Joseph Harrison - Page 10

Audiences in Titusville have their own chance to journey to Bikini Bottom and visit SpongeBob and friends in Titusville Playhouse’s 58th season opener – THE SPONGEBOB MUSICAL – a visual feast of a show featuring an outstanding cast which delivers a fun, family-friendly, and highly entertaining night at the theatre.

How do you take a brilliant piece of classic musical theatre and improve upon it? Orlando’s New Generation Theatrical's production of SWEENEY TODD, does this by breaking down the typical stage barriers and immersing the audience in the material, creating a fresh (and fantastic) production.

What happens when you take a popular comedy film, add in new music by the king of musical theatre, and put it on stage with a talented cast? You get the Orlando premiere of SCHOOL OF ROCK presented by Theatre South Playhouse in Dr. Phillips - an energetic, entertaining, and eminently electric experience of epic proportions.

“So, did you hear the story of the Johnstone twins? As like each other as two new pins. Of one womb born, on the self-same day, how one was kept and one given away?” These are the words spoken by the Narrator at the beginning of BLOOD BROTHERS, the long-running West End musical by Willy Russell which provides the perfect setup for the play that follows. BLOOD BROTHERS is not a show that gets produced that often, but that is likely exactly why the Florida Theatrical Association has opted to mount a production of the musical – to introduce it to new audiences and provide theatregoers the unique experience of seeing the show. I attended opening night and it was, in fact, the first time I have had the chance to see a live production even though I have been familiar with the piece due to its popularity in England and its not-as-successful run on Broadway in the early 1990’s. And though the piece itself has some challenges (more on that later) the FTA’s production is solid with outstanding and emotional performances by the cast and a creative vision true to the material

Somewhere on Highway 57 between Frog Level and Smyrna sits a little diner across from a service station where the pie is fresh, the beer is cold, and the gas is cheap (if that’s even possible these days). Such is the setting for the Off-Broadway hit musical PUMP BOYS AND DINETTES. And in its latest production of this feel-good musical, The Winter Park Playhouse delivers a toe-tapping, knee slapping good time.

There are some musicals that just make you smile and can do so regardless of how many times you have seen in them. For me, one of those shows is (and will always be) LEGALLY BLONDE THE MUSICAL. Read our critic's review about this production of this fun and uplifting musical,. Titusville Playhouse delivers a fresh, energetic and thoroughly entertaining take on the story of Miss Elle Woods and her journey of self-discovery.

In the opening number of Elton John and Tim Rice’s hit musical, AIDA, Princess Amneris sings - “Every story, tale or memoir, every saga or romance, whether true or fabricated, whether planned or happenstance….All are tales of human failing, All are tales of love at heart.” and with those opening lines, she encapsulates perfectly the touching (and heart wrenching) story that audiences are about to witness. And in its current production of this classic love story, The Henegar Center in Melbourne delivers an AIDA that is thrilling from its first moments to its last and features some of the most powerful, emotional, and polished performances I have seen on stage in a very long time.

In the world of musical theatre there are productions that come along that deliver the perfect storm of creative expression. This elusive synergy can be due to the topic or setting being extremely relevant to the time that it is performed or can come from the blending of top-notch talent, creative vision and execution. Even more rarely, an opportunity comes along to mount a production in an unexpected but perfect setting for a given show. And sometimes, just sometimes, you get all the above. That is the best way I can describe the Florida Theatrical Association’s current production of Stephen Sondheim and John Weidman’s musical, ASSASSINS – a once in a lifetime opportunity to witness this wonderful piece of musical theatre, delivered by a stellar cast in an unlikely location – the Cheyenne Saloon in downtown Orlando.

A CHORUS LINE, the hit Broadway musical about performers auditioning for a Broadway show played for 6,137 performances in its original run due to several factors. Audiences simply connected with the characters on stage and related to their lives, their experiences, and their passion for pursuing their dreams. Add in a fabulous and catchy score and some amazing choreography and you have a recipe for an enthralling musical – in fact, one of the most popular musicals of all time. It is not surprising, then, that the Titusville Playhouse selected this classic to present as its latest production – providing audiences with an emotional, energetic, and wildly entertaining production that thrills from the first moments to the last.

What fun it is to take a stroll down memory lane and revisit the locations (and experiences) of our youth. Such journeys often include stops at familiar haunts, laughs at the fashions we thought were so hip at the time, and listening to the songs that served as the soundtrack to our formative years. Imagine, then, if you could roll all of those things into a musical, and you might get THE MARVELOUS WONDERETTES: DREAM ON – the current mainstage production at the Winter Park Playhouse. This fun, fabulous and fantastic time-machine of a show featuring four wonderfully talented women illustrates perfectly the kind of intimate, inviting and thoroughly entertaining production that The Winter Park Playhouse so often has to offer.

There have been a lot of interesting concepts for musicals over the history of the artform. For the most part, the shows that push the boundaries of the musical theatre format stick to the Off-Off-Broadway theatres or Fringe festivals. But sometimes one of these genre-busting musicals makes it to the mainstream. Such is the case with URINETOWN: THE MUSICAL, which moved from the New York Fringe Festival to an Off-Broadway production to Broadway, securing ten Tony nominations (and three wins) back in 2002. And by producing URINETOWN: THE MUSICAL as just its fourth production since relocating to Orlando from New York, Non-Profit Community Theatre company Little Radical Theatrics delivered an audience pleasing production at the Mandell Studio Theatre at Orlando Shakes that featured a fun and creative concept, a dedicated and energetic ensemble (with some strong performances), making for a unique, but fun night at the theatre.

One of the brilliant things about musical theatre is it can take many forms. From splashy fun to deep and insightful, musicals can be as varied as any other narrative medium and can often surprise you in their ability to strike an emotional chord that you weren’t expecting. Such is the case with Jason Robert Brown and Marsha Norman’s musical, THE BRIDGES OF MADISON COUNTY. With an emotional story (based on the best-selling Robert James Waller novel) and a haunting and gorgeous score, this is a musical that reaches inside, grabs hold of your heart, and pulls you along for a roller coaster ride of emotions. And Osceola Arts, in its current production of this lesser-known but beautiful piece, does a great job bringing this timeless tale to vivid life.

A county spelling bee may not sound like a likely setting for a musical, but THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE defies convention and delivers laughs and a heartwarming story that is sure to please. In the latest production on its Shuler Stage, Titusville Playhouse’s production of this hit musical is filled with quirky characters, fun staging and great music – while also illustrating some of the stresses impacting the children of today – pressure to succeed, parental involvement and the pros (and cons) of standing out from the crowd.

There’s something special about being the first audiences to see a new musical. For a musical theatre nerd like me, it is a thrill that is practically unmatched. And since I don’t live in New York City or thereabouts anymore, it is not something that happens that often. Which is why I was excited to be sitting in the audience for the first performance of an original musical, GORGEOUS, at the Renaissance Theatre Company. As Donald Rupe, Artistic Director and Co-founder of the Renaissance Theatre Company and creator (Book/Music/Lyrics) of GORGEOUS, shared during his curtain speech, the Ren aims to produce new and original theatre in Central Florida and beyond. And I am confident to say, as evidenced by this hilarious, irreverent and entertaining production, that mission is being lived out well by this not-even-a-year-old company, with a level of talent and passion that could hold its own with some of the most established theatres in the country.

Thanks to the 2006 film starring Jennifer Hudson and Beyonce, a lot of people are familiar with the story of the Broadway hit musical DREAMGIRLS. Its story of the rise of a talented group of young women – first as contest winners, then backup singers, then fame and success on their own - resonates with audiences who love to cheer for the success of an underdog (and sometimes the drama that comes along with the journey to the top). Throw in some blockbuster songs, beautiful costumes, and a talented cast to tell the story and you have stage magic. And that is just what audiences will get with the latest production of DREAMGIRLS at the Titusville Playhouse in Titusville, FL – a visually stunning, vocally thrilling, and powerful production of this classic musical.

It’s hard to think of a more fitting production than FROZEN, to make an extended stay at Orlando’s Dr. Phillips Center. As this Broadway hit musical makes its way to the City Beautiful for a run February 24th -  March 6th, I caught up with Caroline Innerbichler, who plays Princess Anna, to find out more about her career, bringing this Disney hit musical to Orlando, and what it’s like performing this show for live audiences all over the country once again.

What a pleasure it is to discover a hidden (or not so hidden!) gem. Such was the case for me this weekend, when I visited, for the first, but certainly not last, time the Winter Park Playhouse in Winter Park (Orlando), FL. The theatre, which positions itself as Central Florida’s only professional musical theatre, is presenting its latest production, the Southeastern premiere of J.C. Johnson and Garry Holmes’ TRAV’LIN: A 1930’s HARLEM MUSICAL ROMANCE. What I discovered when entering this space was a vibrant, warm, inviting and thriving theatre company which, if evidenced by the current production, offers high-quality, entertaining and thrilling productions of musical theatre to Orlando theatergoers. The Winter Park Playhouse, referred to by Executive Director, Heather Alexander in her curtain speech for TRAV’LIN as the “Cheers of Musical Theatre” seems to live up to that reference – a place where everyone knows your name and which welcomes each patron with warm smiles and, most importantly, a good time.

What can be better than revisiting an old favorite? Whether you are reading a book again for the hundredth time, watching a favorite movie that always puts you in a good mood, or listening to music you’ve spent your whole life jamming to, the familiar can be quite comforting and uplifting. Such is the case for me when I get to take in a production of a favorite show – something that has long been a staple in my musical theatre lexicon - and that gives me the chance to check in with old friends and experience a new take on a piece. This is how I approached the latest production of Dan Goggin’s hit musical NUNSENSE at Theatre South Playhouse. The classic musical (the second longest running off-Broadway show in history) continues to surprise and delight, with a simple, yet hilarious premise that still has audiences rolling in the aisles almost 40 years after its premiere. And, by offering NUNSENSE as its official return to professional theatre, Theatre South Playhouse, in Dr. Phillips delivers a hilarious, perfectly conceived and executed, rollicking good time.

It’s hard to imagine a musical theatre world without the iconic, simple but lovely, musical THE FANTASTICKS. Opening at the Sullivan Street Playhouse in 1960 and playing a record breaking 42 years (making it the “world’s longest running musical”), Tom Jones and Harvey Schmidt’s “little musical that could” has touched hearts and audiences for the last 62 years. It has evolved and changed over that time (more on that in a minute) but has never lost its core appeal – a beautiful, poetic, and highly theatrical tale of the power and depth of love – gained, lost and found again. Adding to the rich history of THE FANTASTICKS is the latest production of the musical at Orlando Shakes – one which delights, warms the heart and reminds us why it’s good to “Try to Remember” every so often.

Headlines are getting more concerning by the day and the world continues to stay on high alert due to the global pandemic – what can one do to escape? Well, I always say laughter is the best medicine, so taking in Osceola Arts’ latest production – Marc Camoletti and Robin Hawdon’s hilarious farce, DON’T DRESS FOR DINNER – was just what I needed to forget my woes and try and keep up with the fast paced marital treachery and hilarious mix ups happening on stage in Kissimmee.