I was also at the show last night. The theater was full, as far as I could tell, and the audience was very enthusiastic, not just for Sting but for all of the performers. I thought Fred Applegate as the Irish priest kind of stole everything, but he also had a number of the best songs.
I think the music from this score is some of the best I've heard on Broadway in a long time. I don't understand why it has limped along when there is so much going for it. If I had any criticism, it would be that the songs in the second act are not quite as strong as those in the first act. I thought "It's Not the Same Moon", for example, just fell flat, and "Show Some Respect" was a little forced.
But I thought the characters acted like real people, and the story made sense without being a cliche. The tableau at the end of each of the acts was thrilling. I am really glad that I saw this, and I urge people to try to catch it before it "sails" on the 24th.
Yes. Mantello has composed some stunning visuals. The show moves beautifully, yet its story is told with those indelible tableaux, the frozen moments that capture the essence of the shipbuilding experience in particular. That's a masterful part of the achievement, the production's ability to capture the gritty milieu with accuracy employing an entirely theatrical stylization. The use of real power tool props, rain, and even all of the flowing ale take us into the world in near cinematic terms. And yet the actual production style is not naturalistic by any definition. We are invited into this world with a minimalism and shorthand, and though we are given almost surreal effects, we are palpably aware of the place and its limitations and boundaries, physical and figurative. When I picture the show, I see a series of snapshots, so beautifully lit they are like paintings.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
I just think the story is too predictable. You knew what was going to happen. There weren't any real twists and turns and there was no definite reason to building "the last ship." It's this big, grand metaphor, but that's about it.
If you truly believe there was no "reason" for building the last ship, you kind of missed the entire point. You call it a metaphor, but metaphors are intangible. These were shipbuilders, and the shipyard was being sold to a company that would use the property to turn ships into scrap metal (another metaphor, of course). The men wanted to build one last ship, sail it down the river, and bury the old priest at sea. Where they went after that wouldn't matter because they finished a proud symbol of the work that they and their forefathers had all spent their lives doing. And they did it as an act of defiance to the death of British shipbuilding. I suppose a union would call it a "work action."
And I found The Last Ship to be the most heartfelt, involving, and emotionally moving show I have seen in a long, long time. Its failure says nothing about its quality, but more about today's audiences.
I saw the show on Saturday night and I was absolutely enchanted. I was leaning forward in my seat for most of the night and it was obvious the rest of the audience felt the same way I did. I ordered my ticket on Friday and managed to get row K in the center orchestra. I was two rows behind Trudy and right behind Tamara Tunie. Rachel Tucker even commented after the show about how enthusiastic the audience had been.
I just didn't think the U.S. isn't the right audience for this show, because we lack ship builder.
Whether or not we have a ship building industry in the US has 0% effect on whether people want to buy tickets to this show.
Just because the US isn't known for their shipbuilding doesn't mean much of anything. I was reminded of Phil Coulter's "Working Man" which is about the closing of a factory. Just last week I was talking to a coworker who used to live in Texas because he husband was employed by the GM plant but had to move when the plant closed. Or, one of the Hallmark Christmas movies I saw over the holiday season was about a town that died after the mine closed. The idea of the majority of a town's residents being employed by one company is not primarily a British thing. It happens all over the world. Towns were built around particular companies, industries, etc. And when things end it's tough for the residents to find work without moving.
I was also at the show last night. The theater was full, as far as I could tell, and the audience was very enthusiastic, not just for Sting but for all of the performers. I thought Fred Applegate as the Irish priest kind of stole everything, but he also had a number of the best songs.
Ah, yes! I loved him and he made me completely forget I'd seen him in other shows. He had the best lines and the best moments. I think he was my favorite person in the cast.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I saw this last night. I thought it was really well-performed with a wonderful set, a great first act and a very good second act. I'm extremely glad I got past my general aversion to Sting and caught this before it closed.
An imperfect show but still a mostly successful one by the end, thanks to the score, company, design and staging. I wish the second act built on the first, instead of simply re-introducing the situation (it really is a show about a situation, most of the story in the past and then the final ten minutes) and then using valuable stage time to steer us into a subplot, a death that doesn't really alter the arc of the central story, though they certainly work hard to suggest its emotional relevance. But it's a quibble, and a couple of the best numbers are in act two.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
I just saw the show. Thought the score and staging were stunning, although the story and energy were lacking. Cast is good but nothing legendary. I wish the show had done better and hope to see similar new musicals succeed on Broadway soon.
Last night's performance was filmed for the NYPL Lincoln Center archives. They announced it beforehand and the audience responded loudly. What a beautifully crafted show - it should have had a longer run.
One person's quibble is another person's major problem. One of many major problems.
The same pattern seems to be developing here with the foundering Ship as with last season's equally dismal clunker, Bridges: initial tepid/negative response on this board, followed by audience rejection, a closing notice, and then a groundswell of crying and teeth-gnashing by those who laud these duds as if they were the greatest things since Carousel.
Please, do yourselves --- and us --- a favor. Get a box of Kleenex (or several), wipe away your tears, and then, for heaven's sake, open your eyes. See things as they are, and stop trying to spin dross into gold. It can't be done, and moreover, no one is buying the spin.
Wow, my wife was at that show also !! I sent her to NYC yesterday as a early birthday present because she is a major Sting fan. She said it was really good and wants to buy the recording of the show.
After Eight, I loved the show, and not just because it was closing. Yes, it's dreary, but that's the point. These characters were despondent after their way of life was altered. Thought the music was gorgeous, and call me crazy, but at a musical, that's one of the things that I respond to most. Of course everyone has their own opinions, but I don't believe it's just "spin" when people say they enjoyed it. Didn't love Bridges (I know, so many of you did), but one man's gold is another man's garbage (I didn't actually think Bridges was garbage).
Having After Eight come and sh!t on a thread where everyone is gathered to celebrate something is all part of the process, I'm afraid... he's allergic to joy.
He seems to not add one thing to the cycle he outlined, which is him nattering on about how bad the show is at the moments where people are most inclined to want to send a show off well.
He will do the same song and dance when Fun Home is back, too, although I'm not sure if he will blather on about it for its first preview, opening, or possibly throughout.... but, oh, when it closes... he will be there. He will be there on that glorious day, and remind you why, and urge you to see the world for all it truly is...
Updated On: 1/24/15 at 09:11 AM
"The same pattern seems to be developing here with the foundering Ship as with last season's equally dismal clunker, Bridges: initial tepid/negative response on this board, followed by audience rejection, a closing notice, and then a groundswell of crying and teeth-gnashing by those who laud these duds as if they were the greatest things since Carousel. "
Both shows you mentioned got decent critical acclaim for the music, thought "Bridges" even won Tony for original score. I am willing to bet that "The Last Ship" gets Tony nomination for original score also. Yes, both shows were "duds" commercially but it does not mean that they were totally awful. A show can fail but there is still some people who will enjoyed it very much because their tastes are different. I can't imagine that you never saw a show that was a "dud" but liked it.
Haterobics---I do have the CD recording. I was asking about the Lincoln Center recording which was recently made (for the archives)---will they make a DVD version available for sale?
"Please, do yourselves --- and us --- a favor. Get a box of Kleenex (or several), wipe away your tears, and then, for heaven's sake, open your eyes. See things as they are, and stop trying to spin dross into gold. It can't be done, and moreover, no one is buying the spin. "
People are realistic and I think anybody who posts here knew that "The Last Ship" was going to be a tough sell commercially. It is not the happy peppy type of show that tourists will flock to see. I think people who are sad about the closing feel that way because they honestly enjoyed the show and they are sad when any show closes and people lose their jobs.
"I was asking about the Lincoln Center recording which was recently made (for the archives)---will they make a DVD version available for sale?"
No, those are done purely for archival purposes. People can view them on site if they have some legitimate reason to, but I never did figure out what that reason might be.
There is a DVD of Sting performing the songs at the Public Theater available commercially, though.
Thank-U, Haterobics---I'm sure the Sting DVD is good---I just would have really enjoyed seeing the cast performances. They offered the Billy Elliot recording (from the West End) and, I guess, I was hoping they would have done that with this show.