BWW Review: CAMP SIEGFRIED, Old Vic
The Old Vic stages the world premiere of American playwright Bess Wohl's Camp Siegfried.
Bella Bevan
BWW Review: PINK LEMONADE, Bush Theatre
The 2019 Edinburgh Fringe hit comes to London with high-quality production values intact.
BWW Review: ROCKETS AND BLUE LIGHTS, National Theatre
Winsome Pinnock's new political play finally gets a full run at the National, after its Royal Exchange Theatre premiere was curtailed due to Covid.
BWW Review: THE SONG PROJECT, Royal Court
The Royal Court hosts something different from their usual line up with this musical theatre/cabaret/concert hybrid titled The Song Project, led by celebrated Dutch singer Wende.
Guest Blog: Bella Bevan On Creating A One-Woman-Musical
As I am about to begin the third run of my one-woman-musical 'Better Than Sex: The Story of Mae West' at the Camden Fringe Festival, I am reminded that performing this show is also one of the most rewarding experiences of my life.
BWW Review: BACH & SONS, Bridge Theatre
Nina Raine's new play Bach & Sons has opened at the Bridge Theatre to socially distanced audiences.
BWW Review: OUT WEST, Lyric Hammersmith Theatre
Last night the Lyric Hammersmith Theatre reopened with the world premiere of Out West.
BWW Review: YOU ARE HERE, Southwark Playhouse
Southwark Playhouse reopens this week with in-person performances of You Are Here.
BWW Interview: Paul Ettore Tabone Talks THIS IS ME, His Debut Solo Album
Since the pandemic forced an early end to his four year stint as Ubaldo Piangi in the West End’s The Phantom of the Opera, Paul Ettore Tabone has been keeping busy working on his debut album.
BWW Review: THE PIRATES OF PENZANCE, Palace Theatre
Sasha Regan's award-winning all-male take on Gilbert & Sullivan's The Pirates of Penzance returned to the West End this weekend at The Palace Theatre.
BWW Feature: PHANTOM Actor Paul Tabone & More On Why This Industry Is Viable - And Vital
Bella Bevan exposes the ongoing devastation occurring in the UK’s once booming theatre industry, and breaks down why these jobs are viable and why the country needs this kind of work.
BWW Review: NEXT THING YOU KNOW, The Garden Theatre At The Eagle
The third show to run at the open-air The Garden Theatre at The Eagle - now with outdoor heating - is Next Thing You Know, is a contemporary, American, four-hander musical by Ryan Cunningham and Joshua Salzman.
BWW Review: WE WERE HAVING A PERFECTLY NICE TIME, Omnibus Theatre
Clapham's award-winning independent theatre reopens its doors with this short dark comedy about loo roll, lost love at the bus station and knowing when to end a conversation.
BWW Interview: Rachel Tucker Chats SONGS FOR A NEW WORLD at the London Palladium
The live-streamed production of Jason Robert Brown's Songs For A New World that we enjoyed during lockdown is now coming to the stage, with two socially distanced shows at the London Palladium on 11 October.
BWW Review: PIPPIN, The Garden Theatre At The Eagle
After launching this summer with the sold-out musical Fanny and Stella, The Garden Theatre at The Eagle presents a new production of the popular musical Pippin.
BWW Review: GODSPELL 50TH ANNIVERSARY CONCERT, The Hope Mill Theatre Online
West End stars unite for special Godspell 50th Anniversary online concert streaming worldwide for three days only.
BWW Review: PEARL AND DAGGER, The Bandstand In Battersea Park
This Sunday, Theatré Lapis presented their 30 minute concert version of newly devised musical Pearl and Dagger at Battersea Park's Bandstand.
BWW Review: FANNY & STELLA, The Garden Theatre at The Eagle
Fanny & Stella is the debut production at The Garden Theatre, situated in The Eagle pub's beer garden in Vauxhall.
BWW Interview: Rosie Day Chats INSTRUCTIONS FOR A TEENAGE ARMAGEDDON at BarnFest, Cirencester
Rosie Day will perform her self-devised one-woman show Instructions For A Teenage Armageddon at the upcoming BarnFest.
BWW Review: THE SECRET LOVE LIFE OF OPHELIA, Greenwich Theatre Online
The Secret Love Life of Ophelia is a new adaption of Steven Berkoff's two-hander play.
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