Chris has been active in the local theatre scene for over 30 years and reviewing local theatre for over 11. In addition to his acting work, he's also contributed as a director, writer and composer. Though, initially a film buff, he grew tired of the sanitized, PG-13 rated blockbusters that were being continually shoved down his throat by the studios. An opportunity to review theatre in St. Louis has grown exponentially with the sudden explosion of venues and talent in the region. He now finds himself obsessed with witnessing those precious, electric moments that can only happen live, on stage.
AND THEN THERE WERE NONE, also published under the title, 'Ten Little Indians', is Agatha Christie's best selling novel and the 7th most popular book of all time with over 100 million copies sold.
HotCity Theatre, a professional theatre company with a focus on contemporary programming and new play development announces the opening of EQUUS, The 1975 Tony award winning psychological drama by Peter Shaffer.
First Run Theatre dedicates all its efforts toward full stagings of new works by local playwrights, and on this occasion, they're presenting (along with Dusty Bums, and through the kind use of the Marble Stage Theatre space in the Crestwood Artspace) LET THERE BE THISTLES by Joshua Thomas.
Insight Theatre Company is proud to announce the upcoming production of the Tony Award winning musical, Man of La Mancha by Mitch Leigh, Joe Darion, and Dale Wasserman.
Since I first started taking my son along with me to see children's shows, it's become readily apparent to me that he especially enjoys seeing the ones put on by Stages St.
ANTON IN SHOW BUSINESS, written by playwright Jane Martin, has some clever ideas going for it, including taking on the sacred institution of Anton Chekov himself, as well as examining the ongoing conflict between art and commerce.
Though actor/playwright Jason Miller may be best remembered for his turns as troubled priest Father Damien in The Exorcist (and Exorcist III: Legion), he should probably be thought of for his Pulitzer-prize winning work, THAT CHAMPIONSHIP SEASON.
A romantic comic opera with militaristic undertones sounds like a rather odd juxtaposition of style and substance, but LA FILLE DU REGIMENT(Daughter of the Regiment) pulls off that feat with a delightful combination of tuneful melodies, along with a considerable amount of charm that's hard to resist
Jenny Schwartz's play GOD'S EAR is an intriguing work, chock full of linguistic twists and turns that manage to illuminate rather than obscure, even though they appear to tumble forth with seemingly reckless abandon.