Mary Lincer (MA, Theatre Arts, Penn State) has directed more than 30 shows for schools and small professional theatres in Washington, DC and State College, PA. She was one of 30 teachers selected for the National Endowment for the Humanities Institute, Shakespeare: The State of the Art. She’s worked as a Dramaturg for Arena Stage and has written study guides for The Kennedy Center as well as Troika, NetWorks, and OFT-ON Productions. She wrote the brochure for the 75th Anniversary of the Warner Theatre. She’s introduced classic films on camera locally on WNVT and written theatre reviews for The Washington Blade. From 2004-2009, she taught theatre history and acting for musical theatre with US Performing Arts Camps. During 2002, Lincer served as a nominator for The Helen Hayes Awards and subsequently served as a judge from 2004-2006 and again from 2008-2009. She has coached professional actors since 1993 and frequently offers monologue and Shakespeare workshops along with Scene Study and musical theatre classes with The Actors’ Center of Washington.
Soprano Amanda Palmeiro, now performing the title role at English language performances of Butterfly for the InSeries, deserves an opera career as sensational as her voice.
Because infidelity and adultery have been so frequently deconstructed in theatre, film, television, and literature during the four decades since Nobel Prize and Tony Award winner Harold Pinter wrote Betrayal, the play's novelty has rather worn off.
Children will thoroughly enjoy the vivid physicality of Alvin Chan's hour long adaptation of The Ballad of Mu Lan, onstage at Bethesda's Imagination Stage through August 11.
The Miami City Ballet began its Friday Ballet across America evening with George Balanchine's Walpurgisnacht Ballet (1980), 'definitely the world according to Balanchine,' wrote Suzanne Farrell in her autobiography.
When Scott Tucker, in his pre-concert introductory remarks before Sunday's Choral Arts Society of Washington performance, said that composer Florent Schmitt's style in Psalm 47 is 'off the wall,' he wasn't kidding.
The fun of an evening such as this week's 'Michael Kahn & Friends, Off the Record: The Lansburgh Years, 1992-2007' derives from the relaxed, unscripted content provided by those who usually offer scripts to an audience.