Review: No One Should Pass by Emerson Colonial Theatre's PARADE
What did our critic think of PARADE at Emerson Colonial Theatre?
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What did our critic think of PARADE at Emerson Colonial Theatre?
What did our critic think of A MAN OF NO IMPORTANCE at Roberts Theatre, Calderwood Pavilion At Boston Center For The Arts?
BSC’s 2025 10X10 NEW PLAY FESTIVAL offers plenty of humor along with moments that will have audience members saying hmmh, topical relevant content, and something for just about everyone.
What did our critic think of LADY DAY AT EMERSON'S BAR AND GRILL at Merrimack Repertory Theatre?
With its magnificent mounting of August Wilson’s “The Piano Lesson,” at Hibernian Hall in Nubian Square, Roxbury, through February 23, Actors’ Shakespeare Project has given Boston theatergoers the first must-see production of 2025.
What did our critic think of HAUNTED at Company One Theatre?
Theater fans have a long and affectionate history with the musical “Peter Pan,” and the J.
What did our critic think of CRUMBS FROM THE TABLE OF JOY at Lyric Stage Boston?
What did BroadwayWorld's critic think of A NEW YEAR'S EVE CELEBRATION WITH BERNADETTE PETERS AND THE BOSTON POPS at Boston Symphony Hall? Read the review here!
Get a ticket, if you still can, to her illuminating and immensely entertaining new play “Diary of a Tap Dancer” – being given its world premiere production by the American Repertory Theater in Cambridge through January 4, 2025 – and you’ll never forget it.
Theater UnCorked has opened its sixth season with a sharp, searing production of “The Lion in Winter” that lays out a powerful story of a royal family struggling both with succession planning and with each other.
Thanksgiving pageants – complete with Pilgrims, Native Americans, and oddly over-stuffed turkeys – were once the order of the day at elementary schools, with centuries-old precepts presented as truths.
What did our critic think of NOISES OFF at Lyric Stage Boston?
What did our critic think of SOJOURNERS at The Huntington?
A distant cousin of America’s New Year’s Eve Times Square ball-dropping tradition, “Dinner for One” is an iconic comedy sketch broadcast every New Year’s Eve in countries including Germany, Austria, Switzerland, Denmark, and Estonia, and on other days of the year in Norway, Australia, and
GALILEO’S DAUGHTER is a strong representation of WAM theater’s mission and values that include “producing theatrical events for everyone, with a focus on women theatre artists and / or stories of women and girls”.
More than 112 years after RMS Titanic – then the largest ocean liner afloat – struck an iceberg and sank on April 15, 1912, during its maiden voyage from Southampton, England, to New York, the public’s fascination with its tragic story remains unabated.
What did our critic think of NASSIM at Calderwood Pavilion?
What did our critic think of THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE at Merrimack Repertory Theatre?
What did our critic think of DIRTY ROTTEN SCOUNDRELS at Moonbox Productions? Read the review.
THE WEIR promises an exploration of human connection, the echoes of personal haunting, and the mystical allure of Ireland's folklore, captivating audiences with its hauntingly evocative storytelling.
What did our critic think of URINETOWN: THE MUSICAL at The Lyric Stage Company Of Boston?
Czech-born British playwright and screenwriter Tom Stoppard, 87, was the child of non-observant Jews whose family fled Czechoslovakia during World War II, just prior to Nazi occupation.
PRIMARY TRUST is a refreshingly intimate production.
What did our critic think of LAUGHS IN SPANISH at Roberts Theatre, Calderwood Pavilion At Boston Center For The Arts? SpeakEasy Stage Company is opening its 34th season, the final for artistic director Paul Daigneault, with a fresh, lively, and funny production of “Laughs in Spanish” that has so
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