BWW Review: THE BOOK OF JOSEPH at The Everyman Theatre
The psychological arcs of history are sometimes lost in the details and dates.
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The psychological arcs of history are sometimes lost in the details and dates.
I cannot think of a more fitting way to say thank you to Baltimore Center Stage Artistic Director Kwame Kwei-Armah than attending SOUL THE STAX MUSICAL which runs to June 10, 2018.
We want the same songs we (or our parents or grandparents, as the case may be) grew up with, every note of the horn arrangements, and the original singer's voices, imparting each smidgen of intonation and pacing that the original singe added to the song.
When you hear the first few notes of the rollicking overture, you know Bernstein is genuflecting hard to Johann Strauss.
What a trail of stardust the whole musical leaves! There are the sets and lighting which dazzle in their nimble evocation of the wonders of Paris, with a side-step into a fantasy nightclub that seems to be Radio City Music Hall, complete with spangled leggy chorines and dudes in top hats and tails.
Rep Stage closes its 25th season with a riveting presentation of Sam Shepard's TRUE WEST which is full of laughs.
Aubergine, by American playwright and television writer of Korean descent, Julia Cho, is a didactic play, heavy on pathos, but not without humor, that finds its origins in Cho's own life, specifically, the death of her father.
Everyman's Artistic Director Vincent M.
The true selling point of this production is not so much a reimmersion in Orwell's masterpiece as a reminder, if we needed reminding, of the collective nausea that overtakes us in one of those periodic moments when totalitarian assaults on truth, justice and human dignity are winning.
OKLAHOMA! was not a show that I new much about before seeing it performed this week by the lovely cast and crew of Artistic Synergy of Baltimore.
This attack on sanctimonious pretensions is put across by a spirited ensemble, game with lascivious behavior, violence, f-bombs and sock-puppets, and blessed with considerable talent, including the manual dexterity to bring socks to life.
Ben's character may be a phony pastiche, and Elaine's a confusing cypher, but in Elaine's mother Mrs.
A sold-out seven performance production of CHESS in Concert blew the rafters of the roof of the Eisenhower Theater.
Thank you Arena Stage Artistic Director Molly Smith for bringing to the Washington Area the sequel writer Robert Schenkkan's two part series on President Lyndon Baines Johnson.
Columbia's Rep Stage takes a leap into the lives of Etta And Claribel Cone in world premiere play by Susan McCully.
All She Must Possess does not suggest that the Cone Collection was Etta's work alone, but rather depicts it as the emanation of the entire community, including not only Etta, but her sister Claribel, Gertrude Stein, Gertrude's brother Leo, Alice Toklas, and the artists, for whom Matisse stands in as
Long Day's Journey Into Night takes an audience on a foggy trip into the dysfunction of the Tyrone family.
Disney's motto is 'Unless you're one of the most important people who ever lived, what's the point?' But there remains no point if you have no consciousness left to enjoy your importance.
The human spirit, Morisseau seems to be suggesting, is hard to crush, regardless of the direction in which the great tides of industrial affairs may flow.
The National Tour of WAITRESS - playing at the Hippodrome until February 4, 2018 - is the best version of this particular show I've seen.
Leave your troubles at the door and just enjoy this entertaining spectacle.
Ebenezer Scrooge is a distinctive character in literature; one of those characters every great actor wants to tackle.
Dickens' A CHRISTMAS CAROL has been a considered a classic almost since the time when it was written.
The famous comic strip 'Little Orphan Annie' comes to life at Olney Theatre Center.
Only in the magical land of Broadway can you take a 1994 animated Disney movie thinly based on Shakespeare's HAMLET and possibly based on a 1960s Japanese anime series and transform it into a 6-Tony-Award-winning and highest grossing Broadway production in history.
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