Can anyone suggest any Non-Realistic plays? I'm familiar with authors such as: Albee, Pinter, Ionesco, etc. Anything would be helpful. Updated On: 11/5/08 at 08:37 PM
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
How about some Sam Shepard. Gotta love when a main character pees on stage!
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
What do you mean by "I'm familiar with..."? Do you only want recommendations from those playwrights? "Rhinoceros" is the most famous Ionesco play.
I third "Skin of Our Teeth." Also look at Strindberg's "A Dream Play" and Stoppard's "Rosencrantz and Guildenstern are Dead." I also love "For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf."
Of course, there's also the granddaddy of them all, "Waiting for Godot" coming to the Roundabout.
what is this for? Like when you say not realistic, like fantasy? metaphor? Because I would definitely suggest Angels in America but I'm not positive if it fits what you're looking for.
<-- Gwen Stewart, SOLoist at the last show of RENT Cages or wings?
Which do you prefer?
Ask the birds.
Fear or love, baby?
Don't say the answer
Actions speak louder than words.
(Tick, Tick... BOOM!)
In addition to other stuff that's been mentioned (I know I have a couple of repeats in here too):
Büchner: Leonce and Lena, Wozzeck Grabbe: Jest, Satire, Irony and Deeper Significance Strindberg: A number of plays including A Dream Play and The Ghost Sonata Ibsen: Peer Gynt Anything by Maeterlinck, Ionesco, Beckett, Genet Durrenmatt: The Visit (especially in the original version as translated by Patrick Bowles, less so in the adaptation by Maurice Valency) Lots of stuff though not everything by Pinter Rice: The Adding Machine Wedekind: Spring Awakening, The Lulu Plays Anything by Witkiewicz Guare: Landscape of the Body, Rich and Famous Albee: The American Dream, Tiny Alice, The Play About the Baby, Seascape, Box and Quotations from Chairman Mao, The Man Who Had Three Arms, among others Shepard: Buried Child, and others Brecht: Lots of stuff, including The Good Person (or Woman) of Setzuan, In the Jungle of Cities, Man Is Man Handke: Kaspar O'Neill: The Great God Brown
I had to read The Visit in my German class and, as terrible as my German was, I loved that play.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
"I'm still working on what in The Goat, or Who Is Sylvia? is NOT realistic? It is normally done in a totally believable and realistic style -- no?"
I'd say that The Goat, or Who Is Sylvia? is one of the many plays that are in a kind of in-between area. I purposely didn't include many such plays on my list, but many people will consider those plays non-realistic.
Strictly speaking, nothing in The Goat, or Who Is Sylvia? couldn't happen, but it does seem that the play is essentially metaphorical, that we're not meant to take the action literally. So many other plays fall into that category, including a number of other Albee plays, most Pinter plays, a number of Guare plays, and so on.
How realistically to act and design these plays is pretty much up to the director and actors. (Of course, that's always up to the director and actors . . . )
Jose Rivera writes some of the most beautiful magic realism out there. Marisol is a stunning piece and Cloud Tectonics quite gorgeous in its simplicity.
Tenn Williams' plays are always very stylized, but one of his best plays, Camino Real is definetly in this category. I'm also in love with Orpheus Descending but it's prob more in the stylized than non realisitc category (where do we draw the line?)
I dunno, it always interests me. Someone listed Glass Menagerie which Williams called a "Memory Play" but, I'd still classify it as more or less realistic--but maybe some wouldn't?
I just thought of one of my faves, which I did a student directed production of. Cloud Nine by Caryl Churchill. http://en.wikipedia.org/wiki/Cloud_Nine_(play) has a lot about it. I believe Tommy Tune actually directed the slightly revised New York production and got a lot of acclaim for it (Maury Yeston doing the incidental music)
It definetly fits the non realistic category--although it's pretty sexually graphic if that's an issue. Updated On: 11/7/08 at 05:37 AM
My school is doing a night of Latina/o Theatre and we're presenting Jose Rivera's "Winged Man," Lynne Alvarez's "On Sundays" and Milcha Sanchez-Scott's "The Dog Lady." All of the plays involve a lot of magical realism.