In the annals of the Wagner family, the name Houston Stewart Chamberlain is but a footnote. Yet, argues Avner Dorman's new opera Wahnfried, he was in some ways the link between Richard Wagner and Adolf Hitler. Chamberlain was a failing English scientist who became obsessed with Wagner's music, after the composer's death marrying Wagner's daughter Eva and moving to Bayreuth. There he stayed close to his adopted family and, eventually, to Adolf Hitler, whom he hugely admired. Hitler for his part saw Chamberlain as a mentor and was highly influenced by his magnum opus, The Foundations of the Nineteenth Century - which codified Aryan supremacy and systemic anti-Semitism. Hitler so admired the older man that he often quoted him, and made the journey to Bayreuth for his funeral.
Wahnfried, scored by the much-in-demand Israeli-American composer Dorman, with a libretto by Lutz Hübner and Sarah Nemitz, two of the most admired German playwrights of our day, presents the story of Chamberlain at Bayreuth. It's a satirical study of a man who thought himself the living embodiment of a Wagnerian hero, only to realise (as he is tormented by the mocking "Wagner demon") that he could never aspire to true greatness. And yet, as so often, mediocrity was no bar to the poison he was able to spread... Keith Warner directs this world premiere production, which has been commissioned by the Karlsruhe Staatstheater to complement their new production of Wagner's Ring cycle. The opera house's Music Director, Justin Brown, conducts a cast that includes Matthias Wohlbrecht as Houston Stewart Chamberlain, Christina Niessen as Cosima Wagner, Andrew Watts / Eric Jurenas as Siegfried Wagner and Barbara Dobrzanska as Anna Chamberlain. The opera will run in repertoire until 12th May.Videos