BWW Interview: Andrew Kushnir Lets Young People Lead the Way in TOWARDS YOUTH
Andrew Kushnir's latest work, TOWARDS YOUTH: A PLAY ON RADICAL HOPE, made its debut on February 28 at Streetcar Crowsnest's intimate Guloien Theatre.
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BWW Review: OSLO at Mirvish Breathes Life into the Figures Behind the Oslo Accords
The Studio 180 production of OSLO, presented as part of the off-Mirvish season, tells the heavily-dramatized story behind the Oslo Accords.
BWW Review: THE VIRGIN TRIAL is Politically-Charged Family Drama at its Finest
Soulpepper's production of Kate Hennig's THE VIRGIN TRIAL, originally produced by the Stratford Festival, brings an investigation of power, morals, and misconduct to the stage.
BWW Review: ROSE is an Inspirational Look at the Self Despite its Struggle to Balance a Busy Story
ROSE follows the highs and lows of a nine-year-old on a journey to find herself, with a lively soundtrack and well-rounded cast pushing the plot through a busy storyline.
AFTER THE FIRE is a Complicated Look into the Human Psyche Following Trauma
The 2016 Fort McMurray wildfire displaced an entire city.
BWW Review: Aliens Bring Out the Humanity in WE ARE NOT ALONE
In Damien Atkins's WE ARE NOT ALONE, the playwright and actor leverages his own fears and judgements against an Arizona-based convention full of extra-terrestrial experiencers, believers, and alien-human hybrids to explore the concept of belief in a manner that brings our own existence into question
BWW Review: 1979 is a Crash Course in Canadian Politics
What happened in the Prime Minister's office on the ill-fated day of Joe Clark's budget vote? Michael Healey's play on the downfall of the 16th PM of Canada, produced by The 1979 Group and directed by Miles Potter, explores the ideology of the morally-motivated Albertan and his interactions with som
BWW Interview: Damien Atkins on Aliens, UFOs, and His Examination of Extraterrestrial Encounters for WE ARE NOT ALONE
It's been four years since Damien Atkins's WE ARE NOT ALONE first premiered, but the play is finally making its Toronto homecoming at the Streetcar Crowsnest Theatre in a production directed by Chris Abraham and Christian Barry, and backed by Crow's Theatre, Segal Centre for Performing Arts, and 2b
BWW Review: THE RUNNER is a Haunting Look Into Human Goodness
Written by Christopher Morris following years of research in Israel, directed by Daniel Brooks, and produced by Human Cargo with the support of Theatre Passe Muraille, THE RUNNER is an intimate look into the life of Jakob (Gord Rand), a member of the Jewish crisis-response team ZAKA.
BWW Interview: Camille Eanga-Selenge's Dorothy is a Modern Torontonian in Ross Petty's THE WIZARD OF OZ Panto
After a six-year stint with international productions of The Book of Mormon, Camille Eanga-Selenge has returned to Canada to star in Ross Petty's THE WIZARD OF OZ: A TOTO-LY TWISTERED FAMILY MUSICAL.
BWW Interview: Christopher Morris Delves into the Research and Writing Behind THE RUNNER
After numerous trips to Israel and nearly a decade of writing and refining, Human Cargo's artistic director and playwright Christopher Morris's newest show, THE RUNNER, is ready for audiences at Theatre Passe Murailles.
BWW Review: YELLOW RABBIT Places Fear and Human Instinct in the Spotlight
In a desolate world, to what lengths are people willing to go to feel safe? In YELLOW RABBIT, produced by Silk Bath Collective and Soulpepper and directed by Jasmine Chen in its world premiere, two people must determine what they value most, and suffer greatly at the hands of the leader of a refuge
BWW Review: WE KEEP COMING BACK is a Visually Dynamic, Personal Look into Jewish-Polish Identity
WE KEEP COMING BACK, produced by Factory Theatre and Selfconscious Productions, begins with a dream of Warsaw, but strangely enough, never quite gets there.
BWW Review: UNCOVERED: JONI MITCHELL & CAROLE KING Re-imagines the 21st Century's Biggest Singer-Songwriter Hits
What happens when you put eight accomplished singers, two dynamic actresses, and a back-up band that steals the show more than once? You get UNCOVERED: JONI MITCHELL & CAROLE KING.
BWW Preview: Sara Farb on Bringing UNCOVERED: JONI MITCHELL AND CAROLE KING to Life
The artists and creatives behind The Musical Stage Company's 2018 edition of UNCOVERED will be preparing for opening night of the popular series, and on Monday, November 13, ten accomplished and dynamic performers will take the stage to cover a wealth of songs from pioneering singer-songwriters Joni
BWW Interview: E. Clayton Cornelious on How Destiny Lead Him to AIN'T TOO PROUD
As the Toronto run of AIN'T TOO PROUD enters the last few weeks of its run, so too does the pre-Broadway tour of the ground-breaking new show based on the formation, life, and legacy of The Temptations.
BWW Review: ESCAPED ALONE's Cast is the Welcome Light in a Dark Story
Caryl Churchill's 2016 work ESCAPED ALONE receives a subtle, simple rendition in its Canadian premiere.
BWW Review: THE ROYALE Hits Hard on Sport, Sacrifice, and Honour
Written by Marco Ramirez and directed by Guillermo Verdecchia in this Soulpepper production, THE ROYALE is described as a match told in six rounds.
BWW Review: Crime and Consequence Fuel THE NETHER with a Dynamic Look Into the Ethics of Virtual Reality.
How do you charge a person in the flesh for their actions in a simulation? Produced by Coal Mine Theatre and Studio 180 Theatre, Jennifer Haley's work shines as a multi-world crime investigation.
BWW Review: THE WOLVES at Crow's Theatre Serves as a Reminder of Female Strength
Sarah DeLappe's first foray into playwriting is a complete knockout, and is brilliantly directed by Courtney Ch'ng Lancaster and produced by The Howland Company and Crow's Theatre.
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