BWW Review: LIVING A LITTLE, King's Head Theatre
In a zombie-raided Scotland, best friends Paul (Paul Thirkell) and Rob (Finlay Bain) have found refuge in an abandoned flat.
Cindy Marcolina - Page 61
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BWW Review: NO PLACE FOR A WOMAN, Theatre503
At the end of World War Two, Annie (Ruth Gemmell) and Isabella (Emma Paetz) are being interviewed in Poland by the Allied forces.
FAVOURITE SONGS: 'See I'm Smiling', THE LAST FIVE YEARS
The Last Five Years recounts Cathy and Jamie's five-year long relationship.
BWW Review: BRIMSTONE AND TREACLE, The Hope Theatre
Dennis Potter's 1976 work finds new life with Matthew Parker.
BWW Review: PAPER HEARTS, Upstairs At The Gatehouse
Even the toughest heart of stone will turn into a paper heart with Liam O'Rafferty's new musical.
BWW Review: ROMEO AND JULIET, Union Theatre
Andy Bewley directs Joe Mackenzie's mostly disappointing but highly energetic adaptation of Shakespeare's tragic tale.
BWW Review: ALL OUR CHILDREN, Jermyn Street Theatre
Set in a Nazi-dominated Germany in 1941, Stephen Unwin's debut play is an affecting examination of humanity, hypocrisy, and morality.
BWW Review: WHILE WE'RE HERE, Bush Theatre
The inaugural production in the refurbished Bush Theatre's new studio space is the latest play from Barney Norris.
BWW Review: LATE COMPANY, Finborough Theatre
During its celebrations for Canada's 150th birthday, Finborough Theatre sees the premiere of Late Company.
BWW Review: THREADS, The Hope Theatre
After breaking up five years prior, Charlie (Samuel Lawrence) writes a quite melodramatic letter to Vic (Katharine Davenport), his ex-girlfriend, confessing how he is dead inside, and how he almost feels as if he were rotting away.
BWW Review: 46 BEACON, Trafalgar Studios
Bill Rosenfield premieres his play 46 Beacon in the United Kingdom with director Alexander Lass at the helm.
BWW Review: THE WINTER'S TALE, Barbican
In the Barbican's vast space, Cheek by Jowl presents their formidable, modern-dress take on Shakespeare's account of blind jealousy, suspicion, abandonment, loss, and young love.
BWW Review: EXPENSIVE SHIT, Soho Theatre
Written and directed by Adura Onashile, Expensive Shit is not afraid to show an uncomfortable truth.
BWW Review: CASTE, Finborough Theatre
Celebrating the 150th year from its first production, Caste at Finborough Theatre is an underwhelming classist act with a polyester feel.
BWW Review: HADLEY FRASER & WILL BUTTERWORTH, Live at Zedel
Music is the centrepiece at Hadley Fraser and Will Butterworth's show at Zedel.
BWW Review: NATIVES, Southwark Playhouse
Premiering in the United Kingdom at Southwark Playhouse, Glenn Waldron's Natives is a brilliant view onto what it means to grow up as a millennial, and it shows the perils precluded to anyone who isn't one.
BWW Review: INCIDENT AT VICHY, Finborough Theatre
Directed by Phil Willmott on the ever-changing Finborough Theatre's stage, Incident At Vichy is impactful and thought provoking.
Women Supporting Women At The Inaugural Tonic Awards
The May Fair Hotel welcomed a vast array of women ready to celebrate their fellow sisters' achievements in the British theatre world on Wednesday 26 March.
BWW Review: KICKED IN THE SH*TTER, The Hope Theatre
Leon Fleming tackles mental issues, family, poverty, struggle, and hope in his new play Kicked in the Sh*tter.
BWW Review: I CAPULETI E I MONTECCHI, The Vaults
Pop-up Opera are back with a new take on Vincenzo Bellini's I Capuleti e i Montecchi.
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