Morgan Musselman is a writer/reader living in Washington, DC. In her free time, Morgan can be found at any number of coffee shops around DC, desperately trying to clear up space on her to-be-read shelf… or at a bookstore, undoing all her progress. As a long-time theater adorer, Morgan is thrilled to be a part of Broadway World’s team.
Theater-goers searching for something off the beaten path may find their curiosity satiated at Rorschach Theatre’s production of The Figs, on stage now through March 16.
Those looking for a break from election discourse this month may find welcome reprieve in Mosaic Theater Company's deeply compassionate production, THE ART OF CARE, on stage now through November 24.
In DUA: THE MONSTER’S STORY, written and directed by Robin Berl, the classic story of Medusa is retold, giving the monster the chance to tell her own tragic tale.
With the big Homecoming performance around the corner, the Sea Mink-ettes must battle malfunctioning facilities, tiring bodies, rising tempers… and a supernatural shift in reality.
On stage now through October 15 at ExPats Theatre is Wajdi Mouawad’s Scorched, a renowned play inspired by the life of Soha Bechara and events in the Lebanese Civil War.
In THE ROAD TO THE END, a father and son learn to balance their fraught history and love for one another on an action-packed road trip to the Grand Canyon.
Now through February 19, the Washington Stage Guild presents Samuel Beckett’s eerie and philosophical single-act tragicomedy, ENDGAME, directed by Alan Wade.
Taffety Punk returns to the stage in full force with their production of Our Black Death: Plagues, Turnips, and Other Romantic Gestures, directed by Marcus Kyd is all at once hilarious, shocking, and bittersweet in its exploration of love during a plague.
The Shakespeare Theatre Company wraps up its 2021/2022 season with a brilliant production of Red Velvet, directed by Jade King Carroll, playing now at the Michael R.
BEASTGIRL, a captivating new musical centered around three first-generation Dominican-American sisters, begins its world premiere at the Kennedy Center’s Studio K this month.
Returning to the Kennedy Center with well-deserved acclaim and a Tony Award for Best Choreography in hand, the jukebox musical Ain’t Too Proud is a tender and captivating tale of brotherhood that recounts the The Temptations decades-long struggle with fame amid personal conflict, socio-political s