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Nancy Grossman - Page 15

Nancy Grossman

From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com. Nancy is a member of the Boston Theater Critics Association, the organization which bestows the annual Elliot Norton Awards which honor the outstanding achievements of the Boston theater community, and she formerly served on the Executive Board of the Independent Reviewers of New England (IRNE). Nancy is an alumna of Syracuse University, has a graduate degree from Boston University, and is a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.
 

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BWW Review: The Golden Age of Broadway at The Boston Pops

BWW Review: The Golden Age of Broadway at The Boston Pops

June 17, 2016

The Boston Pops has been winning the affection of audiences in Boston and beyond for 131 seasons with programs like The Golden Age of Broadway and featured performers Marin Mazzie, Jason Danieley, Laura Osnes, and Justin Hopkins.

BWW Review: WE'RE GONNA DIE in New England Premiere

BWW Review: WE'RE GONNA DIE in New England Premiere

April 24, 2016

WE'RE GONNA DIE is a sweet and weird song cycle, the perfect vehicle for Company One Theatre and the engaging Obehi Janice, backed up by a four-piece band that kicks it on the stage of Oberon.

BWW Review: UNSAFE: What's Your Terror Level?

BWW Review: UNSAFE: What's Your Terror Level?

April 22, 2016

Boston Public Works presents Jim Dalglish's UNSAFE - a psychological thriller, a look at one family's attempt to live a normal life after the devastating losses of 9-11.

BWW Review: THE WILD PARTY: RSVP Now!

BWW Review: THE WILD PARTY: RSVP Now!

April 20, 2016

THE WILD PARTY is exactly what it says it is, and Moonbox Productions invites you to be a voyeur for the Michael John Lachiusa version of Joseph Moncure March's 1928 risque narrative poem, directed and choreographed by Rachel Bertone.




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