Review: ROMEO ET JULIETTE at Arizona Opera by Herbert Paine
- March 05, 2024 Arizona Opera's revival of Charles Gounod’s ROMEO ET JULIETTE is, by all measures, a triumph of staging and performance. Following its performances in Phoenix, the production moves to the Temple of Music and Art in Tucson AZ (March 9th and 10th).
Review: Another BALLO, Another Peculiar Reinvention, at Barcelona's Liceu, under Riccardo Frizza by Richard Sasanow
- March 04, 2024 UN BALLO IN MASCHERA—A MASKED BALL—certainly makes for a juicy opera, on paper at least. It has a plot filled with passion, jealousy and conspiracies, and a score by Giuseppe Verdi that has some of his most memorable music, including a great duet, plus unforgettable arias for soprano, tenor and baritone, and some first-rate music for secondary characters (Ulrica the fortune teller and Oscar the pants-role page) and chorus. The production at Barcelona’s gorgeous Grand Liceu Theatre didn’t stint on the resources for the cast and Verdi sounded as good as he should under conductor Riccardo Frizza with the company’s orchestra and chorus in fine form.
Review: Juilliard's ERISMENA Goes for Truly Baroque with Game Cast under Heijboer Castanon by Richard Sasanow
- March 01, 2024 It’s always a joy to see the Juilliard Opera/Juilliard Historical Performance department perform in the intimate realm of the Rosemary and Meredith Willson Theatre, where the audience is up close and personal to the action on stage. Last week’s performances of Francesco Cavalli’s ERISMENA happily fell neatly into that category. Even with a libretto that’s had more lives than the proverbial cat, the work manages to weave its magic.
Review: What's the Destiny of the Met's New FORZA? Close Your Eyes and Listen to the Fine Cast by Richard Sasanow
- February 27, 2024 Much was made of the fact that it’s been almost 20 years since Verdi’s LA FORZA DEL DESTINO was last seen at the Met. For its heralded return, they picked a choice cast (starting with Lise Davidsen), a fine conductor (Music Director Yannick Nezet Seguin) and a director (Mariusz Trelinski) who’s, well,… Two out of three ain’t bad, considering the cast. So we might as well start there.
Feature: Director Mary Birnbaum Readies EMIGRE—Oratorio by Zigman, Campbell and Walsh—for US Debut by Richard Sasanow
- February 27, 2024 “I think the story is about survival, and about people sheltering one another,” director Mary Birnbaum told me in our conversation about EMIGRÉ, the oratorio that features what she called “composer Aaron Zigman’s sweeping score” and the “complex storytelling” by librettist Mark Campbell and lyricist Brock Walsh. The work makes its US debut on February 29 at the New York Philharmonic in Geffen Hall, under conductor Long Yu.
Reviews/Photos: Critics Sound Off On The Met Opera's LA FORZA DEL DESTINO by Joshua Wright
- February 27, 2024 Critics have now weighed in on The Met's new production of La Forza Del Destino. Met Music Director Yannick Nézet-Séguin conducts Mariusz Treliński’s new production of Verdi’s epic tale of ill-fated love and deadly vendetta. Check out the reviews and all-new images of the production.
Video: Watch All New Clips from The Met Opera's LA FORZA DEL DESTINO by Joshua Wright
- February 26, 2024 Watch all new clips of the new production of La Forza Del Destino. Met Music Director Yannick Nézet-Séguin conducts Mariusz Treliński’s new production of Verdi’s epic tale of ill-fated love and deadly vendetta. Check out the video!
Video: Inside The Design Of Atlanta Opera's A MIDSUMMER NIGHT'S DREAM by Joshua Wright
- February 26, 2024 How does Atlanta Opera bring the enchanted forest of A Midsummer Night’s Dream to life? In this all-new video watch how how tradition met innovation for this production.