Not the entire list, but let's just say hte one's I'm most eager to see on the big screen are RENT (without the street people singing or whatever nonsense), OSG, OT, AD, LVB, WYO, ICY:R, Your Eyes...yeah.
"It's not always about you!!!" (But if you think I'm referring to you anyway, then I probably am.)
"Good luck returning my ass!" - Wilhemina Slater
"This is my breakfast, lunch and f***ing dinner right here. I'm not even f***in' joking." - Colin Farrell
Read the Chbosky screenplay where they had Roger listening to Open Road whenever he goes to Santa Fe...but cried when they put What You Own in the credits. I think the Open Road bit would be kick-ass too.
But thankfully Anthony posted on here that WYO wasn't going to be over the credits, but done in the movie. Making me one very happy Rent-head. ^^
"During this performance, please feel free to let your cell phones and pagers ring willy-nilly. However, do remember that there are heavily-armed knights on stage and you might well be dragged up and impaled."
(Pre-curtain announcement at the new Broadway musical Monty Python's Spamalot)
I would really miss Take me or leave me, Glory (but its not RENT without Glory!), La Vie Boheme, I'll cover you (Reprise) and Another Day, in addition to Life support. At least its pretty much definite that Seasons of love will remain, that song is unremovable. It'd be like making the Phantom movie without Music of the night.
Oh who am I kidding, NO SONG is disposable!! Jonathan Larson never wrote a song that didn't mean anything. But, I have to say, if anything has to be cut, I wouldn't cry if Santa Fe and We're Okay were left out. Especially if other amazing songs like Open Road are included!! But if ANY other song isn't in the movie, I will be highly upset. I read the Chbosky screenplay, and while I enjoyed it, it bothered me that so many of Mark's lines were given to Maureen, and that there was NO Light My Candle. It was a good start, but i'm glad Columbus is coming up with his own script.
Yeah, I could live without We're Okay. It's not really crucial to the show, if you ask me.
"During this performance, please feel free to let your cell phones and pagers ring willy-nilly. However, do remember that there are heavily-armed knights on stage and you might well be dragged up and impaled."
(Pre-curtain announcement at the new Broadway musical Monty Python's Spamalot)