Jade Kops - Page 28

Whilst war is always ugly, we often hope that the common person can still retain a degree of decency. Directed by Moira Blumenthal, Timothy Daly's Patrick White Playwright's Award winning play THE MAN IN THE ATTIC exposes how awful people can be when they lack compassion and humanity.

Mary Rachel Brown's new work PERMISSION TO SPIN pits greed for fame and fortune against the ethical dilemma of an artist's culpability for what other's do with their work once it is released for public consumption.

Celebrating the life of George Michael, the LISTEN TO YOUR HEART concert arrived in Sydney for one day only.

The Listies' brand of brilliant comedy for kids and their respective adults returns to delight audiences with THE TRAGEDY OF HAMLET: PRINCE OF SKIDMARK, A BADAPTATION OF THE BARD. 

New Australian work ROOMBA NATION is an amusing if not somewhat absurd look at the dangers of progress over pathos in the medical care industry.

Marianne Elliott's award winning expression of Simon Stephen's adaptation of Mark Haddon's THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME gives audiences an insight into what life is like for a gifted child with what is best described as high functioning autism. 

Rock Star Guest Reviewer Charles Sanders Shares His Views On John Cameron Mitchell's THE ORIGIN OF LOVE: THE STORIES AND SONGS OF HEDWIG

Genevieve Hegney and Catherine Moore explore the challenges of female friendship and finding a career in their fabulously funny new Australian play UNQUALIFIED.

British Touring concert BEYOND THE BARRICADE delivers a delightful tasting plate of musical theatre to Australian Audiences. The concert, which has been touring for 19 years, makes its way to Australia with founding members Andy Reiss and David Fawcett joined by English Poppy Tierney and Australian Elise McCann and a four piece band led by Reiss.

Broadway Musical Theatre legend Patti LuPone shared an intimate night of memories and marvellous music in her concert DON'T MONKEY WITH BROADWAY.

In an age of megalomaniac world leaders that have the world teetering on the edge of destruction, Justin Fleming's new work, DRESDEN, contemplates the connection between Adolf Hitler and Richard Wagner.

Mitchell Butel (Director) presents Jordan Harrison's futuristic MARJORIE PRIME with heart, humour and sensitivity as a world where technology plays a greater role in grief, relationships and connection is contemplated.

With social commentary the ethics of modern medicine, patriarchal societies and the question of love, money and ownership, Hilary Bell's new version of THE HYPOCHONDRIAC uses an old story and turns it inside out for a new age.

Louise Fischer's (Director) expression of Tracy Letts's complex insight into family dysfunction, AUGUST: OSAGE COUNTY is presented with captivating conviction and comedy as trauma is transferred through generations.

Tom Wright's stage adaptation of Peter Carey's Miles Franklin Award winning novel BLISS struggles to find a place in the 21st century.

Following a successful 2017 season at Hayes Theatre, Dean Bryant's (Director) brilliantly crafted production of ASSASSINS has opened for an encore season at the Sydney Opera House.

The life of one of history's most famous and controversial women is presented with a contemporary clarity in Imara Savage's (Director) interpretation of George Bernard Shaw's SAINT JOAN.

Sydney Symphony Orchestra's (SSO) answer to the British celebratory concert filled with patriotic pieces and popular classical works returns with a new edition of LAST NIGHT OF THE PROMS. 

Ballet Preljocaj's brilliant expression of the famous Brothers Grimm fairy SNOW WHITE delights Sydney audiences with its blend of classical and contemporary ballet. 

Old world musical theatre charm returns to the stage with the 60th Anniversary Concert presentation of LOLA MONTEZ THE MUSICAL.