DrewBill - You are 100% correct Evita is by far the best of the British sung-through musicals (it's not perfect: it's no "gypsy" afterall).... however Evita has hardly been the cultural behemoth that are phantom and les mis. If importance is measured in cultural and global impact (as according to rewritemystory) then surely we'd have to add all frivolous but successful musicals... Mamma Mia! for example. - I'm not saying that s/he is wrong, I'm merely sharing my opinion.
I still don't think "Evita" should be on the list, although it's ALW's best work it represents a genre that no longer has a future on broadway and is hardly iconic of musical theatre.
zooxanthellae: I see your point, but I still kind of think that "Evita" is the most significant artifact of its time and place. And if you're looking at modern theater history, it can't be overlooked. Yes, the British sung-through musical was just a passing fad, but I think "Evita," and the other shows like it, set the stage for today's "commercial" musicals.
Not to start an argument, but if I were editing your list, I would probably replace "The King and I" with "Evita," and "Follies" with "Company." (I can't believe I just typed that!)
Anybody studying to be a dramatist in any capacity (i.e. playwright, bookwriter- though they're the same thing, composer, lyricist) should read, devour and worship Gypsy.
Hmmm. I think it depends on the context of this list. If you're wondering what shows you should know as a performer with regards to shows you may well find yourself in, you should most certainly know 'Mamma Mia!', 'Phantom Of The Opera', 'Les Miserables', 'Joseph And The Amazing Technicolour Dreamcoat', 'Blood Brothers' (this is a UK kinda list ); anything that's been running for a while and will doubtless run a while longer, or anything that's prone to revivals or tours.
But I think the context of this thread is what shows should an actor know in a historical context. If you go to drama school or a producer and don't know about these shows, you'll look like uneducated scum who's just in it for the 'Spring Awakening'. I do think 'Phantom' and 'Les Mis' should count though, because they're so outrageously popular that you'd be an idiot to ignore them.
What about if the ten breaks down into categories and there's a top one for each: (just a suggested list here, I thought the composer break down was a good idea, and this another, plus shows listed aren't my definitive list but examples. I'm not sure of my list)
Culturally Significant: So something like Oklahoma, RENT, Miss Saigon, South Pacific etc...maybe for me Boy From Oz- Australian Musical on Broadway, culturally significant to me :) Broadway Blockbuster: WICKED, Phantom Of The Opera, Les Mis Underdog/Original Musical/Long Road To B'way: Avenue Q, In The Heights, maybe even [title of show] in the future Off-Broadway: The Fantasticks (that one I would say as definitive) Classic: Gotta be one of the toughest to choose from Sung through: Les Mes, Miss Saigon, Phantom, list goes on... Jukebox: Jersey Boys, Mamma Mia another list goes on... Movie Adaptation: The Lion King (and the others tooooo many to list), But don't forget classics too West End Success: Your Evita's etc Tony Award Winner: The Producers for amount won...etc
Anybody studying to be a dramatist in any capacity (i.e. playwright, bookwriter- though they're the same thing, composer, lyricist) should read, devour and worship Gypsy.
Okay, i'm looking over all of these, and seeing my flaws- Les Mis and Phantom are two of the same. They're inevitably always going to be a part of Musical Theatre due to thier ridiculous longevity. They are not that influential in any other way though, so there definitely isn't room for both on the top ten.
Mamma Mia!, as much as I hate to say it, is a milestone of Musical Theatre. The jukebox musical is now a huge part of Musical Theatre, love it or hate it, which means it should be on the influential list.
On my Sondheims, everything should be on the influential list. Company was the first concept musical, thus deserving a spot on the list. Sweeney Todd was the first horror musical, which are becoming increasingly popular. It's yet to be seen how durable of a genre the horror musical will be, so its acceptance is really pending (I'm sure if they brought Rebecca to Broadway it would totally inhance the genre- I have mad love for Rebecca). Sondheim is just God, and everyone should bow to and worship any show he has ever made.
Gypsy is flawless, but it isn't groundbreaking, which makes it hard for me to put on the list. I agree it should be worshiped and adored, but not quite groundbreaking enough to be on the list. Someone prove me wrong, because I loooove Gypsy, but being fair, I don't think it belongs.
TBC
"There are only two worthwhile things to leave behind when we depart this world of ours: children and art."
-Sunday In The Park With George
the sound of music fiddler on the roof annie west side story wicked (i know, i know) phantom of the opera les miserables grease guys and dolls oklahoma!
So, i'll be the first confess that the choices that I didn't explain were mostly wrong and poorly thought out. I was getting tired of thinking- i'm human. Here's my amended list: Oklahoma! Guys and Dolls West Side Story Hair Company A Chorus Line Sweeney Todd Les Mis Rent Mamma Mia
Now on the flawless show list, Gypsy holds the top spot, but it doesn't seem influential enough for this list. If you can prove me wrong, please do.
"There are only two worthwhile things to leave behind when we depart this world of ours: children and art."
-Sunday In The Park With George
myshikobit: I understand what you're saying about "Mamma Mia!" being influential, but I don't think anything deserves to be on the list that isn't justifiably great (or at least near-great).
While "Mamma Mia!" did usher in the era of the jukebox musical -- and in it's own way change the business of Broadway -- it didn't add anything to the "art" of Broadway. And I know many would say that the jukebox musical has in fact hurt Broadway. In the end, there hasn't yet been a jukebox musical that deserves to be in the "cannon" of great shows.
(Yes, I know "Jersey Boys" won the Tony and is insanely popular, but 50 years from now is anyone going to remember that show as a classic? I don't think so.)
It has subtracted from Broadway as an artform. I think you're right. It's like the Black Crook- you should know it, but not study it. Not on the list- there is room for Gypsy =).
"There are only two worthwhile things to leave behind when we depart this world of ours: children and art."
-Sunday In The Park With George