Adelaide cabaret stalwart, Libby O'Donovan, takes a very different tack for her latest production, Songs Only a Mother Could Love, a collection of songs that she, and others, learned from their mothers as children.
Harriet Allcroft came to the attention of Adelaide audiences when she appeared in a show case performance following one of the Adelaide Cabaret Summer Schools.
Barb Jungr made a very welcome return to the Adelaide Cabaret Festival, her last visit having been in 2006, when she presented her unique interpretations of the songs of Bob Dillon.
Stephen Sondheim has written songs for many crazy people in his musicals, some permanently so, and some pushed beyond their limits by circumstances who become temporarily that way.
Barry Lenny talks to Barb Jungr, who is appearing at the 2013 Adelaide Cabaret Festival.
Rachel Rai and Claire McEvoy, aided and abetted by accompanist Aaron Nash at the piano, presented Tears on My Pillow: Cry Another Day, a sequel to their earlier hit show, Tears on My Pillow: Cry Harder, that was presented at the 2013 Adelaide Fringe and completely sold out.
The Adelaide Festival Centre was opened in 1973 by then Prime Minister Gough Whitlam, and the Premier of South Australia at that time, Don Dunstan.
The Marie Clark Musical Theatre Company have chosen a show that is not often performed in Adelaide.
Maestro Antonio Fava is the world's leading practitioner and teacher of the 16th Century Italian comic art form, Commedia dell'Art.
In his short 32 years Schubert composed an enormous amount of music, including over 600 lieder (songs), nine symphonies, including his famous Symphony No.
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