Born in London, Barry was introduced to theatre as a small boy, through being taken to see traditional Christmas pantomimes, as well as discovering jazz and fine music at a very young age. High school found him loving the works of Shakespeare, as well as many other great playwrights, poets and novelists. Moving to Australia, he became a jazz musician, playing with big bands and his own small groups, then attended the Elder Conservatorium of Music at the University of Adelaide, playing with several orchestras. This led to playing in theatre pits, joining the chorus, playing character roles, playing lead roles (after moving into drama), then directing, set and lighting design, administrative roles on theatre boards and, finally, becoming a critic. After twenty years of writing he has now joined the Broadway World team to represent Adelaide, in South Australia. Barry is also a long time member of the prestigious Adelaide Critics Circle.
This is certainly the best production of South Pacific that I have seen, and I have seen quite a few, including being involved with three productions myself.
The seven performers bring a range of talents and skills to the stage in an action packed show that thrilled and amazed young and old alike from start to finish.
A new amateur theatre company on the Adelaide scene, Growling Grin Productions, are presenting Closet Land at the intimate Bakehouse Theatre, a stage play adapted from the film of the same name.
The Adelaide Repertory Theatre Society, who operate at their own ARTS Theatre, are ending their year on a light, fun note with a melodrama last performed in Adelaide in 1988, The Mystery of the Hansom Cab.
The Zephyr Quartet's most recent concert, at the Promethean, was a relaxed cabaret style performance of rarely heard musical works by some of the greatest film composers of the 20th century.
The eighth and final concert in the Evenings at Elder Hall concert series, Concerto for Orchestra, was a chance for the Elder Conservatorium Symphony Orchestra to celebrate the anniversaries of three great classical composers, Benjamin Britten, Witold Lutos?awski, and Richard Wagner.
This is another gem from Parham, following on from the great success of his previous very popular character, Schmoo, and this production, with some revision, has already had several outings through popular demand.
The Bakehouse Theatre Company is presenting The Web, directed by Yasmin Gurreeboo whose debut as director for this company with And No More Shall We Part, was a triumph.
State Theatre once again have another successful piece of theatre on their hands, with nods and words of approval flowing as the audience left the Dunstan Playhouse at the Adelaide Festival Centre.