BWW Review: BOY at Keegan Theatre
Angry irony does not usually get used to describe the lyrics of Oscar Hammerstein.
Mary Lincer - Page 6
BWW Review: GLORY DENIED at Urban Arias
Jim Thompson, an Army Ranger and POW of the Viet Namese for 9 years, deserves to have his story widely known.
BWW Review: PORT AUTHORITY at Quotidian Theatre Company
Conor McPherson's 2006 play, Port Authority, now onstage in Bethesda at Quotidian Theatre, lacks bells, whistles, or coups de theatre.
BWW Review: MYSTERY SCIENCE THEATRE 3000 LIVE at National Theatre
So much theatre nowadays derives from other media, for better or worse.
BWW Review: BUTTERFLY at InSeries At Source
Soprano Amanda Palmeiro, now performing the title role at English language performances of Butterfly for the InSeries, deserves an opera career as sensational as her voice.
BWW Review: BETRAYAL at 4615 THEATRE COMPANY
Because infidelity and adultery have been so frequently deconstructed in theatre, film, television, and literature during the four decades since Nobel Prize and Tony Award winner Harold Pinter wrote Betrayal, the play's novelty has rather worn off.
BWW Review: THE BALLAD OF MU LAN at Imagination Stage
Children will thoroughly enjoy the vivid physicality of Alvin Chan's hour long adaptation of The Ballad of Mu Lan, onstage at Bethesda's Imagination Stage through August 11.
BWW Review: GWEN AND IDA: THE OBJECT IS OF NO IMPORTANCE at Nu Sass At Caos On F
GWEN AND IDA is a work of fiction, a fantasy.
BWW Review: TWO COMPANIES DEDICATE A BALLET EVENING TO ARTHUR MITCHELL at Kennedy Center Opera House
The Miami City Ballet began its Friday Ballet across America evening with George Balanchine's Walpurgisnacht Ballet (1980), 'definitely the world according to Balanchine,' wrote Suzanne Farrell in her autobiography.
BWW Review: Choral Arts Society Of Washington Finishes Season In All-French Program At Kennedy Center Concert Hall
When Scott Tucker, in his pre-concert introductory remarks before Sunday's Choral Arts Society of Washington performance, said that composer Florent Schmitt's style in Psalm 47 is 'off the wall,' he wasn't kidding.
BWW Feature: MICHAEL KAHN & FRIENDS, Off The Record At The Shakespeare Theatre Of Washington
The fun of an evening such as this week's 'Michael Kahn & Friends, Off the Record: The Lansburgh Years, 1992-2007' derives from the relaxed, unscripted content provided by those who usually offer scripts to an audience.
BWW Review: 14 at THEATRE PROMETHEUS
The energetic Theatre Prometheus has skillfully mounted a timely production of 14, a play by Jose Casas in the 30-seat Caos on F Street space.
BWW Dance Review: ANALOGY/TRILOGY at Eisenhower Theater, Kennedy Center
The second section of Bill T.
BWW Review: LA PALOMA AT THE WALL at InSeries At GALA
The only wrong notes in La Paloma at the Wall, the current InSeries production at GALA, take place when the performers stop singing and try to act the clumsy script of this adaptation of the zarazuela, La Verbena de la Paloma (1894).
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