Krista Garver
Review: THE ONE at The Boiler Room
Andrea Parson's solo show turns a very personal search for love into a funny, engaging, and highly relatable journey, whether or not you’ve ever stood at the altar of your own expectations about finding the one.
Review: LOBOTOMOMMY at CoHo Theatre
Part interactive, part clowning, part not-so-distant dystopian future imagining, Julia Bray’s new solo show LOBOTOMOMMY, performed as part of the 2026 CoHo Residency Program, is dark comedy at its sharpest.
Review: TELEPHONE at Portland Experimental Theatre Ensemble
Directed by Rebecca Lingafelter, this production by Portland Experimental Theatre Ensemble (PETE) tackles the slippery uncertainty of how much gets lost, or invented, in transmission.
Review: STORM LARGE MAKES IT HOME at Portland Center Stage
Storm Large is back, and her new cabaret memoir explores what makes a home.
Review: THE ROOMMATE at Profile Theatre
Profile Theatre's THE ROOMMATE is a dark comedy that surprises, moves, and lingers, with knockout performances by Gail Dartez and Eleanor O'Brien.
Review: MAMMA MIA! at Keller Auditorium
A jukebox musical based on the music of ABBA, MAMMA MIA! knows exactly what it is and makes absolutely no apologies for it.
Review: KRISTINA WONG, #FOODBANKINFLUENCER at Portland Center Stage
What did our critic think of KRISTINA WONG, #FOODBANKINFLUENCER at Portland Center Stage?
Review: ONCE UPON A MATTRESS at Broadway Rose
With music by Mary Rodgers and lyrics by Marshall Barer, ONCE UPON A MATTRESS is a comedic musical romp based on the fairy tale 'The Princess and the Pea.
Review: X at Third Rail Repertory Theatre
X is not the type of show you sit back and enjoy.
Review: THE PAVILLION at 100 Lives Repertory
Now onstage at 100 Lives Repertory, THE PAVILION is a play about time – the Narrator will tell you so at the outset.
Review: THE SPONGEBOB MUSICAL at Portland Playhouse
When I saw Portland Playhouse's 2025–2026 season announced, the show I was most irrationally excited about was THE SPONGEBOB MUSICAL.
Review: DOCTOR FAUSTUS at The Canon Shakespeare Company
You don't often get the chance to see DOCTOR FAUSTUS on stage.
Review: THE PHANTOM OF THE OPERA at Keller Auditorium
Nearly 40 years after its Broadway premiere, THE PHANTOM OF THE OPERA continues to cast its spell.
Review: FAT HAM at Portland Center Stage And Portland Playhouse
Confession time: I saw the original production of FAT HAM on Broadway, and I thought “meh.
Review: FERTILE GROUND 2026: REVIEW ROUNDUP #3
Fertile Ground 2026 wrapped up last weekend, and on the whole, it was fantastic.
Review: THE GLASS MENAGERIE at Shaking The Tree
On my way to Shaking the Tree Theatre to see Tennessee Williams' THE GLASS MENAGERIE, I realized I had seen more comical adaptations of the play, ranging from gently ribbing to outright farcical, than actual productions of it.
Review: FERTILE GROUND 2026 - REVIEW ROUNDUP #2
What did our critic think of FERTILE GROUND 2026 - REVIEW ROUNDUP #2 at Various?
Review: FERTILE GROUND 2026: REVIEW ROUNDUP #1
This year’s Fertile Ground Festival started last Friday.
Review: APPLE HUNTERS! at Artists Rep
What did our critic think of APPLE HUNTERS! at Artists Rep?
Review: OUTSIDE MULLINGAR at Corrib Theatre
There's a particular kind of melancholy that settles over you like a damp wool coat: heavy, familiar, not entirely unpleasant, often surprisingly funny.
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