The latest reviews and critic recommendations from Baltimore.
Audiences should approach Stick Fly, with the expectation that they will not understand all of it, fully grasp any character's motives or thoughts and/or playwright Lydia R.
It seems fitting that I would attend Just Off Broadway's thrilling performance of JESUS CHRIST SUPERSTAR on the 41st anniversary of the classic Andrew Lloyd Webber show.
With acting and singing at this level, and with such a strong, moving work, this rendering of Spring Awakening packs a punch, and will reward any evening's theater-going.
Les Miserables is a 'classic' many theatergoers have seen over and over again, with a reputation that comes with its own set of expectations.
A musical comedy starring a very funny leading lady winning her prince simply by being herself, is the perfect anecdote for these stressful times.
When I read that Studio Theatre would be presenting playwright Steven Levenson's IF I FORGET I was very excited.
Because Williams has so successfully gotten us cheering for Maggie, we in the audience would very much like to see Maggie triumphantly dragging Brick into bed in the final frame, and an interpretation like director Judith Ivey's, which all but promises that, is bound to be a crowd-pleaser.
Your sense of home lives in the boundaries of childhood memory.
In a short 2016 profile in American Theatre, Russian emigre director Yury Ornov expounded on the freedoms of theater: 'You can hate people; you can do a hate show about Putin, for example, or about your ex-wife.
The play will certainly keep challenging you the way a puzzle does.
Rep Stage Producing Artistic Director Joseph W.
Signature's 29th season begins with record-breaking 29th Sondheim production!
Many of my readers know my connection with MAMMA MIA! on Broadway (see my bio below).
Wonderful cast directed by Tina Landau is a nice diversion from presidential politics.
I do not believe I have ever seen a more 'kid-friendly' theatrical event than the Olney Theatre Company's H.
Bianca Laverne Jones gives us a Berta a man would want to compose a song about.
It is plain that Della's resolution of the issue whether to bake a cake for Jen's same-sex wedding will call for a gingerly reassessment of her faith and her life.
Alexandra and Frankie are shown tacitly agreeing to steer clear of the secret not merely because such circumspection is calculated to heighten audience interest; once we understand what the secret is, we can see that the characters know that if they address it, a long-buried grievance between them w
There is a thing Terrance can't let go of, like Lear, like Othello, like Richard II.
If you come to this show, do not expect to participate in a truly topical think piece about memory in a time of tyranny.
A show about Reagan that does not explore how his personality gave rise to so much destructiveness is not going to satisfy any well-informed theatergoer.
Broadway - get ready for another homage to a great music group.
Not only was the premise intriguing, then, but the treatment, and particularly the talent Stillpointe brought to this performance, seemed quite promising.
A young woman and her baby are in danger as it becomes increasingly evident they are being haunted.
It's more like a party than a musical.
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La Sylphide Maryland Hall (10/16-10/18) |
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The Score Shakespeare Theatre Company (9/11-10/25) |
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"The Fall of the House of Improv" at MET Comedy Night Maryland Ensemble Theatre (10/24-10/24) |
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It's a Wonderful Life: A Live Radio Play Live Arts Maryland (11/20-12/05) |
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Godspell Bowen Theater at Maryland Hall (3/05-3/21) |
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The 39 Steps Maryland Ensemble Theatre (5/21-6/13) |
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Dr. Seuss' How the Grinch Stole Christmas! The Musical Imagination Stage (11/21-1/03) |
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Chamber Music on the Hill: Gerdan: “Kaleidoscope of World Music” McDaniel College (11/08-11/08) |
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Classic Theatre of Maryland presents "SCHOOL FOR WIVES" Classic Theatre of Maryland (6/01-8/31) |
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Lighting Round Maryland Ensemble Theatre (10/30-10/30) |
