HERE ARE THE FRAGMENTS combines strong acting, independent exploration, and topical subject matter to create one of the most unique theatrical experiences in Toronto right now.
Even though the weather in Toronto is flip-flopping between fall and winter, there are plenty of ways to celebrate the holiday season around the city a?' and The Second City's joined that list with the UNCONVENTIONAL HOLIDAY REVUE.
The National Ballet of Canada's ORPHEUS ALIVE is a ground-breaking theatrical production, with heavy focus on theatre.
ANOTHER BRICK IN THE WALL's title alone brings a melody to mind, and if you don't hear it in the bratty voices of the kids featured on the album a?' then you'll probably have a different opinion on the opera than fans of Pink Floyd might.
ProArteDanza's latest work, choreographed by Roberto Campanella and Robert Glumbeck, is the impressive result of over a decade of collaboration between its renowned creators.
Set in a pastoral German village, GISELLE has all the components of a quintessential romantic work.
Michelle Bouey might be a fairly new name in Toronto's performing arts scene, but the rising singer has already made an impact in the city.
When it comes to covering popular music, navigating the space between individual interpretation while still respecting the original artist's work could be a daunting task.
LET'S RUN AWAY is a deeply personal look into the life of a man through what his late birth mother wrote about him in her memoir; the premise is simple enough, but it's the layers and puzzles scattered throughout the interactions between mother and son that make the story so intriguing.
In this revival of Opera Atelier's 2011 DON GIOVANNI, questions of morality combat comedy in perfect harmony.
For a different kind of night out, look no further than Beyond Mental Borders and their collection of mental tests.
It's a circular story that's both deeply complex and utterly simple.
Classic horror movie tropes meet an inclusive, immersive experience in Aberrant Theatre's second annual Ghost Light Anthology production, CATACLYSM.
As they near the end of their first year, Beyond Mental Bordersa?"comprised of Armand Antony and Alexandra Brynna?"has seen their act go farther than they could have anticipated.
Talk Like You Theatre's IN THIS HOUSE, premiering at the Rendezvous With Madness Festival, explores the lives of four 20-something roommates living downtown.
The Canadian Opera Company's RUSALKA utilizes Lyric Opera's 2014 production under the direction of Sir David McVicar, making his COC debut.
Set in one of the last American cinemas with a 35mm projection system, THE FLICK examines the lives of three employees who are struggling with romantic relationships, finances, family, and themselves.
One of the most unique opera experiences in Toronto this year is that of a classic story brought to life in a dive bar.
It's not unusual for The Second City to take a political angle with their sketch comedy, and their latest revue is no exception.
In Nightswimming's BROKEN TAILBONE, presented by Factory Theatre, playwright and performer Carmen Aguirre does double duty as a dance and history instructor.
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