Standing in a rehearsal room aboard the Intrepid Sea, Air and Space Museum, haloed by the sun setting behind an American flag flapping in the wind off the Hudson River, Román Baca gives his performers their mission: They must complete their choreography for a special Memorial Day weekend performanc
For Lynn Parkerson, the founder and artistic director of the Brooklyn Ballet -- one of the only ballet companies to feature an interdisciplinary performance style -- looking back on 20 years of breaking down barriers is what inspires her to keep moving forward.
Alvin Ailey’s roster of classic performances is long because it has never shied away from leveraging its foundational strengths to try something new.
'Opening night of any show is an invitation for more.
In an era where everything feels like a repeat -- or a remake -- Twyla Tharp’s “In The Upper Room” and “Nine Sinatra Songs” is that rare thing that would feel fresh no matter how many times it’s performed.
The @NYCityCenter Fall for Dance Festival's diverse programming lets audiences 'choose their own adventure' through the arts, @lorastrum writes.
To designate something as a “classic,” like a diamond, is to guarantee its significance forever.
In GALLIM Dance Company's 'BLUSH,' so many moments feel like a mental breakdown.
In a diverse, three-part program featuring choreography by Robert Garland, Claudia Schreirer and Annabelle Lopez Ochoa, audiences are gently guided through the hope and despair at war in every place.
Making its New York premiere at the City Center Dance Festival April 1-3, Doña Perón is an explosive and emotional retelling of the life of Eva “Evita” Perón, one of the most recognizable and controversial women in Argentinian history.
It’s clear that night three of the City Center Dance Festival will not be a carefree return to our yesteryears, but a step into what comes next in the arts.
“We want people to put down that green beer and pick up real Irish culture and literature,” Rex Daugherty, Solas Nua’s Artistic Director of Theatre, says.
A dramatic reading of letters Shaw exchanged with the actress Mrs.
It's crass and callous, heart-breaking and hilarious as it examines the nomansland where choice and identity collide.
This reimagined 'The Phantom of the Opera' has its roots in the novel of the same name; a work immortalized in Andrew Lloyd Webber’s Broadway adaptation.
In 2021, evil lurks in crowded grocery stores, on unmasked faces or on Facebook.
“I hate it here” is so 2020 that it is the perfect title for Studio Theatre’s second audio play; a work so zeitgeist-y it is exposure therapy for “these unprecedented times.
When past government shutdowns forced Ford's Theatre to close its doors, its artists grew resilient in the uncertainty.
ABT does the melodrama of 'Giselle' with an acute attention to detail, diversity and dramatic flair.
In its annual Kennedy Center residency, the company tackles gun violence, love, youth and more in a program that includes new works and the seminal classic a?oeRevelations.
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