BWW Review: Synetic Theater's THE SNOW QUEEN Pays Homage to Other Works
Synetic Theater's The Snow Queen feels like a prolonged fever dream brought on by repeated viewings of Disney's Frozen, or its earlier work, Fantasia.
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BWW Interview: Everybody's Ayana Workman on Life, Death and Why You Really Can't Take it With You
Broadway World caught up with Ayana Workman to talk process, life and death, and why you can't really take it with you in Obie Award-winner and MacArthur a?oeGeniusa?? Grant recipient Branden Jacobs-Jenkins' production of 'Everybody.
BWW Review: PAQUITA Should Begin at its End
The Mariinsky Ballet's a?oePaquitaa?? should begin at its end.
BWW Interview: Seven Questions with Dawn Thomas Reidy of THE FEW
Dawn Thomas Reidy took a moment between rehearsals to tell Broadway World how she's managing motherhood with her return to Unexpected Stage Company, and why playing QZ is one of her greatest acting challenges yet.
BWW Review: Dance Theatre Of Harlem Sets Tone For The Future Of Ballet
While ballet could spend another century beginning with Balanchine, the Dance Theatre of Harlem's latest commissions offer a different future, one where ballet is more daring and more perceptive than ever before.
BWW Review: The Hard Work of FAME -- THE MUSICAL at GALA Hispanic Theatre
The cast of The Gala Hispanic Theatre's bilingual production of Fame -- The Musical takes this marathon show at a dead sprint, bucking Broadway bluster to deliver on the idea fame is an illusion, and hard work is what we seek.
BWW Interview: Vivienne Benesch of LOVE'S LABOR LOST at Folger Shakespeare Theatre
It's all about the words, words, words for director Vivienne Benesch as she prepares to make her Folger Theatre debut with a new 1930s-styled production of Love's Labor's Lost.
BWW Review: DAMIAN WOETZEL'S DEMO: NOW Defies Expectation
Demo: Now, a complex seven-part showcase of dance, music and spoken word, defies expectations by never allowing the audience to set them in the first place.
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