Krista Garver - Page 11
Latest Articles
BWW Review: FAMILY at Shaking the Tree
Celine Song's FAMILY is a surreal look at the messy self-perpetuating cycle of violence.
BWW Review: LOCH LOMOND at Broadway Rose
Set in during the Jacobite uprisings of 1745, LOCH LOMOND, which is currently having its world premiere at Broadway Rose, is at once a sweeping musical about desire (for independence, for glory, for love) and an intimate look at the many ties that bind people together.
BWW Review: CAMPFIRE STORIES at Back Fence PDX And Artists Rep
CAMPFIRE STORES, a joint storytelling production from Back Fence PDX and Artists Rep, provided intimacy at a safe social distance.
BWW Review: THE OLDEST PROFESSION at Profile Theatre
Solid performances, sensitive direction, a fabulous new performing arts venue, and what turns out to be an eerily timely play (with music!) combine to make THE OLDEST PROFESSION the strongest show of Profile's season.
BWW Review: ANALOG AND VINYL at Broadway Rose
ANALOG AND VINYL is the lighthearted, uncomplicated musical we need right now.
BWW Review: A SONG BY MAHLER at Chamber Music Northwest
Sitting at the intersection of musical and opera, Mark Neikrug's A SONG BY MAHLER combines theatre and music into a new form.
BWW Review: WHOSE CHILD AM I ANYWAY? at Corrib Theatre
Bisi Adigun’s WHOSE CHILD AM I ANYWAY?, a new audio play now available from Corrib Theatre, is a short family drama that explores the many ways of othering.
BWW Review: ALEX GETTING BETTER at Oregon Children's Theatre
If you are a teenage girl, have ever been a teenage girl, or even know a teenage girl, carve out an hour this weekend to watch this show.
BWW Review: SNOW IN MIDSUMMER at Oregon Shakespeare Festival
Justice favors the rich and powerful, but, eventually, the truth will out.
BWW Review: THE LAST FIVE YEARS at Broadway Rose
Broadway Rose’s productions have consistently been among the best virtual theatre options available.
BWW Review: MANAHATTA at Oregon Shakespeare Festival
Mary Kathryn Nagle’s brilliant MANAHATTA superimposes the 17th century “purchase” of Manahatta (known today as Manhattan) by the Dutch East India Company from the Lenape people with the financial crisis of 2008, in which many people lost their homes as a result of predatory lending practices.
BWW Review: TRIGGERED LIFE: A REQUIEM OF HEALING at Portland Playhouse
TRIGGERED LIFE: A REQUIEM OF HEALING is an emotional tour de force written by John Oluwole ADEkoje and starring Keith Mascoll now streaming at Portland Playhouse.
BWW Review: THE STORY OF MY LIFE at Broadway Rose
THE STORY OF MY LIFE is a sweet, uncomplicated musical about friendship.
BWW Interviews: CORNER OF THE SKY Celebrates the Music of Stephen Schwartz at the Segal Centre, Nov. 13
On November 13, Noelle Hannibal, Marc Ducusin, and special guests will perform in Corner of the Sky: The Music of Stephen Schwartz at the Segal Centre Studio.
BWW Reviews: THINKING OF YU Captivates and Inspires, Through May 5
Carole Frechette's THINKING OF YU tells the story of Maggie (Danielle Desormeaux), a woman who becomes fixated on a small newspaper article about Yu Dongyue, a Chinese journalist just released from prison after serving 17 years for throwing paint on a portrait of Chairman Mao during the 1989 student
BWW Interviews: Carole Frechette Reflects on THINKING OF YU, Social Engagement
Carole Frechette is a multi award-winning playwright based in Montreal.
BWW Reviews: Dawson College Presents A CHORUS OF DISAPPROVAL Through April 27
A CHORUS OF DISAPPROVAL opens with the finale: an amateur opera company taking their bows after an apparently successful performance of John Gay's The Beggar's Opera.
BWW Reviews: Les Deux Mondes' GOLD MOUNTAIN Shines
GOLD MOUNTAIN is an intimate portrait of a son's attempt to connect with his father and an exploration of cultural, racial, and generational divides.
BWW Interview: Montreal Sound Designer Michel Robidoux Talks About GOLD MOUNTAIN and the Creative Process
Following performances in the UK, Stockholm, and Vancouver, GOLD MOUNTAIN is coming home.
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