Ricky Pope

In show business, there are very few sure things. But Klea Blackhurst and Billy Stritch singing songs by Hoagy Carmichael is about as close as it gets. The September 15th show was perfection.

MELBA MOORE: FROM BROADWAY WITH LOVE had its first performance March 15th at 54 Below. Ms. Moore’s show is a dynamic travelogue through her Broadway career with a few added treasures for good measure. There is one more nearly sold out show tonight at 7 pm; get your tickets while you can.

Rian Keating's stories are very careful observations of what it means to be kind, strong, nurturing, independent, and free. It is a feminist show from a source you wouldn’t immediately expect. He tells stories about teachers, mentors, and family members that are vivid and empowering. We should all be so lucky to have such women in our lives.

As Thomas Wolfe tells us, you can’t go home again. Thankfully, cabaret singer/songwriter Meg Flather has ignored Mr Wolfe’s sage advice.  Over the next few months, she is presenting a series of her most successful cabaret evenings in the Brick Room at Don’t Tell Mama which she has logically entitled “The Brick Room Tour.”

If anyone on the modern scene is equipped to take on Mercury’s imposing legacy, it is singer/songwriter/actor Reeve Carney. He has cords of steel and a range similar to Freddie Mercury’s. Watching him sing is to marvel at what the human voice is capable of.

Unlike the characters she often plays on stage, this view of Stephanie J Block was sentimental, vulnerable, cozy, and very very warm. It was an evening filled with gratitude for the blessings of life that was brimming over with humor, mostly self-deprecating. The amazing thing is the picture of the artist is just as badass as any of her onstage alter egos.

Audra McDonald is generally listed among the best voices to have ever graced a Broadway stage. She frequently teaches master classes where she passes along the discipline and seriousness of purpose that have made her one of America’s premiere performers.

If you were asked to describe yourself in 14 songs, what would they be? That is the challenge that singer Ari Axelrod set for himself in his show which opened at Birdland last night entitled simply enough, AN EVENING WITH ARI AXELROD. What emerged from that question is a portrait of an artist who is intelligent, sensitive, somewhat anxious, and remarkably contemplative for someone just on the cusp of 30.

At every turn, Montgomery plays up the fact that she and Rosemary Clooney are in many ways sisters in a parallel universe. Both women are dextrous, rich-voiced, blond crooners who find joy in the work they do while having less success in their unconventional love lives.

It is safe to say that Carnegie Hall has been the premiere showcase for what is great in American Art and Culture for over 130 years. It is not hyperbole to say that the concert given Monday night by Broadway and television star Lea Michele will be remembered as one of those defining zeitgeist events. Her two-hour intermission-less journey through her career so far was the kind of powerhouse performance that people talk about for years. For the young Millennial set, it is their Judy Garland moment, the thing they will reminisce over cocktails “I was there for…”

A THOUSAND SWEET KISSES is a very emotional homecoming. It has been 17 years since Jai Rodriguez has trod the NY boards and his excitement about being home was palpable last night at 54 Below. His show frankly and hysterically recounts the many adventures he’s had along the way, particularly focusing on the sex, love, and relationships that spiced it all up.

When Ari Axelrod was putting together his show, A PLACE FOR US: A CELEBRATION OF JEWISH BROADWAY, he couldn’t foresee that it would open at a time of mourning for Jews around the world. The horrendous attacks in Israel have made any sort of celebration hard to bear. But as Axelrod points out that is precisely the reason it is imperative to celebrate the achievements of Jewish Americans. And nowhere is that influence felt more strongly than on Broadway in the musical theatre.

TIME TRAVELER was a fascinating look at the life of an extremely versatile artist.

It is a brave artist indeed who tries to capture the complex nature of the career of Carly Simon. That is the task that Marnie Klar sets for herself in her show MARNIE KLAR SINGS CARLY SIMON, which had an encore performance Monday evening at Don’t Tell Mama. It is clear that Ms. Klar has great respect for Carly Simon and possesses a great deal of knowledge about how her songs came to be. Like Simon, she is quite a beauty and has a great dexterity with language. She also shares with Simon a wide emotional range.

Martinez (On Your Feet) presents an eclectic evening of Broadway classics and modern fare presented as a series of self-tapes. Mauricio Martinez is a performer of great range. His work has been seen on Broadway, in London, in Mexico City, and even in his early career, in telenovelas. He is one of the great crooners with a talent for smart phrasing. Everything he does is infused with passion. He is equally adept at heartfelt ballads and sly comedic numbers. In another era, he would have felt right at home among the Rat Pack.

It is not surprising that playwright and spoken-word artist, reg e gaines and legendary tap dancer Savion Glover chose Coltrane to create a show around. Both gaines and Glover have pushed their art forms into brave new territory like Coltrane did

Classical Theatre of Harlem is to be congratulated for presenting this wonderful play. Langston in Harlem is a piece that absolutely deserves a second look, and this company delivered a first-rate production.

Tou are missing out on one of the last vestiges of what the golden age of cabaret was like.

SETH SIKES & NICOLAS KING; THE NEW BELTERS is a high-energy, well-honed entertainment that has its audience buzzing with excitement and tapping its toes with joy.

Christine Andreas has one of the finest of Broadway voices, an instrument with a huge expressive range capable of belting to the rafters and pliable enough to sing the gentlest lullaby.