" Incorporating 32 Beach Boys tunes, Good Vibrations is the latest Broadway musical based on the songs of a pop group or solo act. It aspires to be Mamma Mia meets Movin' Out. Unfortunately, it's more like Footloose meets Dance of the Vampires."
"For this ill-conceived show, Carrafa is the director as well as the choreographer. It's not an auspicious Broadway directing debut, and the choreography is even worse. In fact, Good Vibrations features some of the cheesiest dancing in recent Broadway history.
It also has perhaps the ugliest set (designed by Heidi Ettinger) of any current Broadway show; the Act I set--with its exposed brick walls and radiators mixed with beach umbrellas and rafts--is even more hideous than the set in Brooklyn, which I believe was intentionally ugly."
"As it stands, the first half is embarrassingly bad. The dialogue is so lame that it's a wonder Richard Dresser (whose plays include Rounding Third) left his name on the credits as the book-writer. Setting the scene at the beginning, one character says: "The girls were beautiful. The guys were cool. Everybody surfed." And the clichés just keep on coming for over two hours. Combined with Carrafa's tacky choreography and the terrible set (in which four chairs are used to simulate a car), the show seems more like a high school production than a big-budget Broadway musical."
"As for the show's commercial prospects, the producers aren't likely to rake in Mamma Mia-like millions. The audience for this waterlogged musical should be limited to Beach Boys diehards, unsuspecting tourists and the actors' family and friends. Casting agents might want to go too, because there are talented singers here who in all likelihood will need another, better gig very soon." http://www.broadway.com/gen/Buzz_Story.aspx?ci=506546&pn=1
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
wow. rough. i didnt think the BW.com video looked all that bad.
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
"Whenever the actors are allowed to stop their frenetic dancing and just sing, there are actually some good numbers. That's because there are talented singers in the cast."
Updated On: 2/2/05 at 06:22 PM
To judge any show by their video is unfair, (yes I know, Im not that impressed with the Sweet Charity one, but will give it a fair and honest chance and hope for the best) - But if the rest of these reviews are THIS BAD...ugh Look out!
"But audience members strong enough to sit through this rickety jukebox of a show, which manages to purge all catchiness from the surpassingly catchy hits of the Beach Boys, will discover that the production does have a reason to be, and a noble one: "Good Vibrations" sacrifices itself, night after night and with considerable anguish, to make all other musicals on Broadway look good.
Such virtuous behavior could not come at a more propitious moment. Just think of the roster of dim, dispiriting shows that have opened this season: "Brooklyn," "Little Women," the deceased "Dracula." Each of these clunkers now feels like a high point of professionalism thanks to "Good Vibrations," which features a lot of washboard-stomached performers who give the impression of having spent far more time in the gym than in the rehearsal studio. As they smile, wriggle and squeak with the desperation of wet young things hung out to dry, you feel their pain. It is unlikely, however, to be more acute than yours. "
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Yankeefan007, Didn't the show start at 8:00PM how can he write a review about seeing a show before it happens? I thought the press opening was tonight, at 8:00 pm. I think this must be why I judge for myself rather than going by what a reviewer says. Sometimes I agree, but most of the time I don't
SJ13, there is an unwritten rule that, out of good faith, critics refrain from publishing their reviews until the opening night curtain. Usually the critic catches the Press Night performance a few days before opening night (by that time the show should be more or less frozen), which gives them some time to write the review.
Brantley's review is dated for February 3rd because it will be published in tomorrow's paper. Like most NYT articles, however, it is available online as soon as it can be released.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
"when was the show that these reviewers saw.a week ago?two?since it has been reworked? totally unprofessional.it may truely suck.but that being the case i would remember something that my mother taught me. if you do not have anything nice to say.say nothing at all. you know,that carries alot of weight."
Are you actually suggesting that critics only say good things? Or that they only write reviews if they can say something nice? Then what is the point of having critics?
It seems to me that Margo is just as free with her praise as with her criticism on this board. It just may be that her taste is different then yours. And she has just as much a right to have her opinion as you do. So chill.
SJ13, I think it is unfair that you are attacking Margo -- all Margo did was provide us with an abstract of Brantley's review. I don't think the line about Mamma Mia added anything more to our opinion of the review -- the majority of us already know Brantley's tastes.
For your part, you also forgot to cut and paste the following:
The idea of showing a generation dance from adolescence to adulthood, to an era-defining background of period music, has been shaped to perfection in "Movin' Out," the improbable, inspired collaboration between the singer and composer Billy Joel and the choreographer Twyla Tharp.
These lines show that Brantley has nothing against jukebox musicals per se, because he enjoyed MOVIN' OUT. He just seems to have a problem with ill-conceived works like MAMMA MIA.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
I don't recall Margo ever condemning GOOD VIBRATIONS, at least not in this thread.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."