Chris McCormack - Page 2

A cluttered bedsit becomes a refuge in Conor McPherson's drama. You can't help but see it staged against the current homelessness crisis.

Stefanie Preissner's new play was already promised to Tiger Dublin Fringe when her funding application was unsuccessful. In this once off performance, she makes a case for the vindication of the artist.

The fictional has-beens of Alan Howley and Jack Cawley resemble anxious players returning to settle old scores.

Luke Murphy's svelte demeanour can instantly give way to warrior-like choreography. Why then is he struggling to break free from his cages?

Dancers Ruairí Donovan and Asaf Aharonson flit as gentle lovers in this showing up of archaic law.

Theatre etiquette is dashed in Kim Noble's epic search for companionship.

To Thomas Bartlett's possessed swoops on the piano, Mx Justin Vivian Bond powerfully sends hexes out into the universe.

The new chapter of Company SJ's Beckett in the City series articulates the ramshackle body of the woman in nationalist Ireland.

If fetishisation of machinery is part of aerial play, Emily Aoibheann's experiment cuts and fuses shapes that show the mechanical taking over.

Popstar-wannabe Xnthony makes his move for Eurovision 2016. Is he parodying celebrity rise to power or gunning for glory himself?

Michael Glen Murphy's play returns to the late days of Dublin's Theatre Royal.

Barry McStay's nail-bitingly good play asks timely questions in the wake of the Marriage Equality Referendum. However, politics aren't the extent of its reach.

Louise White's pastoral promenade inside a disused commercial building suggests the possibility of regrowth, drawing on the experiences of The Abbeyleix Bog Project.

Goerge Brant's unsettling play asks questions about the changing state of warfare.

A fictional Irish town becomes victim to a sinister wind-farm plot in Jane Madden's brilliant farce.

Aisling O'Mara and Robbie O'Connor summon two Abbey actors who fought in Easter week 1916.

In this beguiling co-production, junk ensemble and Brokentalkers place confidence in a cast of strangers.

Alice Malseed is exemplifiable of millennials burnt out by their late twenties, their hopes dashed in the bust. What can be made of this world stung into paralysis?

Jarlath Tivnan's debut play is written in the strokes of black comedy but points to darker truths under the surface in rural Ireland.

The return of the Spiegeltent lends greater diversity to the Tiger Dublin Fringe Festival, and may usher in a new maturity in time for its 21st birthday.