Morgan Musselman

Theater-goers searching for something off the beaten path may find their curiosity satiated at Rorschach Theatre’s production of The Figs, on stage now through March 16. 

Those looking for a break from election discourse this month may find welcome reprieve in Mosaic Theater Company's deeply compassionate production, THE ART OF CARE, on stage now through November 24.

In DUA: THE MONSTER’S STORY, written and directed by Robin Berl, the classic story of Medusa is retold, giving the monster the chance to tell her own tragic tale.

With the big Homecoming performance around the corner, the Sea Mink-ettes must battle malfunctioning facilities, tiring bodies, rising tempers… and a supernatural shift in reality. Vivian J.O. Barnes’ THE SENSATIONAL SEA MINK-ETTES, premiering at Woolly Mammoth through March 3, is a wholly unique show: hilarious, bawdy, unsettling, and poignant.

4615 Theatre Company’s sunset production of A DELICATE SHIP underscores the company’s bittersweet farewell.

Washington Stage Guild’s production of ARMS AND THE MAN, playing now through December 10, is sure to keep audiences thoroughly entertained.

On stage now through October 15 at ExPats Theatre is Wajdi Mouawad’s Scorched, a renowned play inspired by the life of Soha Bechara and events in the Lebanese Civil War.

In THE ROAD TO THE END, a father and son learn to balance their fraught history and love for one another on an action-packed road trip to the Grand Canyon.

THE WILTING POINT, an ambitious and expansive new play about climate change, personal responsibility, and community, urges audiences to act.

BEN BUTLER, a witty and swift-moving play inspired by a pivotal event in the U.S. Civil War, is on stage now through April 16 at the Washington Stage Guild.

Now through February 19, the Washington Stage Guild presents Samuel Beckett’s eerie and philosophical single-act tragicomedy, ENDGAME, directed by Alan Wade. Bill Largess, Matty Griffiths, David Bryan Jackson, and Rosemary Regan captivate audiences as their characters grapple with existence within a desolate post-apocalyptic world.

Synetic Theater’s holiday production, Snow Maiden, delivers a dose of whimsy to the local theater scene this December. Created by Helen-Hayes Award-winning choreographer and Synetic Co-Founder Irina Tsikurishvili, Snow Maiden utilizes the Synetic’s signature style to tell a new interpretation of the classic 19th-century story.

My Body No Choice is a timely reminder that speaking one’s truth is a powerful means of political resistance.

Taffety Punk returns to the stage in full force with their production of Our Black Death: Plagues, Turnips, and Other Romantic Gestures, directed by Marcus Kyd is all at once hilarious, shocking, and bittersweet in its exploration of love during a plague.

A provocative and inspiring new musical, AMERICAN PROPHET: FREDERICK DOUGLASS IN HIS OWN WORDS, premieres at Arena Stage now through August 28th.

The Shakespeare Theatre Company wraps up its 2021/2022 season with a brilliant production of Red Velvet, directed by Jade King Carroll, playing now at the Michael R. Klein Theatre through July 17, 2022.

The premiere of THERE’S ALWAYS THE HUDSON, on stage now at Woolly Mammoth Theatre Company, has been a long time coming. Don’t miss this hilarious and heart-wrenching story of trauma, revenge, and friendship.

BEASTGIRL, a captivating new musical centered around three first-generation Dominican-American sisters, begins its world premiere at the Kennedy Center’s Studio K this month. Don’t miss your chance to see it.

Appearing at the Washington Stage Guild again, thirty-one years after the company first produced it, MRS. WARRENS PROFESSION is a witty, biting, and poignant story that remains as relevant today as when it was first penned by George Bernard Shaw in 1893.

Returning to the Kennedy Center with well-deserved acclaim and a Tony Award for Best Choreography in hand, the jukebox musical Ain’t Too Proud is a tender and captivating tale of brotherhood that recounts the The Temptations decades-long struggle with fame amid personal conflict, socio-political strife, and the pressures of the music industry.