BWW Review: HERE COMES THE NIGHT, Lyric Theatre, Apr 2016
Rosemary Jenkinson's new play traces the 50th and 100th anniversaries of the 1916 Rising in Northern Ireland.
Chris McCormack
BWW Review: SIGNATORIES, Kilmainham Gaol, Apr 2016
Leading Irish writers of today try to get inside the heads of the 1916 rebels.
BWW Review: CASCANDO, Samuel Beckett Theatre, Apr 2016
Pan Pan's production of Samuel Beckett's radio play makes for a beautiful but mysterious promenade.
BWW Review: CYPRUS AVENUE, Peacock Theatre, Feb 2016
The foundations of Ulster Loyalism may be shakier than ever but in David Ireland's dark comedy that doesn't come without its sympathies.
BWW Review: THE WOLF AND PETER, Pavilion Theatre, Nov 2015
Beyond the gate and into the big green meadow, David Bolger's adaptation of Prokofiev's composition shows that it can pay off to take chances on the world outside.
BWW Review: GOING SPARE, Theatre Upstairs, Oct 2015
In Siobhán Donnellan's new drama, a visit to a psychic exposes the ways - outlandish or otherwise - we manage the illogical circumstances of death,
BWW Review: THE TRAIN, Project Arts Centre, Oct 2015
Rough Magic's new musical about the the 1971 Contraceptive Train places the event at the fore of the Irish feminist narrative.
BWW Review: A Ceremonious Anniversary of DANCING AT LUGHNASA
In the wake of Brian Friel's death, director Annabelle Comyn's clear production is more than dutiful.
BWW Review: THE LAST HOTEL - We Hope You Enjoy Your Stay
Something strange is suppressed under a polite meeting inside a drab hotel.
BWW Review: I'M YOUR MAN - Lost in Music
THISISPOPBABY's decision to stage Mark Palmer's 12-part song cycle is difficult to fathom.
BWW Review: THE NIGHT ALIVE - Sweeter than Heaven, Hotter than Hell
A cluttered bedsit becomes a refuge in Conor McPherson's drama.
BWW Review: IT'S MY PARTY CONFERENCE (AND I'LL CRY IF I WANT TO) - Send In the Clowns
Stefanie Preissner's new play was already promised to Tiger Dublin Fringe when her funding application was unsuccessful.
BWW Review: SCORE - Pinot Noir, Mid-sized Car
The fictional has-beens of Alan Howley and Jack Cawley resemble anxious players returning to settle old scores.
BWW Review: YOUR OWN MAN/MAD NOTIONS - Finding the Beat of Your Own Drum
Luke Murphy's svelte demeanour can instantly give way to warrior-like choreography.
BWW Review: GHOSTS - Failing to Disappear
Dancers Ruairí Donovan and Asaf Aharonson flit as gentle lovers in this showing up of archaic law.
BWW Review: YOU'RE NOT ALONE - Let Us Go, You and I
Theatre etiquette is dashed in Kim Noble's epic search for companionship.
BWW Review: MX JUSTIN VIVIAN BOND ... And Things of THAT Nature!
To Thomas Bartlett's possessed swoops on the piano, Mx Justin Vivian Bond powerfully sends hexes out into the universe.
BWW Review: BECKETT IN THE CITY - The Women Speak
The new chapter of Company SJ's Beckett in the City series articulates the ramshackle body of the woman in nationalist Ireland.
BWW Review: OBJECT PIGGY - I'm an Extraordinary Machine
If fetishisation of machinery is part of aerial play, Emily Aoibheann's experiment cuts and fuses shapes that show the mechanical taking over.
BWW Review: DOUZE - A Most Rare Euro Vision
Popstar-wannabe Xnthony makes his move for Eurovision 2016.
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