BWW Review: A DOLL'S HOUSE, PART 2 at Round House Theatre
In a city where seemingly everyone is from somewhere else, A Doll's House Part 2 is about something all of us have had to do at some point or another, return home to face our past.
Benjamin Tomchik - Page 2
BWW Interview: Ryan Rilette Creates Peace with Round House's OSLO
The story of the Oslo Peace Accords is one of diplomatic maneuvering, political intrigue, and unforgettable characters.
BWW Interview: Washington Says Farewell to Michael Kahn with THE ORESTEIA
For those hoping to see Kahn in his element, you have one last chance with The Oresteia.
BWW Interview: Kelly Crandall d'Amboise Sets Signature's GRAND HOTEL in Motion
With 'velvet stairs, easy chairs, and perfumed air gently blowing,' the Grand Hotel Berlin may not be a character in the traditional meaning of the word, however, it is the catalyst which sets in motion the fate of every guest who walks through its opulent revolving doors.
BWW Review: Outstanding Acting Propels WSC Avant Bard's TOPDOG/UNDERDOG
For once, being conned is all it is cracked up to be.
BWW Interview: Arena's JUNK Brings Nancy Sun Back to DC and the World of Finance
When the curtain rises for Junk on April 5, it will mark a full circle for Actress Nancy Sun
BWW Review: WNO's Exquisite EUGENE ONEGIN at the Kennedy Center
Washington National Opera's (WNO) Eugene Onegin is exquisite! The entire evening soars like a dream with pitch-perfect performances led by the immaculate Anna Nechaeva as Tatiana.
BWW Interview: Arena's JQA Explores the Complicated Legacy of a Complicated American
Lamented as an ineffectual president, and later celebrated by then-Senator John F.
BWW Review: CINDERELLA Enchants at the Kennedy Center
In an era where everything seemingly gets remade, and usually not for the better, the idea of seeing a Cinderella set during wartime may give you pause - don't let it!
BWW Interview: A Return 30 Years in the Making - KLEPTOCRACY's Candy Buckley
For Buckley, Arena's production will not only mark Kleptocracy's world premiere, but the chance to return to, "One of the most prestigious repertory theaters in America.
BWW Review: Kennedy Center's BARBER SHOP CHRONICLES Celebrates Community
After a divisive election, and with a government shutdown looming next week, it's hard to think about what unites us.
BWW Interview: Ben Cherry's Journey From Broadway to DC with Arena's INDECENT
Every role takes an actor on a journey.
BWW Interview: Parker Esse Makes Sure Arena's ANYTHING GOES is De-Lovely!
Choreographer Parker Esse is responsible for not only ensuring that happens, but also for making sure that the moves of the characters onboard the S.
BWW Interview: Matthew Gardiner Helps Two Billys Take Flight in Signature's BILLY ELLIOT
Audiences familiar with Signature Theatre know that it is not uncommon for Matthew Gardiner to wear dual hats as both a musical's director and choreographer.
BWW Interview: Bedlam Comes to DC and the Folger with MACBETH
The Folger Macbeth has been adapted and amended by Sir William Davenant and is being done in a Restoration style.
BWW Review: Signature's Complex and Layered PASSION
Signature's production celebrates the complexities of love with a production filled with a career-defining performance by leading lady Natascia Diaz and the type of mature, sleek, and sexy direction rarely seen in Washington.
BWW Review: Theater J's Explores Identity and Religion with TRAYF
At Trayf's core is the search for two universal desires, purpose and identity, and the play does not require one to be overly religious or familiar with Orthodox Judaism to enjoy it.
BWW Review: Folger's Intimate and Informal SAINT JOAN
Watching Saint Joan, something seems missing in Bedlam's informal and intimate production.
BWW Interview: Michael Feinstein Brings the Great American Songbook to Strathmore
Many only get to experience Feinstein through his recordings, PBS specials and the NPR show Song Travels with Michael Feinstein.
BWW Review: Theater J's ROZ AND RAY is in Critical Condition
There is a great drama in Roz and Ray, but only if the focus is less on Roz and Ray and more about what brought them together, healthcare.
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