, SALON performed for the first time after sixteen months off. Even the threat of a tropical storm outside didn’t deter a good number of people from celebrating its return. This evening’s theme was threefold: “Welcome Back!,” “Sweet Sixteen” in honor of Salon’s 16th anniversary...
BWW Review: NORBERT LEO BUTZ SINGS TORCH SONGS FOR A PANDEMIC Is a Tonic For the Soul at 54 Below
Norbert Leo But is an actor who is hard to pin a label on. It’s hard to believe that Jamie Wellerstein, Alfie Doolittle, Paddy Chayefsky, Agent Carl Hanratty, Freddy Benson Edward Bloom, and Fiyero all came out of the same brain space. And yet, that very chameleon-like versatility has been the hal...
BWW Review: JARED CHINNOCK & EVAN BUCKLEY HARRIS: OLD SOULS Strikes Just the Right Chord at Don't Tell Mama
Chinnock and Harris are a study in contrasts. Jared Chinnock is a small, wiry, blond, tenor, guitar player with a Welsh accent. His style is percussive and dramatic. Evan Buckley Harris is a tall, dark-haired, baritone pianist. His style is more lyrical and laid-back. But for all their differences,...
BWW Review: BONNIE MILLIGAN Raises the Roof at 54 Below
Bonnie Milligan is what Broadway used to sound like: brassy, belted, and funny. Thank God, there are still women around who know how to do it. There is a huge difference between selling a song with some charm in a big voice, and 'screlting' at the top of your lungs. Ethel Merman knew the difference...
BWW Review: DEREK KLENA Sings Straight From the Heart at Feinstein's 54 Below
Onstage, Tony nominee Derek Klena has played a lot of roles that could be best described as 'heels,' well-meaning guys who go horribly wrong due to a lapse in good judgment. It comes as a pleasant surprise to find out that Derek Klena, actor, singer, cabaret performer, is in truth a genuinely affab...
BWW Review: ANITA GILLETTE & PENNY FULLER Are A Wonder in SIN TWISTERS at 54 Below
Penny Fuller may have had the quote of the evening when she and Anita Gillette unveiled the new version of their show SIN TWISTERS. She was quoting the great Barbara Cook, who said 'I wish someone had told me I was working in The Golden Age. I would have paid attention.' That is a mouthful. Anita Gi...
BWW Review: MICHAEL MOTT & FRIENDS Makes You Want to Get Up On Your Feet at 54 Below
Michaeln Mott performs at 54 Below about every six months. Thanks to the pandemic it’s been nearly a year an half since he was last in the august cabaret room. But he was back tonight at last with a new edition of his showcase, MICHAEL MOTT & FRIENDS. And he had lots to show off....
BWW CD Review: TRAVIS MOSER & DREW WUTKE- SO MANY PEOPLE: THE SONDHEIM SESSIONS Succeeds on Its Own Terms
Travis Moser, a full-throated musical theatre baritone, sings five songs mostly from the first half of Sondheim's career. He is joined by his longtime musical director Drew Wutke, who has created stripped-down piano-only versions of the songs. Recorded about 6 months into the pandemic, Moser has use...
BWW Review: WE'RE BACK. LILLIAS WHITE is a Force of Nature at The Green Room 42
Lillias White (Dreamgirls, Cats, Once On This Island, How to Succeed, The Life, Fela!) is the kind of performer who engenders adoration. She serves up joy and talent in giant portions in everything she does. She won the Tony for The Life, the Obie for Romance in Hard Times, and a Daytime Emmy for he...
BWW Review: AMBER IMAN Couldn't Be Better at 54 Below
Amber Iman rises to new heights in cabaret with her show at Feinstein's/54 Below....
BWW Review: Maria-Christina Oliveras is Glorious in GLORY OF LOVE at Feinstein's/54 Below
A popular New York City stage actress goes out on a limb and finds it is just where she belongs....
BWW Review: Ari Axelrod Brings All He's Got To The Westbank Cafe
Ari Axelrod's recent dinner music set at The Westbank Cafe yielded great fun for the audience... and for future audiences as well....
BWW Review: Wikka Is Weird and Wonderful at Don't Tell Mama in SEND IN THE CLOWNS
It's always fabulous to find something to see that is completely new and outside of the lines - and Wikka is certainly all of that and more....
BWW Review: An Artist Creating Art In An Artful Way is Reeve Carney At The Greenroom 42
The effect of his Rock/Jazz/Blues hybrid music on his attendees was incalculable. Unable to stand and scream and shout and wave lit cigarette lighters about, watching the audience physically and emotionally react from their chairs left one with an almost sacred feeling....
BWW Review: Sold Out Crowd Loves SO THIS IS LOVE And Eva Noblezada at The Green Room 42
The Green Room 42's most popular act is back on the boards, and the club is back at maximum capacity....
BWW Review: CHARLOTTE LIBOV Is a Hit On Her First Cabaret Outing on MetropolitanZoom
Charlotte Libov, a winner of MetropolitanZoom's 2021 giveaway contest, delivered a fun and pleasant collection of songs from the Broadway, film, and pop repertoires....
BWW CD Review: With BILLY'S PLACE Billy Stritch Gives Fans More Of The Same ... And That's a Great Gift To Get
In October 2020 Billy Stritch released an album inspired by his virtual piano lounge. Now, he has released a lush 46-instrument orchestration of a Streisand classic... all the while doing his virtual show and starting back to live performances. No rest for the truly talented....
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