
Krista Garver
Theatre Journalist Krista Garver has written 568 articles for BroadwayWorld since 2013, covering Oregon Theatre.
Krista lives in Portland, Oregon. She fell in love with musicals at age 5, when her parents took her to see a university production of The Music Man. Krista attends as much theater as possible, in as many venues as possible, and she is the current "Name That Showtune" champion of her house.
About Krista Garver
- First Show
- The Music Man
- Favorite Show
- How can I possibly choose just one?
Favorite Stories
- BWW Review: Artists Rep Scores a Knockout with World Premiere of Hansol Jung's WOLF PLAY -
- BWW Interview: Storm Large on Revisiting Her Autobiographical Solo Show CRAZY ENOUGH a Decade After Its Acclaimed Premiere -
- BWW Review: Portland Center Stage's EVERY BRILLIANT THING is a Brilliant Thing -
- BWW Review: LAUREN WEEDMAN DOESN'T LIVE HERE ANYMORE Brings Laughter, Tears, and an Identity Crisis to Portland Center Stage -
- BWW Review: THE PIANIST OF WILLESDEN LANE Melds Music, Storytelling, and Inspiration, at Portland Center Stage -
Most Popular Articles
Latest Articles

Review: DISNEY'S NEWSIES at Broadway Rose Theater Company
July 23, 2026
NEWSIES is a big, joyful, high-energy dance spectacular at the theatre with a message about how to successfully stand up to corporate greed.

Review: THE ONE at The Boiler Room
July 20, 2026
Andrea Parson's solo show turns a very personal search for love into a funny, engaging, and highly relatable journey, whether or not you’ve ever stood at the altar of your own expectations about finding the one.

Review: LOBOTOMOMMY at CoHo Theatre
July 7, 2026
Part interactive, part clowning, part not-so-distant dystopian future imagining, Julia Bray’s new solo show LOBOTOMOMMY, performed as part of the 2026 CoHo Residency Program, is dark comedy at its sharpest.

Review: TELEPHONE at Portland Experimental Theatre Ensemble
July 1, 2026
Directed by Rebecca Lingafelter, this production by Portland Experimental Theatre Ensemble (PETE) tackles the slippery uncertainty of how much gets lost, or invented, in transmission.

Review: STORM LARGE MAKES IT HOME at Portland Center Stage
June 18, 2026
Storm Large is back, and her new cabaret memoir explores what makes a home.

Review: THE ROOMMATE at Profile Theatre
June 17, 2026
Profile Theatre's THE ROOMMATE is a dark comedy that surprises, moves, and lingers, with knockout performances by Gail Dartez and Eleanor O'Brien.

Review: MAMMA MIA! at Keller Auditorium
June 3, 2026
A jukebox musical based on the music of ABBA, MAMMA MIA! knows exactly what it is and makes absolutely no apologies for it.

Review: KRISTINA WONG, #FOODBANKINFLUENCER at Portland Center Stage
June 2, 2026
What did our critic think of KRISTINA WONG, #FOODBANKINFLUENCER at Portland Center Stage?

Review: ONCE UPON A MATTRESS at Broadway Rose
May 29, 2026
With music by Mary Rodgers and lyrics by Marshall Barer, ONCE UPON A MATTRESS is a comedic musical romp based on the fairy tale 'The Princess and the Pea.

Review: X at Third Rail Repertory Theatre
May 28, 2026
X is not the type of show you sit back and enjoy.

Review: THE PAVILLION at 100 Lives Repertory
May 20, 2026
Now onstage at 100 Lives Repertory, THE PAVILION is a play about time – the Narrator will tell you so at the outset.

Review: THE SPONGEBOB MUSICAL at Portland Playhouse
May 7, 2026
When I saw Portland Playhouse's 2025–2026 season announced, the show I was most irrationally excited about was THE SPONGEBOB MUSICAL.

Review: DOCTOR FAUSTUS at The Canon Shakespeare Company
May 7, 2026
You don't often get the chance to see DOCTOR FAUSTUS on stage.

Review: THE PHANTOM OF THE OPERA at Keller Auditorium
May 4, 2026
Nearly 40 years after its Broadway premiere, THE PHANTOM OF THE OPERA continues to cast its spell.

Review: FAT HAM at Portland Center Stage And Portland Playhouse
April 30, 2026
Confession time: I saw the original production of FAT HAM on Broadway, and I thought “meh.

Review: FERTILE GROUND 2026: REVIEW ROUNDUP #3
April 29, 2026
Fertile Ground 2026 wrapped up last weekend, and on the whole, it was fantastic.

Review: THE GLASS MENAGERIE at Shaking The Tree
April 24, 2026
On my way to Shaking the Tree Theatre to see Tennessee Williams' THE GLASS MENAGERIE, I realized I had seen more comical adaptations of the play, ranging from gently ribbing to outright farcical, than actual productions of it.

Review: FERTILE GROUND 2026 - REVIEW ROUNDUP #2
April 20, 2026
What did our critic think of FERTILE GROUND 2026 - REVIEW ROUNDUP #2 at Various?

Review: FERTILE GROUND 2026: REVIEW ROUNDUP #1
April 13, 2026
This year’s Fertile Ground Festival started last Friday.

Review: APPLE HUNTERS! at Artists Rep
April 8, 2026
What did our critic think of APPLE HUNTERS! at Artists Rep?
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