Review: CASTLE OF JOY, Barbican
In the dimly lit theatre, the audience is transported into the mysterious world of Castle of Joy a production by Det Ferösche Compagnie, a Faroese theatre company.
Kit Bromovsky
Review: A FAMILY BUSINESS, Omnibus Theatre
In a world shadowed by the persistent threat of nuclear war, A Family Business presented by China Plate and Staatstheater Mainz, delivers a poignant and immersive exploration of the human narrative behind the struggle for nuclear disarmament.
EDINBURGH 2023: Review: BE MY GUEST, Assembly George Square, The Box
Be My Guest performed by Monia Baldini (a specialist in clowning and graduate of the esteemed Philippe Gaullier in Paris) has grabbed audiences from Europe, London and America.
EDINBURGH 2023: Review: YES-YA-YEBO!, Laughing Horse @ The Counting House
All from the township areas of Lwandle/Nomzamo and areas from Macassar outside Cape Town.
EDINBURGH 2023: Review: #SINCE1994, Taiwan Season, Assembly Roxy
Led by all woman artists, Eye Catching Circus’ #Since1994 is not just a highly skilled display of circus acts but a message much deeper.
EDINBURGH 2023: Review: VANYA IS ALIVE, @theSpace, Symposium Hall
Vanya is Alive is inspired by letters from the frontline of the Second World War written by Natalia Lizorkina and performed by Nikolai Mulakov; both from Russia and who are currently in exile due to their anti-war positions.
Review: FAMILY TREE, Brixton House
Family Tree directed by Matthew Xia is about Henrietta Lacks; a woman who made one of the greatest medical contributions after her cells were taken from a cervical-cancer biopsy.
Review: BBC SYMPHONY ORCHESTRA WITH IAN McEWAN, Barbican Hall
In this special and one-off event led by the BBC Proms, author of Atonement and one of the finest writers of his generation, Ian McEwan collaborates with the BBC symphony Orchestra and reads extracts from his own works with music curated around his readings and a special guest appearance from jazz
Review: THE MANNY, Kings Head Theatre
Masculinity, vulnerability and meaning are neatly entwined in this world premier production of Sam Mcardle’s show, which brings to mind ‘When you durst feel it, then you were a man,’.
Review: NICE JEWISH BOY, Hope Theatre
Anthony Sher, the British actor, writer and theatre director of Jewish, South African origin exclaimed ‘ You constantly have to question who you are, what you are and whether you have the courage to be who you are’ which collectively nourishes the essence of this play.
Review: CINDERELLA, Theatre Royal Stratford East
Musician and lyricist Robert Hyman dedicated this adaptation of the classic tale, Cinderella, to the late and much-admired performer, Jo Melville.
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