Morgan Musselman - Page 2

Now through February 19, the Washington Stage Guild presents Samuel Beckett’s eerie and philosophical single-act tragicomedy, ENDGAME, directed by Alan Wade. Bill Largess, Matty Griffiths, David Bryan Jackson, and Rosemary Regan captivate audiences as their characters grapple with existence within a desolate post-apocalyptic world.

Synetic Theater’s holiday production, Snow Maiden, delivers a dose of whimsy to the local theater scene this December. Created by Helen-Hayes Award-winning choreographer and Synetic Co-Founder Irina Tsikurishvili, Snow Maiden utilizes the Synetic’s signature style to tell a new interpretation of the classic 19th-century story.

My Body No Choice is a timely reminder that speaking one’s truth is a powerful means of political resistance.

Taffety Punk returns to the stage in full force with their production of Our Black Death: Plagues, Turnips, and Other Romantic Gestures, directed by Marcus Kyd is all at once hilarious, shocking, and bittersweet in its exploration of love during a plague.

A provocative and inspiring new musical, AMERICAN PROPHET: FREDERICK DOUGLASS IN HIS OWN WORDS, premieres at Arena Stage now through August 28th.

The Shakespeare Theatre Company wraps up its 2021/2022 season with a brilliant production of Red Velvet, directed by Jade King Carroll, playing now at the Michael R. Klein Theatre through July 17, 2022.

The premiere of THERE’S ALWAYS THE HUDSON, on stage now at Woolly Mammoth Theatre Company, has been a long time coming. Don’t miss this hilarious and heart-wrenching story of trauma, revenge, and friendship.

BEASTGIRL, a captivating new musical centered around three first-generation Dominican-American sisters, begins its world premiere at the Kennedy Center’s Studio K this month. Don’t miss your chance to see it.

Appearing at the Washington Stage Guild again, thirty-one years after the company first produced it, MRS. WARRENS PROFESSION is a witty, biting, and poignant story that remains as relevant today as when it was first penned by George Bernard Shaw in 1893.

Returning to the Kennedy Center with well-deserved acclaim and a Tony Award for Best Choreography in hand, the jukebox musical Ain’t Too Proud is a tender and captivating tale of brotherhood that recounts the The Temptations decades-long struggle with fame amid personal conflict, socio-political strife, and the pressures of the music industry.

Returning to Spooky Action Theater to kick off their 2021 Reopening Season after its original run was cut short in March 2020, The Realistic Joneses is a touching and humorous examination of human mortality and the curious ways we can find hope--or, at the very least, a little bit of comfort--in one another.

Returning to Shakespeare Theatre Company for a limited pre-season engagement after its original run was cut short in March 2020, Whitney White’s stunning production of James Baldwin’s The Amen Corner offers a resounding “welcome home” to theater lovers set hopelessly adrift over the past eighteen months.