This has been one of the smartest and most engaging shows Broadways had in years! So pathetic to see its intelligence and quality fly over so many people's heads. It's by far one of the best things on Broadway. Elton John's lyrics are quite bad at times, but the book, music, acting and of course, dancing make it a don't miss. Saw it in London and made my friends see it in NY. Now that Follies is open, I guess we can only have one musical that dares to actually be legitimate theatre, and not just jazz hands and fluff. It will be sorely missed.
I enjoyed the show, but it didn't approach its hype. It's run far outlasted its merits. I feel sorry for those who will lose their jobs, but Broadway needs turnover to remain fresh, so hopefully this will make room for something worthwhile.
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
"Broadway needs turnover to remain fresh" ... now if only Chicago would stop with the no-talent stunt casting and close up shop. But I have a feeling that show is here to stay.
"now if only Chicago would stop with the no-talent stunt casting and close up shop. But I have a feeling that show is here to stay"
I overheard an asian tourist say while in front of Chicago, "Let go see sexy peoples dancing."
Chicago is here to stay-sorry folks.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Regarding the changes to the show, I saw it the day of the flea market (after the changes had supposedly been implemented) and couldn't detect anything significant, although I only saw it once before and that was two years ago. Certainly there are still many, many f-words!
Here's another poster who's hugely sad to see the show close. Saw the West End production twice and the New York version once, and frankly we consider Billy Elliott the best new musical we've seen in the last decade. (And we're saying this despite being proud fans of Next to Normal, groundbreaking as that show is.)
When the dance patterns of the girls' ballet class merged and overlapped with the clash between the cops and the miners, our mouths dropped open and the hair on the back of our necks stood up. This is the moment that musical theater always aspires to reach but seldom does. Great theater doesn't get any greater than that. Broadway will be poorer without Billy. May the West End run continue long into the next decade.
I absolutely loved this show. It spoke to me in a way no other piece of art ever has - and I didn't feel that way about the movie, thought I enjoyed it. It celebrated arts education and relayed the message that it does take a community to raise a child. What a wonderful dream to think that all communities, like the one in the story, could lift up every young boy or girl who dared to be different, and peruse the arts.
It had a grittiness that few other Broadway shows ever had - it was a new type of contemporary musical addressing contemporary themes others haven't before.
I am truly sad to see it leave Broadway, when I think what it meant to me, could in fact have influenced others for years to come.
It maybe an American thing (I am American) that this closes early, but I'm so glad it was here. I do hope the producers will realize its impact and find the right ways for it to live on.
One of the producers of the show made a comment about the closing. It was something about how this was their first venture into producing for Broadway and they did not consider the running costs as they just wanted to put on the best show regardless of costs. He sounded regretful that they did not consider costs when putting the show together. The weekly running costs for the show were over $700k a week
This show should not be judged by the quality of the CD. The CD of the London cast is over-produced and has a very "in-studio" sound to it. Not very theatrical. It is really a horrible recording and doesn't do the show justice. THe songs work so perfectly within the context of the show. And SOLIDARITY alone is one of the most brilliantly staged musical numbers to appear on stage in years. This show should not be missed. I plan on seeing it again before it closes.
Lol, I missed this show the three times I went to NYC and despite living in Australia (where it was here for like 2 years in various spots)...thought it would always be around. Whoops.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Soooooo sad it's gonna close soon. It's my favorite show on broadway in the past decade. I thought it was gonna last for another two or three years at least. Went to see the show again last Sunday after I heard about the announcement of closing, and still enjoyed it very much.