BWW Review: MAZ AND BRICKS at Corrib Theatre
MAZ AND BRICKS is a tender two-hander about finding connection with unexpected people in unexpected places.
Krista Garver - Page 10
BWW Review: ANASTASIA at Keller Auditorium (National Touring Production)
There are two big reasons to take in the national touring production of ANASTASIA, now running at Keller Auditorium: Kyla Stone (who plays the central character) and the visual spectacle.
BWW Review: THE GREAT LEAP at Portland Center Stage
Lauren Yee’s play, inspired in part by her father, is everything we’ve come to expect from this exceptional playwright – it’s gripping, funny, emotional, and will leave you with plenty to chew on.
BWW Review: THURGOOD at Portland Playhouse
THURGOOD is a riveting play about the life and career of Thurgood Marshall, the first African-American to sit on the US Supreme Court.
BWW Review: HONKY TONK LAUNDRY at Broadway Rose
Wash your cares away! HONKY TONK LAUNDRY is a country music jukebox musical delivering 2 hours of pure delight.
Fertile Ground 2022 Kicks Off with Virtual and Live Performances - 5 Picks for This Year's Festival
Fertile Ground 2022 officially kicked off yesterday! Portland’s 13th annual festival of new works runs through Feb.
BWW Review: GLORIA at Profile Theatre
GLORIA, which premiered Off-Broadway in 2015 and was a finalist for the Pulitzer Prize in 2016, speaks with eerie coincidence to two of the biggest national conversations taking place today.
BWW Review: THE BAND'S VISIT at Keller Auditorium
THE BAND'S VISIT is a gorgeous musical about the transformative power of music.
BWW Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME at Portland Center Stage
Though THE CURIOUS INCIDENT… premiered in 2012 and is based on a book published in 2003, it’s difficult to imagine a play better suited to these weird times.
BWW Review: BARBECUE at Portland Playhouse
BARBECUE is laugh-out-loud funny while also shining a big bright spotlight on things we’d rather keep hidden.
BWW Review: THE CHINESE LADY at Artists Repertory Theatre
The story of Afong Moy, the central character in Lloyd Suh’s THE CHINESE LADY, now running at Artists Rep, so perfectly captures the American tendency to exotify, stereotype, and disparage other cultures that I should not have been surprised to learn that it’s true.
BWW Review: MARTHA BAKES at CoHo Theatre
MARTHA BAKES gets to the real story behind the mythology that George Washington freed all his slaves upon his death.
BWW Review: FAMILY at Shaking the Tree
Celine Song's FAMILY is a surreal look at the messy self-perpetuating cycle of violence.
BWW Review: LOCH LOMOND at Broadway Rose
Set in during the Jacobite uprisings of 1745, LOCH LOMOND, which is currently having its world premiere at Broadway Rose, is at once a sweeping musical about desire (for independence, for glory, for love) and an intimate look at the many ties that bind people together.
BWW Review: CAMPFIRE STORIES at Back Fence PDX And Artists Rep
CAMPFIRE STORES, a joint storytelling production from Back Fence PDX and Artists Rep, provided intimacy at a safe social distance.
BWW Review: THE OLDEST PROFESSION at Profile Theatre
Solid performances, sensitive direction, a fabulous new performing arts venue, and what turns out to be an eerily timely play (with music!) combine to make THE OLDEST PROFESSION the strongest show of Profile's season.
BWW Review: ANALOG AND VINYL at Broadway Rose
ANALOG AND VINYL is the lighthearted, uncomplicated musical we need right now.
BWW Review: A SONG BY MAHLER at Chamber Music Northwest
Sitting at the intersection of musical and opera, Mark Neikrug's A SONG BY MAHLER combines theatre and music into a new form.
BWW Review: WHOSE CHILD AM I ANYWAY? at Corrib Theatre
Bisi Adigun’s WHOSE CHILD AM I ANYWAY?, a new audio play now available from Corrib Theatre, is a short family drama that explores the many ways of othering.
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