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Superlative acting, intense staging, and timeless themes are the hallmarks of THE NEW ELECTRIC BALLROOM, Enda Walsh's 2010 Obie Award-winning play now receiving its New England Premiere at Gloucester Stage Company under the direction of Interim Artistic Director Robert Walsh.
Three summers ago, Company One Theatre converted the Roberts Studio Theatre into an authentic wrestling arena for its acclaimed production of The Elaborate Entrance of Chad Deity, Kristoffer Diaz's satire of the faux violence and bright lights of the show biz world of professional wrestling.
ArtsEmerson: The World on Stage presents the East Coast Premiere of HERSHEY FELDER AS IRVING BERLIN: A NEW MUSICAL PLAY at the Emerson/Cutler Majestic Theatre.
The Boston Gay Men's Chorus annual Pride concert on Sunday at Symphony Hall featured Special Guest Laura Benanti, the Tony Award-winning singer/actress, also known to television audiences for her roles on "Nashville" and "The Good Wife.
Gloucester Stage opens its 36th season with the second play of Richard Nelson's four-part American epic collectively known as THE APPLE FAMILY PLAYS.
Director/choreographer Ilyse Robbins reigns as chair of the board over a company of established pros and starry-eyed up-and-comers in Stoneham Theatre's effervescent HOW TO $UCCEED IN BUSINESS WITHOUT REALLY TRYING.
Zeitgeist Stage Company presents the New England premiere of Jeff Talbott's THE SUBMISSION and, once again, lives up to its name and mission.
Gaiety ruled at the 33rd Annual Elliot Norton Awards ceremony as Ryan Landry, impresario of the Gold Dust Orphans, received the Elliot Norton Prize for Sustained Excellence, and comedian-actress-jazz musician Lea DeLaria was the Guest of Honor.
The 130th season of the Boston Pops Orchestra is a celebration of Conductor Keith Lockhart's 20th anniversary, and the opening night festivities included balloons, cupcakes, and an exquisite cake, with sizzle provided by Tony Award-winning vocalist and actress Bernadette Peters.
Artistic Director Charles Towers is stepping down after fourteen seasons at the helm of Merrimack Repertory Theatre.
The real Jeremy Jordan took to the stage at the Sorenson Center for the Arts on the campus of Babson College in his Boston concert debut, JEREMY JORDAN: BREAKING CHARACTER.
Israeli Stage, in association with ArtsEmerson: The World on Stage, presents its first full production with the North American premiere of Gilad Evron's ULYSSES ON BOTTLES in the Jackie Liebergott Black Box at the Paramount Center.
NEVILLE'S ISLAND is a fish out of water story about four guys trying to bond and survive on a corporate team building excursion gone awry.
Ryan Landry and the Gold Dust Orphans mash-up THOROUGHLY MODERN MILLIE, THE SOUND OF MUSIC, and the politics of oil and the Middle East in their latest side-splitting musical, THOROUGHLY MUSLIM MILLIE.
Huntington Theatre Company presents William Inge's sixty-five year old classic American drama, but it is nowhere near ready to be retired.
New Repertory Theatre concludes the Second Annual Next Rep Black Box Festival, celebrating the powerful voices of women theatremakers, with GOD BOX, Antonia Lassar's seriocomic solo show directed by Christine Hamel.
Moonbox Productions stages David Lindsay-Abaire's black comedy about a sixteen-year old girl with a rare disease that ages her rapidly.
Actors' Shakespeare Project takes a break from the Bard to stage the first Boston area production of Jenny Schwartz's linguistically-rich play GOD'S EAR.
Hub Theatre Company of Boston starts its third season with LOOT, an irreverent, dark comedy by British playwright Joe Orton (WHAT THE BUTLER SAW, ENTERTAINING MR.
Playwright/performer Alice Manning tells cathartic, deeply personal family story with humor and pathos, but always moving toward the light and, ultimately, choosing love.
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