I have a pirate recording of a live performance of Rags with Teresa Stratas -- it's in pretty good sound and Stratas is mind-blowing. I didn't see the original, but there was an Off-Broadway version at the Jewish Rep about 10 years or so ago. It was well done, but the book flaws never seem to have been fixed. A real shame -- the score is terrific.
I don't think we'll hear Teresa (no "h," by the way) sing anymore; not unlike Julie Andrews, she says she was the victim of a botched surgery that ruined her voice.
I recall hearing at the time that Stratas declined to participate in the recording, but I don't remember what the reason was. I don't think it was that she was unable to. Maybe someone else has some info?
I didn't know that about the botched surgery, Reg. I do know that since her fairly abrupt retirement back in the 90s she became somewhat of a recluse. I remember how excited people were back in the fall of 2008 when she did an interview at the Met, as it was her first public appearance in something like a decade.
I recall there being talk that Stratas was frequently missing performances. But since there were only 18 previews and 4 performances, how could that have possibly been the case?
She had tuberculouis at a very early age and the theory was that due to the lungs being affected, she never really supported the voice in the way she should have. She was a complicated person and it litearlly took a team to physically get her on to a stage due to horrific stage fright. She cancelled more often then she would perform…
…but….
Ask anyone around at the Met about the infamous ‘Sour Angelicas” she did…(1988, I think).She only made it to three performances but tales of audience members in hysteria…standing on their seats applauding at the curtain call, orchetsra members refusing to leave the pit because they were clapping too…intersmissions being extended and additional 25 minutes so that order could be restored..
That sorta thing doesn’t happen anymore.
"There's no damn business like show business - you have to smile to keep from throwing up." - Billie Holiday
Here's a link below to hear her in one of those three famous performances of Suor (not sour) Angelica.
I still listen to the RAGS cast recording frequently. Love Julia Migenes on it, and can only imagine what Stratas must have been like.
I always heard Stratas wasn't on the cast recording because which ever opera label she was currently under contract to wouldn't let her, but maybe that was just PR.
First, the producers hired a person who had never directed a big musical before (or since as I recall).
Secondly, they fired her right around the Boston opening without a replacement lined up. (Schwartz stepped in for a while before Gene Saks signed on after just about every other director who was not working was asked.)
Thirdly, Stratas missed the first week of performances in Boston so no one knew exactly what they had. And with no real director there was no one to know or tell what the audience was seeing.
After Boston there was a period (a week or 10 days) of rehearsals and restaging of the rewrites by Saks. Everyone was on performance rather than rehearsal salary. Even a week of this is prohibitive.
When they opened the reviews were actually mixed-to-good, but there was no advance and there was no reserve left, so they closed in four days.
These things happen. Flippant, but true.
PS: Legs Diamond was the last show to play the Hellinger.
"If my life weren't funny, it would just be true. And that would be unacceptable."
--Carrie Fisher